DIENER, Pablo. The picturesque as an aesthetic category in the art of travelers: notes on J. M. Rugendas's work.Translated byMarÃa Paz Fernández Smits. Historia (Santiago) [online]. 2007, vol.3Selected edition, pp. 0-0. ISSN 0717-7194.
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4. J. M. Rugendas, View of Popocatepetl and Ixtaccíhuatl Volcanoes (1831), oil on cardboard, in Pablo Diener, Rugendas, 1802-1858. Germany, Goethe Institut Santiago and Goethe Institut Sao Paulo, 1998, 215. [ Links ] 1 See, chiefly: Jean Adhémar, 1997 (1937-). La France Romantique. Les lithographies de Paysage au XIXème siècle. Paris: Somogy Éditions d'Art. Johannes Dobai. 1974-1977. [ Links ] Die Kunstliteratur des Klassizismus und der Romantik in England. Berna: Benteli Verlag; 3 vols; Christopher Hussey. 1927. [ Links ] The Picturesque. Studies in a Point of View. London & New York: G. P. Putnam's Sons. [ Links ] 2 Engelmann in Pablo Diener and María Fátima Costa. 2002. Rugendas e o Brasil. Sao Paulo: Editora Capivara; 93. [ Links ] 3 Carl Nebel. 1836. Voyage pittoresque et archéologique dans la partie la plus intéressante du Mexique. Paris; M. Moench / M. Gau; [ Links ] 4 Alexander von Humboldt. 1835. "Mexicanische Alterthümer". In: Annales der Erd-, Länder-und Völkerkunde. Berlin, vol. XI, num. 4 (1/31/1835), 321-325; 322. [ Links ] 5 See mainly: William Gilpin. 2001. (1792-). "Three Essays: On Picturesque Beauty; On Picturesque Travel; and on Sketching Landscape". In Aesthetics and the Picturesque, 1795-1840. Bristol, Thoemmes Press; vol. 1. [ Links ] 6 Edmund Burke, 1824. (1757-). An Enquiry into the Origin of our Ideas of the Sublime and Beautiful. London, A. Robertson & Co. [ Links ] 9 Gilpin in Malcolm Andrews, 1995. "A Picturesque Template: The Tourists and their Guide-books". In: Dana Arnold (ed.) The Picturesque in late Georgian England. Papers given at The Georgian Group Symposium. London: The Georgian Group, 3-9; 4. [ Links ] 11 Uvedale Price. 2001 (1810-) "Essays on the Picturesque, as compared with the sublime and the beautiful; and on the use of studying pictures, for the period of improving real landscape". In: Aesthetics and the Picturesque, 1795-1840. Bristol: Thoemmes Press; vol. 3. [ Links ] 12 West in Christopher Hussy, 1927. The Picturesque. Studies in a Point of View. London & New York: G. P. Putnam's Sons: 126. [ Links ] 15 Rugendas in Albert Hämmerle. 1937. "Die letzen Maler Rugendas", in: Vierteljahresschrift zur Kunst und Geschichte Augsburgs. Augsburg, vol. 3; 8. [ Links ] 16 Alexander von Humboldt. 1989 (1807-). Schriften zur Geographie der Pflantzen. Edition of "Ideen zu einer Geographie der Pflantzen" (1807), commented by Hanno Beck. Darmstadt: Wissenschaftliche Buchgesellschaft. [ Links ] 17 Alexander von Humboldt. 1993 (1845-1862). Kosmos. Entwurf einer physischen Weltbeschreibung. Edited and commented by Hanno Beck. Darmstadt: Wissenschaftliche Buchgesellschaft; 2 vols. [ Links ] 21 For Alexander von Humboldt's aesthetic connections, see: Pablo Diener. 1999. "La estética clasicista de Humboldt aplicada al arte de viajeros". In Amerística. La ciencia del Nuevo Mundo. Mexico DF. Year 2, num. 3, 41-49. [ Links ] 25 Erwin Panofsky, 1991 (1927-). Perspective as Symbolic Form. New York, Zone Books. [ Links ] 26 Charlotte Klonk, 1997. "From Picturesque Travel to Scientific Observation: Artists' and Geologists' Voyages to Staffa". In: ROSENTHAL, Michael; PAYNE, Christiana, and WILCOX, Scott (eds.). Prospects for the Nation: Recent Essays in British Landscape, 1750-1880. Studies in British Arts 4. New Haven & London: Yale University Press, 205-229; 205. [ Links ] 27 Donato Mello Júnior, 1973. "Alexandre von Humboldt e o Conde de Clarac. Uma interpretação artística francesa da nossa floresta tropical pelo sábio naturalista alemão". In: Revista Brasileira de Cultura, 16 (1973), 121-136; 131. [ Links ] 29 For references on Rugendas's work, see: DIENER, Pablo. 1998 (1997-). Rugendas 1802-1858. Art catalogue. Augsburg: Wissner Verlag. [ Links ] 31 Óscar Pinochet de la Barra. 1989. Carmen Arriagada. Cartas de una mujer apasionada. Santiago, Chile: Editorial Universitaria; 191. [ Links ] |