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<journal-meta>
<journal-id>1990-7451</journal-id>
<journal-title><![CDATA[T'inkazos]]></journal-title>
<abbrev-journal-title><![CDATA[T'inkazos]]></abbrev-journal-title>
<issn>1990-7451</issn>
<publisher>
<publisher-name><![CDATA[Fundación para la Investigación Estratégica en Bolivia (PIEB)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1990-74512008000100002</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Youth, fear and urban space in Cochabamba]]></article-title>
<article-title xml:lang="es"><![CDATA[Jóvenes, miedo y espacio urbano en Cochabamba]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ostria]]></surname>
<given-names><![CDATA[Gustavo Rodríguez]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Serrano]]></surname>
<given-names><![CDATA[Humberto Solares]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Canedo]]></surname>
<given-names><![CDATA[María Lourdes Zabala]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ostria]]></surname>
<given-names><![CDATA[Gustavo Rodríguez]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A">
<institution><![CDATA[,  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
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<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2008</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2008</year>
</pub-date>
<volume>4</volume>
<numero>se</numero>
<fpage>0</fpage>
<lpage>0</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_arttext&amp;pid=S1990-74512008000100002&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_abstract&amp;pid=S1990-74512008000100002&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_pdf&amp;pid=S1990-74512008000100002&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[For upper-middle-class young people in the city of Cochabamba, the limits of the habitable world are reached a few blocks away from the Plaza Colón, in the heart of the old city centre. Just metres further on begins an invisible wall that separates two worlds, two cultures and two aesthetics, where fear and insecurity play an important role. In this article, the authors share some of the findings from their research on young people and the decline of the public space in Cochabamba.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Para los jóvenes de clase media alta de la ciudad de Cochabamba, los linderos del mundo habitable se cierran en el corazón del antiguo centro urbano. Metros más allá, comienza una muralla invisible que separa dos mundos, dos culturas y dos estéticas donde el miedo y la inseguridad tienen un rol importante. Los autores de este artículo comparten algunos de los hallazgos de una investigación sobre la declinación del espacio público y los jóvenes en Cochabamba.]]></p></abstract>
</article-meta>
</front><body><![CDATA[ <p><font face="Verdana, Arial, Helvetica, sans-serif" size="4"><b>Youth, fear    and urban space in Cochabamba</b></font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>J&oacute;venes,    miedo y espacio urbano en Cochabamba</b></font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Gustavo Rodríguez    Ostria<a href="#_ftn1" name="_ftnref1" title=""><sup>1</sup></a>; Humberto Solares    Serrano;  María Lourdes Zabala Canedo</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Translated by Gustavo    Rodríguez Ostria    <br>   Translation from <b>T'inkazos</b>, La Paz, v. 11 n. n.25, Nov 2008.</font></p>     <p>&nbsp;</p>     <p>&nbsp;</p> <hr size="1" noshade>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>ABSTRACT</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">For upper-middle-class    young people in the city of Cochabamba, the limits of the habitable world are    reached a few blocks away from the Plaza Colón, in the heart of the old city    centre. Just metres further on begins an invisible wall that separates two worlds,    two cultures and two aesthetics, where fear and insecurity play an important    role. In this article, the authors share some of the findings from their research    on young people and the decline of the public space in Cochabamba. </font></p> <hr size="1" noshade>     <p><b><font face="Verdana, Arial, Helvetica, sans-serif" size="2">RESUMEN</font></b></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Para los j&oacute;venes    de clase media alta de la ciudad de Cochabamba, los linderos del mundo habitable    se cierran en el coraz&oacute;n del antiguo centro urbano. Metros m&aacute;s    all&aacute;, comienza una muralla invisible que separa dos mundos, dos culturas    y dos est&eacute;ticas donde el miedo y la inseguridad tienen un rol importante.    Los autores de este art&iacute;culo comparten algunos de los hallazgos de una    investigaci&oacute;n sobre la declinaci&oacute;n del espacio p&uacute;blico    y los j&oacute;venes en Cochabamba.</font></p> <hr size="1" noshade>     <p>&nbsp; </p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In statistical    and demographic terms, young people are a group between the ages of 17 and 24.    This indicates that youth is marked by biology or bodily development. Following    Bourdieu, however, we can make a sociological reading of youth, understanding    it as a power relationship: a young person is someone who engages in disputes    with earlier generations. We can therefore read youth from two points of view:    the physical and the social.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Accepting that    youth is a culturally constructed category, we are interested in focusing on    a particular way of being young in Cochabamba: belonging to the upper-middle    class, which is characterised by having money, living in residential neighbourhoods    in the North of the city, attending private schools and having one’s own means    of transport – a car – to move around the city. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Of course, as Carles    Feixa (2004) points out, generations are not compact structures but rather “symbolic    references that vaguely identify people socialised within the same historical    coordinates.” According to Feixa, “young people are natives of the present,”    and consequently bearers of a new episteme and sensibilities resulting from    historical experience and the years when they were socialised.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">There is no doubt    that the old landowning elites who settled in the city of Cochabamba ceased    to be a leading social class after the 1953 Agrarian Reform. The essence of    their feudal and economic power collapsed when the bonded farm labourers were    emancipated and turned into the owners of the land that belonged to their former    masters. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">With regard to    this, the journalist Demetrio Canelas noted almost half a century ago that as    a result of this measure, “thousands of families who made up the traditional    middle class were thrown out of their homes and condemned to destitution” (<i>Los    Tiempos</i>, 30.09.1971).<i> </i>This is an explicit acknowledgement that Cochabamba’s    dominant class had been deeply affected and much of its economic power had vanished.    The remnants survived by consuming their “reserves,” but these were not just    material goods – they included prestige, old influences in the world of trade,    and friends who remained faithful. In one way or another, this would enable    them to share some fragments of their old hegemony with the new social groups,    through their more enterprising descendants.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Gordillo, Rivera    and Sullkata agree with this idea, affirming that the members of the traditional    elite whose old source of power had been their link with estate land “closed    in on themselves and barricaded themselves behind ultra-defensive positions    in response to the emergence of the new social groups” (2007: 71). Nevertheless,    there are indications that a few members of this old elite attempted separately    to adapt to the new modern times, not always successfully. They adopted a strategy    of returning to the sphere of long-term power through their descendants. To    achieve this, they did not hesitate to make huge sacrifices to enable their    children to obtain the best university education, preferably abroad. These descendants    would be the seeds of a new generation of business entrepreneurs, civil servants    and public university lecturers who emerged in the 1970s and ’80s and found    fertile ground to consolidate themselves with the economic growth that followed    the hyperinflation of 1982-1985 and the privatisation and market economy policies    adopted in the 1990s. These are elites that have grown with the support of bureaucratic    jobs in local and national government institutions. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In urban terms,    their territories and spaces for socialising revolved around the city centre,    in the area between El Prado, the Plaza Colón and the Plaza de Armas. This is    not a large group: they may number no more than 2,000 to 2,500 families, who    mostly live in the North of the city and congregate around clubs such as the    Country Club or the Cochabamba Tennis Club. Their children go to “elite” schools    such as Tiquipaya, Anglo Americano, Froebel or San Agustín. When they leave    secondary school, they prefer to enrol at the Universidad Privada Boliviana    (UPB) or in certain degree courses at the Universidad Católica Boliviana (UCB)    that will prepare them for the world of business.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This group of young    people is a generation born between 1983 and 1990, i.e. in the time of transition    from the society of the masses introduced by the 1952 Revolution to the elitist,    individualist society of neoliberalism – a time of democracy, the political    party system and institution-building. Their youth coincided, however, with    the crisis of this system of references and the emergence of profound social    conflicts and disputes for power at the local and national level. Between the    water war of February 2000 and the violent clashes of 11 January 2007 was a    seven-year period characterised by constant tension, the crisis of the republican    system and the emergence of new social and ethnic groups at the regional level    and in society as a whole.  </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">How this context    is influencing systems of representation, meanings or collective senses in Cochabamba    requires further research. Nevertheless, it is undeniable that young people    from the upper-middle class – members of a group called “Jóvenes por la democracia”    (“Young people for democracy”) – were a core component of the armed demonstrators    who clashed violently with rural, indigenous and low-income urban groups on    11 January 2007, and that they have started to read social reality in terms    of irreconcilable confrontation and polarisation with ethnic and class connotations,    in response to the official discourse of Evo Morales and Álvaro García Linera    which introduced a reading from the same standpoints. For the time being, we    can suggest that the emergence of these new discourses called into question    the <i>mestizo</i> identity and sense of belonging as a shared cultural space    or the basis of the imagined community in Cochabamba introduced by revolutionary    nationalism in the period following the Chaco war (1932-1935).</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>1. Territory    and the urban imaginary</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Youth cultures    seek to open up spaces to inhabit where they enjoy freedom and are not told    what to do by their elders. Like other human groups, they do not exist without    a territory or without material and symbolic ownership of that territory. Under    what aegis is the territoriality of upper-middle-class young people in Cochabamba    being (re)fashioned? How do fear and difference influence the occupation of    these territories or exclusion from them?<a href="#_ftn2" name="_ftnref2" title=""><sup>2</sup></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Territoriality    “is the way of relating to the living space established by the individual” (Lindon,    2005: 145-172). A territory is much more than the material or physical space,    as it includes a non-material or socially subjective dimension. Territory, in    other words, is based on symbolic ownership.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">As representations,    territories are not visible to everyone. Or, to put it another way, they are    visible to some and invisible to others. The state of visibility or invisibility    cannot be considered without taking into account the individual who sees or    does not see. Visibility is not structural but experiential, as it is associated    with how encounters are represented. Urban groups judge the quality of places,    attributing certain characteristics, meanings and senses to them. Shared identities    are established in the territory, giving meaning to affective and symbolic interactions.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The sense of sight    plays a key role in how we experience the landscape. As Alicia Lindón points    out, it is through sight that we get to know the world: “invisible landscapes    are those we do not see, and what we do not see, we do not usually know; the    landscapes we see are the ones we know.” </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The territoriality    of upper-middle-class young people in Cochabamba is expressed in time and space    according to age, class and sex. It is a historical category that is constantly    being transformed under the influence of socio-economic, technological and urban    changes. Since the 1980s, an important shift has taken place in how the territory    is used and represented by these young people, which we will examine below.    Firstly, they have withdrawn from the public space occupied by the previous    generation, or use it only sporadically and for specific purposes, and secondly    they have taken over the night as an autonomous space for leisure activities    and socialising.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The way in which    the previous generation – the parents of these upper-middle-class young people    in Cochabamba – lived and socialised in the space was different. In the 1970s    and ’80s, their timeframe was limited – or rather restricted – to the daylight    hours and, occasionally, the early evening under the severe paternal gaze. Public    spaces – squares, streets and street corners – were genuine territories for    meeting and socialising, used largely without fear. The street markets were    the preferred retail outlets where families bought their supplies and did their    shopping. The state university was the space where school-leavers from public    and private schools would come together. They shopped in the street markets    and studied at the state university. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The situation changed    at the end of the 1980s and, especially, in the 1990s, as this group withdrew    to a different everyday life in the urban space. As we have already mentioned,    the city fragmented with greater intensity and became segmented. The North of    the city emerged as a solid reality, well-provided with urban services and distinguished    by its own specific cultural and social nuances. Over the last two decades,    the city of Cochabamba has undergone profound urban, demographic and social    changes. As a result of the consolidation of the North of the city, other urban    spaces that had been key sites for socialising, such as La Cancha, were consigned    to the past, and the historic city centre ceased to be the space for meeting    and gazing. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this new scenario,    under what parameters and representations do upper-middle-class young people    in Cochabamba organise their territoriality? </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The surveys, focus    groups and interviews we carried out as part of our research (2007-2008) reveal    that fear is one of the fundamental factors that determine the new subjectivities    and the appropriation of new spaces when the time comes to decide whether to    assert a presence in a public space or withdraw from it and take refuge in other,    more private and safer spaces. A situation observed by Lucía Dammert in the    Latin American context is being reproduced in Cochabamba:</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Various surveys      suggest that the fear of crime is a key factor in explaining why certain groups      are continuing to abandon public spaces and prefer the safety of enclosed      spaces (Dammert, 2008).</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Of course, other    factors such as distance or deteriorating urban infrastructure also influence    the use of the public space, but as explanations for these changes they are    not as important as fear. This is not fear of physical or technological disasters.    It is a new type of apprehension: fear of living in the city, or, more specifically,    of living in certain parts of the city where one may be the victim of violence.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Fear is a feature    of contemporary society. Unemployment, the effects of the economic crisis, terrorism    – these shake every generation (Bauman, 2007). But according to Martín Barbero,    who agrees with Dammert, in the new ways of inhabiting and communicating in    the urban fabric, fear is the key (Barbero, 2003). It produces a loss of ontological    security with regard to everyday life in the urban space (urbus = civilised),    formerly considered a safe, protective place compared with the hostilities of    the rural world (rus = coarse, uncouth). </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Fear is a symbolic    representation that is both individual and collective, as it hardens individually    but is socially constructed and culturally shared, as Dammert might say. The    former, because it is the result of interaction between different people and    the exchange of information between them, which creates an outcome that guides    their behaviour. The latter, because fear is constructed on the basis of representations    produced by people that do not necessarily correlate with the real world. Following    Roberto Briceño-León (2007), we accept that it is subjective in nature. The    fear of violence, this author goes on to say, is based on a calculation of probabilities    that takes into account two interrelated variables: the information – possibly    of doubtful accuracy – one has about similar events that occurred in the past,    and one’s own expectations of safety. Fear becomes insecurity due to the increase    in crime and new forms of violence perpetrated by criminals. It is amplified    by widespread dissatisfaction and suspicion regarding the ineffectiveness and    lack of probity of the institutions – the police and the justice system – called    upon to guarantee and administer public order and safety.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Crime itself admits    two dimensions: the objective and the subjective. The former involves a reading    based on the reporting of numbers and statistics on crimes that actually occur    and are recorded and experienced in a specified area. The latter refers to an    imaginary (and therefore fictitious) record of such crimes. Armando Silva speaks    of an “imaginary of fear” that defines structures of meaning to interpret reality,    leading to the emergence of unconscious ideas that are not an epiphenomenal    or automatic reflection of that reality.  </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The imaginary is    composed not of data or statistics – although these do count – but fundamentally    of metanarratives, mythologies and cosmogonies (Silva, 2004). From this point    of view, it is not relevant whether – in the figures on crime rates in Cochabamba    or the statistics on criminal acts per inhabitant – a particular neighbourhood,    street or square has higher or lower rates of crime than other areas. The essential    thing is that the collective imaginary – and the imaginary of different age    groups – registers it as having a high crime rate and group members act accordingly    by withdrawing from it. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In other words,    it does not matter whether the image of growing danger in the city of Cochabamba    has a verifiable basis in reality. Reality and perception can become dissociated.    The imaginary “has practical consequences because people will act in accordance    with it, as though the ideas that gave rise to it were true” (Briceño, 2007:    36). Once the label of fear has been applied to a given space, it produces a    real effect that influences people’s practices and discourses, as though the    label was a guide to action (Lindon, 2007: 7-16). </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In fact, a report    published in Spain in 2003 showed that the perception of insecurity is associated    not with crimes against people or property but with the subjective sense of    “widespread fear” resulting from a series of activities judged antisocial in    a specific place (Goycoolea, 2008: 13). And this is what matters: in their subjectivity,    in their mental images, the people of Cochabamba are experiencing a constant    and growing sense of insecurity.<a href="#_ftn3" name="_ftnref3" title=""><sup>3</sup></a> Fear is felt by the rich,    the poor, men, women, young people and the elderly, although for different reasons,    in different places and at different times of day.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Fear is historically    and socially specific, because it is experienced differently in each time period,    it has a sociological and cultural dimension which varies, and it is marked    by class, gender and age differences. Created by the mass media, by one’s own    experience or by rumour, or transmitted by parents or by one’s circle of friends,    fear is socialised through rumour rather than seen, although violence may be    present on a daily basis in the city. People learn to identify the sources of    danger and respond to fear. How should you behave? Where should you avoid going?    How should you get there? Who should you go with? Reguillo (2000) mentions the    contrivance of “urban survival manuals,” a sort of “unwritten set of codes that    prescribe and proscribe practices in the city.”</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The most striking    consequence of fear is that it contributes to the development of a new relationship    with “the other,” with those who are different. As Dammert observes, “outsider    status” is established in “the use of spaces in the city; it involves a casting    a constant, negative gaze on those who are recognised as outsiders, and who    are often perceived as frightening and violent.” This situation leads to the    sense of community being lost and eradicated, “through daily injections reinforcing    distrust of the person who passes by you in the street” (Dammert, 2008: 243-258).    Certain groups of people are stigmatised and the public space is abandoned.    Similarity is good; difference is suspicious (Entel, 2007). Fear tends to be    identified with insecurity, and this is how fear of human beings develops, obscuring    everything else. “Suspicion” operates as the key factor structuring social relationships,    which inevitably revert to fear and the branding and stigmatisation of certain    groups.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">How does this constant    sense of fear affect the use of the city and urban spaces? The first thing we    can say is that it increases the segmentation and privatisation of the urban    space. The territory is organised as marked: known = safe; unknown = unsafe,    or “the bad part of the city.” As Dammert concludes in her studies of cities    in Argentina and Chile, streets and public spaces are seen as unsafe, which    obliges people to withdraw from them (Dammert, 2004: 87-96 and 2003). Various    studies carried out by Rossana Reguillo and other authors likewise show that    the sense of danger lessens when the territory is known (Reguillo, 2000: 185-201).    Consequently, people reduce their exposure to open, public spaces. Insecurity    erects a symbolic border between the known and the unknown. Our own, accredited    territory is a source of security. As long as we stay in it, we will be protected    (Guerrero, 2007).  </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We can identify    several ways in which insecurity affects how the city is used and consumed:</font></p>     <blockquote>        ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">a) Reduction      in the time spent inhabiting the city because there are times of day when      one does not go out or businesses cut back their opening hours. </font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">b) Reduction      in the size of the urban area that is used, because there are spaces such      as streets and squares that are not used. </font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">c) Erosion of      the sense of citizenship and community because people do not go to spaces      that facilitate social relationships.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">d) Changes in      expressions and dress, as people try to pass unnoticed in places considered      dangerous. </font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">e) Increase in      isolation due to withdrawal from the public space or the need to subject it      to private control.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">f) Changes in      the urban structure due to segregation and fragmentation of the city by building      walls, barriers, etc.<a href="#_ftn4" name="_ftnref4" title=""><sup>4</sup></a></font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Narratives of fear    segment the city because “they impose separations. They build walls, mark out    and enclose spaces, establish distances, segregate, differentiate, impose prohibitions,    and draw up rules of exclusion and separation” (Calceira, 2007: 28). The home    becomes a small, well-equipped fortress where people can live in isolation but    connected to each other through new communication technologies. The “bunker”    house and the gated community are symptomatic of a fragmented, reconstructed    urban model where hostility to living in the city and its public spaces reigns    (Lindon, 2006: 18-35).</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>2. Cochabamba,    city of fear</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Is Cochabamba a    more violent and insecure society today than it was 20 or 30 years ago? To answer    this, we would need a chronological data series on crimes committed by area    and population, in order to arrive at per capita indicators or identify how    crime and violence in general have evolved over time. Another option would be    to carry out surveys or a “victim mapping” exercise, leading to a cartography    of crime (Carrión and Muñoz Vega, 2006: 7-16). We do not have this information    available, but its absence does not prevent us from taking our research forward.    </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">As we mentioned    earlier, <i>objective insecurity</i> is one thing and <i>subjective insecurity    – </i>the<i> </i>feeling or representation – is<i> </i>another. Subjective insecurity    is a socially-produced situation. It may be autonomous and have no direct connection    to rising levels of violence. In other words, the feeling of insecurity may    persist as a memory, even if crime has disappeared or fallen. The lack of quantitative    information and statistics is not relevant to our research because it is not    concerned with the extent of violence or the forms it takes. Instead, we are    interested in representations of violence and how these lead different social,    age and gender groups in the city of Cochabamba to develop defensive strategies    in response to fear. As we saw earlier, these strategies have a significant    influence on the use of the public space.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It is impossible    to identify exactly when this collective and subjective sense of insecurity    developed in Cochabamba, but most of our interviewees state that it began to    take shape at the end of the 1980s and in the early 1990s. They associate its    emergence with various socio-political circumstances: growing poverty, neoliberal    policies, increasing individualism and indifference, the proliferation of drug    trafficking and drug use, the large numbers of migrants who have settled in    the city, the loss of a sense of civic duty, faith or religion, and the new    state discourse of empowering indigenous people. Or a combination of all the    above.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this hall of    mirrors, when they look back on the Cochabamba of their distant youth, their    discourse is one of decline: “things are going from bad to worse.” Nostalgically,    they take refuge in a benign, almost utopian view of a city which, in memory,    always appears welcoming and safe. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Jorge Alberto remembers:</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Until I visited      Bogotá in 1978, it had never occurred to me that you could feel fear in the      city. When I arrived there on the bus, the first thing I saw in the newspaper      was a survey in which about 80% of people stated that they had been victims      of violence, theft, aggression and other things of that sort. The same newspaper      offered a list of advice to avoid being mugged in the street. Friends advised      me to be very careful when walking in the street. They said I should leave      my money, watch, etc in the hotel safe. They also explained that there were      places I shouldn’t go or where it wasn’t advisable to be after dusk. That      was something totally strange to me. Cochabamba wasn’t like that. (University      professor, 54 years old)</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Other parents of    the young people interviewed for the study express similar opinions: </font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Nothing ever      happened to me. I used to walk from Calacala to the university and back again.”</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“I studied architecture      and I used to leave the studio really late, in the evening. Sometimes I used      to go home at two or three in the morning.”</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“We used to      walk home from parties and birthdays, laughing and playing around.”</font></li>       ]]></body>
<body><![CDATA[<li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“My children      used to go to school on their own. They would go out to play in the park,      even at night time.”</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“I used to sit      with my boyfriend in the Plaza Colón until nightfall. We weren’t afraid.”</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“I used to go      with my mother to La Cancha market to buy vegetables and fruit – we never      thought twice about it.”</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“I used to go      with my mother and sister to “Noche popular doble,” which would end at about      one-thirty in the morning on Mondays. We used to walk home.” </font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Walking or cycling    everywhere is remembered as a safe way of getting around. “The worst that could    happen to you was to come across an aggressive drunk,” says one interviewee.    Perhaps the only place seen as unsafe was the red light district: the brothels    along the Avenida Siles at the foot of the La Coronilla hill in the far south-west    of the city. There were dangers posed by drunks and louts looking for a fight    in very specific places, but this did not lead to a stigmatisation of the people    who occupied that space, our interviewees affirm.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In fact, practically    none of our interviewees can relate an actual incident of violence that happened    to them in their youth. They are, on the other hand, able to describe an attack    suffered by a family member, a son or daughter, a friend or themselves a few    days ago or in the last month. When they compare the city today to the city    of their youth, they feel fear which sometimes borders on paranoia:</font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Nowhere is      safe.”</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“When you go      in a car you must keep the windows shut.” </font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“My children      can’t go out to play in the street any more.” </font></li>       ]]></body>
<body><![CDATA[<li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“I don’t go      out at night any more.”<a href="#_ftn5"      name="_ftnref5" title=""><sup>5</sup></a></font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">If this was the    only indicator available, we would say that violence perpetrated by criminals    has increased in Cochabamba. What is important for our analysis, however, is    not to validate or confirm this statement, but rather to verify the collective    perception of insecurity, which does not involve a rational deployment of arguments.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the subjective    register of the upper-middle class, what matters is that in the streets, squares    and certain areas of the city, and even in their own homes, they no longer feel    protected to the same degree as in the past. Similarly to what has taken place    in other countries, one response to this situation is to reduce and ration their    presence in public spaces. The other – which does not rule out the first – is    to shut themselves away in gated communities or apartment blocks, put railings    round their houses, close off streets and hire private security guards to protect    them. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The proliferation    of private security companies is the best indicator of the wave of fear that    has gripped Cochabamba and people’s distrust of the National Police (the Special    Force to Combat Crime). These companies first started to appear on a modest    scale at the beginning of the 1990s.<a href="#_ftn6" name="_ftnref6" title=""><sup>6</sup></a> Their proliferation, however,    took place during the four-year period between 2000 and 2004. In March 2005    some 80 companies – both legal and illegal – were counted (<i>Los Tiempos</i>,    10.03.2005). By the start of 2008, it was calculated that the 3,000 private    security guards were more numerous than the 2,500 police (<i>Los Tiempos</i>,    4.01.2008). Today there are six legally registered companies, seven that have    applied to be registered and about fifty that are neither registered nor authorised    to operate.<b> </b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the North of    the city it is almost inconceivable for a school, an apartment block, a restaurant,    a bank or a shop of a certain size not to have private security guards. They    are also found in private houses and streets. The new generation of young people    has grown up with them as a constant feature of their everyday life. These young    people entrust their security to companies that have made a business out of    urban fear and do not always operate under state regulation. The private security    guard, however, breaks with the public space by introducing inequality into    everyday life in the city. Citizen and guard are not equals, as the former has    the power to give orders to and get rid of the latter, which is not the case    with the police. Thus, crime prevention and punishment is also privatised and    may be directed against those from whom the hirers of private security wish    to separate themselves due to fear or difference.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>3. The segmented    city and young people’s fear</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">As we saw in the    preceding sections, urban fragmentation has not been absent from the history    of the city of Cochabamba. The centre-suburbs distinction in the 19<sup>th</sup>    century and the Prado-Calacala divide in the 1970s are reproduced today, though    with greater intensity. Physically, there are at least two cities. What is new,    however, is the segmentation of the social fabric and, especially, its polarisation;    the decline – if not the death – of the public space as a meeting place and    as an expression of diversity for all social classes and age groups.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The history and    experiences of upper-middle-class young people now aged between 17 and 24 are    those of a generation for whom the public space lacks a positive or emotionally    affective connotation. They were born and grew up in a system of parliamentary    democracy; they first learned to read as television was becoming popular and    left high school in the age of the computer, with a mobile phone in their pocket    and – for many – their own car at the gate. In their immediate sensations, they    are not immune to the imaginary of fear because they have grown up being socialised    in how to avoid it. Every young man and woman has recorded their own narrative    of urban violence and each relates how they have suffered, seen or heard about    it. Among their phantasmagorias are the “white car” experience with its repeated    allegations of physical attack, the motorcyclists who snatch women’s handbags,    the thefts in broad daylight anywhere in the city and the “glue sniffers” or    “feral children” who go around in gangs harassing pedestrians on bridges and    in parks.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The sensation of    loss is also fed by the political and cultural upheavals resulting from the    exacerbation of social conflicts in Bolivia and Cochabamba after Evo Morales    became president. This is another recent fear: fear of insubordination and of    the social empowerment of subaltern groups undermining the ancestral foundations    of domination by the city’s upper-middle class. The tragic events of 11 February    2007 reinforced a dividing line that had been latent, activating the spatial    segmentation of the use of the city between the class of “decent people” and    the others, the subaltern classes. This segmentation is not free of ethnic connotations.    The city’s cultural diversity is proclaimed as a potential danger. In the city,    as Jordi Borja (2003) correctly says, “one fears the other.”</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Of course, in a    city whose urban sprawl is constantly expanding, difficulties of access determine    and restrict how it is used, especially when public transport does not provide    a good quality service. Greater distances need to be travelled and more time    is required to get from one place to another. As we saw earlier, however, an    increasingly larger proportion of education facilities, shops, entertainment    and other similar services are located near the homes of the upper-middle class.    Except in specific cases, this avoids the burdensome obligation to travel through    the urban space. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Paradoxically,    although upper-middle-class young people have more personal freedom to travel    around the city than the previous generation, as well as the means to do so    (cars and motorbikes), they feel obliged to confine their presence in it to    a small, safe and socially homogeneous territory. To them, Cochabamba seems    larger but at the same time more alien. For young people, moving around Cochabamba    means organising a topology and a cartography to establish limits, boundaries    and thresholds. It means leaving marks and stamps of ownership on one’s territory    and sending out warning signs and security alerts when one enters the territory    of “the other.” </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We are therefore    interested in the world of representations as it is lived and imagined rather    than the material or physical world, without denying that the latter influences    the former. It is thus necessary to explore the urban space as it is lived and    understood. Young people represent and imagine the city with the aim of “expressing    boundaries of difference.” The purpose of this is to “construct their interactions    (which may involve disputes, conflict, adaptation or negotiation)”. As far as    methodology is concerned, this implies that young people’s spatiality must be    examined both in terms of imaginaries and in terms of practices. Here, we would    agree with Armando Silva (2005): “Maps are no longer physical, but psychosocial;    they are felt rather than seen.” </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Maritza Urteaga    argues that young people’s “spatial experience” should be analysed along two    explanatory axes: a) the tension between adults and young people, and b) the    tension between young people. We would add a third dimension: the tension between    young people and “the other.” This leads us to explore young people’s search    for differentiation, not just in relation to other age groups or their peers,    but with regard to social or ethnic groups that are different to the group in    question – in our case, upper-middle-class young people (Urteaga, 2007: 99).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Having established    this point, we can ask: How do upper-middle-class young people represent Cochabamba?    What mental maps do they construct for their own use? What factors affect the    construction and imaginaries of their territoriality?</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">From the point    of view of this group of young people, the mental map of the city of Cochabamba    is divided into two large territories: the North – positive – and the South    – negative; the former is safer than the latter; the North is aesthetically    pleasing, the South dirty and untidy. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The social representation    of fear and the people who produce it can be seen in the most frequent responses    to the question: Which area of the city of Cochabamba do you think is the most    dangerous, and why? </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">More than 96% of    the university students surveyed mentioned the South – or specific areas of    it – as the most dangerous part of the city. </font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The South –      there are loads of muggers there” (Juan Carlos, university student, 22 years      old)</font></li>       ]]></body>
<body><![CDATA[<li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The South,      because there are lots of gangs” (Eduardo, university student, 20 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The South –      I’ve seen on the news that it’s not very safe” (Alejandro, university student,      23 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The South,      because the news shows more alarming and serious incidents happening there”      (Karen, university student, 19 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The South,      because there are muggers in that area” (Marianna, university student, 24      years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The South –      too many muggers” (Jorge, university student, 22 years old).</font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In some cases they    mention specific places in the South, and for the same reason: fear. In other    cases, the causes of fear are muggers, gangs of street children and glue sniffers.<i>&nbsp;</i></font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“La Cancha,      because you get mugged or robbed” (Gustavo, university student, 23 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“La Coronilla,      because glue sniffers live there” (Camila, university student, 19 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The bus terminal      – there are loads of muggers hanging around there” (Rodrigo, university student,      24 years old)</font></li>       ]]></body>
<body><![CDATA[<li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The bus terminal      – it’s not safe” (Stephanie, university student, 20 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The area around      the bus terminal in the South – there are loads of glue sniffers and muggers”      (Jeannine, university student, 20 years old).</font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In some readings,    insecurity extends throughout the city to other specific sites or specific times    of day.<i>&nbsp;</i></font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Most streets      are unsafe at night” (Daniel, university student, 21 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Bridges” (Marianela,      university student, 24 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Nowhere in      the city is safe any more. You have to be careful where you get your mobile      phone out or where you walk” (Camilo, secondary school student, 18 years old).</font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">These, however,    are the minority, because in the views of most young people fear is focused    on the South of the city, imagined as where danger is concentrated. The disqualification    of this urban space is also driven by other impulses. We asked young people    of both sexes which area of the city they found the most unpleasant. An overwhelming    majority once again named the South, particularly the central district of it    around the La Cancha/La Pampa complex. Read in terms of the cultural aesthetics    of residents of the North, their urban and social <i>alter ego</i> is represented    as:</font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Dirty and disorganised”      (Giovanni, university student, 21 years old)</font></li>       ]]></body>
<body><![CDATA[<li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Not at all      hygienic and smells disgusting” (José Luis, university student, 22 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Dirty and dangerous”      (Denisse, secondary school student, 18 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Too many people”      (Caris, university student, 19 years old)</font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In contrast, when    they are asked which area of Cochabamba they like best, the majority name the    North, for the opposite reasons to those expressed about the other urban extreme:    </font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Because it’s      not so chaotic” (Gustavo Alberto, secondary school student, 18 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“Because it’s      peaceful” (Miguel, secondary school student, 17 years old).</font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Also, though more    sporadically, they mention specific places, likewise always in the North:</font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The Centro      Patiño, because it’s safe, there are lots of cultural activities going on,      and it has beautiful gardens” (Stephanie, university student, 20 years old)</font></li>       ]]></body>
<body><![CDATA[<li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The Cine Center,      because it’s fun and there are lots of things to choose from to have a good      time” (Verónica, university student, 20 years old)</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“The Cine Center      – it’s safe and pleasant” (Carol, secondary school student, 10 years old).</font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Note that safety    is once again a decisive factor that forms part of the aesthetic assessment    of a space. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The South, in contrast,    emerges as a sprawling, asymmetric geographical space and a variegated presence    where the bodies of crowds entwine or touch each other as they flow down the    street, and where the air is heavy with the smells of food – unnameable to some    – or “trashy” music. This leads to its devaluation and racial stigmatisation    – a status that is reinforced when it is linked to insecurity.  </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">As Patrick Süskind’s    <i>Perfume</i> shows, the obsession with hygiene and the olfactory culture are    linked to social and historical processes. People learn or understand from infancy    to filter and reject smells and link them positively or negatively to certain    social or ethnic groups that their parents thought of as revolutionary. Today’s    young people do not uphold the discourse of the 1970s counterculture. Neither    are they affiliated to radical left positions. Apolitical, they prefer to enjoy    the world, taking advantage of the time allowed by the moratorium on social    conflict – providing that their emblematic position of power and their territories    are not challenged. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Furthermore, the    order of things – a nineteenth-century positivist value – leads people to long    for a city subjected to rules and regulations, without spaces that spill over    and passers-by who walk along separately. As Miguel Delgado observes, the urban    space spends the whole time organising itself (through planning), but it cannot    escape from a destiny or fate that tends to turn it into something “unreadable”<i>    </i>(understood as disorderly, chaotic), as opposed to the “readable” city (understood    as ordered and rational) (Delgado, 1999: 183).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">What is the South?    What and where is being alluded to when it is named? Boundaries, like imaginaries,    are shifting and historical constructions. They are not geographical or legal    limits or filters but symbolic ones, characterised by appropriations and marked    by meanings, loaded with the presence of people, smells, food or colours; in    other words, they are socially signified. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The South – or    rather, the imagined notion of what the South is – shifts constantly under the    gaze of the upper-middle class. It is a mobile, shifting boundary. Until the    1990s, Avenida Aroma was the border between the South and the commercial centre    (the old city centre), while the Plaza Colón marked the start of the North.    One of the changes brought by the start of the 21<sup>st</sup> century is the    weakening of this mental landscape. Events such as the takeover of the Plaza    14 de Septiembre by lower-class groups after the water war in the year 2000,    the increasingly rapid growth of the informal-sector market trade in the surrounding    streets, the relocation of many shops, mainly to sites in the North, and the    functional and environmental deterioration of the old city centre have led to    a shift in the geographical points of reference and the establishment of a new    boundary between the North and the South.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Based on an ethnographic    tour of the city, which involves “criss-crossing spaces as they are perceived    by the passer-by” (Aguilar, 2005), and interviews with upper-middle class groups,    we can identify a new imagined boundary, where Avenida Heroínas seems to act    as the most recent fragile and shifting border between the South and the North.    Like any boundary, it expands or contracts depending on the movement of different    groups of people. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">But there are also    physical data that support and affirm the sense of this dual representation    of the space. In fact, the spread of informal-sector trade around the 27 de    Mayo market has not gone beyond this limit. The same is true of the informal    market around the post office building: although it occupies both pavements    at the crossroads between Avenida Ayacucho and Avenida Heroínas, it has advanced    no further northwards. In any case, the idea that Avenida Aroma separated the    South from the rest of the city has long been superseded by the situation today.    We might even say that the old city centre is being “swallowed up” by the South,    and that therefore the boundary between the two areas is a disputed territory    currently preoccupying the urban imaginaries of residents of both the North    and the South of the city. A provisional dividing line – an artificial topography    marking the superior/inferior status of a “poor,” excluded South and a “rich”    North – would obviously be Avenida Heroínas, although after the violent and    bloody clashes of 11 January 2007,<a href="#_ftn7" name="_ftnref7" title=""><sup>7</sup></a>&nbsp;the    residents of the South perhaps imagine that the symbolic boundary between the    two territories should be the River Rocha. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The consequence    of these representations and phantasmagorias is to erect an invisible border    or boundary between what is considered alien, shifting territory and safe, known    territory; between people who are “cultured, decent,” and those who are not    - people associated with the causes of insecurity and criminal transgressions.    Based on this observation, people decide where they can go and where they must    not go; where they need to be careful and take precautions and where they do    not; at what times of day and at what moments they are safe and at what times    uncertainty reigns. Access to the city is restricted. A boundary is mentally    constructed; it has openings allowing access the city while simultaneously closing    it off. As far as they can, young people avoid going to the devalued, stigmatised    area that is the South. If they cannot avoid going there, they take precautions    and are on the look-out at all times.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">From the subjective    viewpoint of young people in the North, the South is imagined as a ghostly space    full of threats and a disorderly chaos of copper-skinned crowds, with whom it    is impossible to identify, share memories, feel any positive emotion or strike    up a conversation. It is a space that acts as the polar opposite of the “emblematic    places” described by Michel Mafessoli (2007) as sites of celebration, where    “one meets people, recognises others, and thus recognises oneself”; in other    words, where I coexist with multiple others, without whom my own existence would    be inconceivable. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>3.1.  The decline    of the old public spaces</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the territoriality    of upper-middle-class young people in Cochabamba, the limits of the habitable    world are reached a few blocks away from the Plaza Colón: at the corner of Calle    25 de Mayo and Calle Ecuador and between the latter and Calle España, in the    heart of the old city centre, very near Avenida Heroínas. A few metres further    on marks the start (or end) of the invisible wall that separates two worlds,    two aesthetics, two youth cultures and two levels of safety. The cafés along    Calle España and the one on the corner of 25 de Mayo and Ecuador are the last    frontier. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This imaginary    marking out of the city provides evidence that upper-middle-class young people    re-create the city differently to their parents’ generation. A decade earlier,    young people’s spaces for socialising gravitated around the centre and south    of the city. Today, these are seen as dangerous areas, as well as being a long    way away from the neighbourhoods where these upper-middle-class young people    live. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Our interest in    examining this hall of mirrors is to emphasise that now, as never before, we    are witnessing a radical rupture in the use of the urban space by the city’s    elites, and especially by their offspring. To make a comparison with similar    times, we would have to go back to the end of the 19<sup>th</sup> century, when    the dominant groups reorganised the city with the aim of designating the centre    as their own space, where they were the only ones allowed to express their culture    and way of life. The difference is that in those days young people did not mark    out a territory of their own; neither did they enjoy autonomy from their parents.    Young people could either socialise in the public space, open to all gazes,    or in private spaces, under the watchful eye of their elders.<a href="#_ftn8" name="_ftnref8" title=""><sup>8</sup></a>    This situation persisted almost unchanged until a century later, when a combination    of internal and external, urban and cultural events brought about a radical    break with the idea of the urban space as a place for meeting one’s peers and    others. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In order to understand    the above statement, the first thing we must point out is that upper-middle-class    young people mainly move and live in the North of the city or in satellite towns    such as Bella Vista and Tiquipaya. They willingly admit that the North “is like    a city, because there’s no reason to leave it.” It is like an island or a well-stocked    fortress. They are not exaggerating. As we indicated earlier, the North is well-supplied    with a wide and growing range of services, turning it into a kind of citadel    surrounded by imaginary walls like a medieval fortified city. The difference    is that this time the enemy is not just outside but within the walls as well.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Outside these borders    are the urban spaces that previous generations used, now relegated to the status    of <i>terra incognita. </i>Why does the new generation of young people not inhabit    or use them? Why do they prefer to move in, use and occupy different territories?    Once again, we could attribute this to distance. Getting from the North of the    city to La Cancha/La Pampa, the Plaza 14 de Septiembre and its surrounding streets    implies crossing much of the crowded city centre with its slow-moving, snarled-up    traffic. However, this would be an insufficient and partial explanation.<b>    </b>Upper-middle-class young people travel greater distances every day to attend    the Universidad Privada Boliviana (UPB) private university, seven kilometres    along the Blanco Galindo main road.<b> </b>At weekends, seeking entertainment    and to enjoy their leisure time, they travel to the Country Club, an enclave    on the southern fringes of the city.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The situation should    instead be understood as the result of a lengthy process of cultural change    in young people’s subjectivities and their new patterns of consumption. These    prioritise safety and the affirmation of a distinct identity that separates    these young people from the rest of the urban population. Based on the globalised    consumption of symbolic objects, these distinctions enable them to feel part    of global identities, as García Canclini observes.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In fact, there    is something even deeper and more decisive. All the generations born since the    mid-1980s have been educated in the habit of insecurity and fear of moving freely    around the city. For years, they have watched and listened to the media using    sensationalism and stigmatising social groups and places, thus helping to create    an atmosphere of insecurity. This has become even more evident and obvious with    the institutional crisis in the police force (see Rey, 2005). </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">As part of the    new culture for living in the city, the imaginary of insecurity comes from the    parents who transmit it to their children on a daily basis. In our focus groups    and individual interviews, we recorded pieces of advice such as the following    – taken together, they aim to provide an entire lesson in how to deal with insecurity:    </font></p> <ul type=disc>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Be careful.      Don’t go on your own.</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Don’t take your      mobile phone to the stadium. You’ll get it stolen.</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">If you’re going      to La Cancha, don’t go on your own. Wait for your brother, or go with me or      your father.</font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Don’t leave      your car in the street. It’ll be safer in a car park. </font></li>       <li><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Don’t get into      a random taxi in the street. Phone for a minicab, and make sure it’s a firm      we know.</font></li>     </ul>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Young people in    Cochabamba, who internalise fear of being in certain areas of the city at an    early age, respond with a strategy of “putting on armour” that protects them    against real and fictitious threats. This leads to changes in the use of urban    spaces in comparison with how the urban elites behaved in the recent past: young    people now withdraw from the streets or public market-places. The squares (and    streets) have lost their shine as places for socialising, leisure and enjoyment.    El Prado or the Plaza de Armas are seen as dangerous, disorganised or dirty    places occupied by untrustworthy people. In reaction to this, these young people    take refuge in safe places that may be private or public, but with private rules    of behaviour and a security and control system. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The pursuit of    “clean and tidy” places – such as the Cine Center, which opened in 2007, steeped    in modernity and a consumerist aesthetic – allows them to avoid sounds and smells    society has taught them from infancy to identify as unpleasant. Inscribed in    the unconscious, these provide fertile ground for urges that lead to social    and racial differentiation and boundary-setting. This has resulted in the segmentation    of Cochabamba that has become more visible following the triumph of Evo Morales    in the presidential election at the end of 2005, and now seems to verge on a    daily confrontation. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The Cine Center,    which is comprised of a food hall and twelve small cinemas, helps to shape a    restricted form of socialising and endogamous interaction that is closed in    on itself, limited to peers, to people who already know each other. There is    no risk, no possibility of chance encounters or coming face to face with difference,    which should be an integral part of living in the city and exercising citizenship.    It acts as a huge theatre or private box, where one goes solely for the pleasure    of being there and seeing one’s social equals.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The Cine Center    is embedded in the urban fabric, but it lacks a historical frame of reference,    as its points of reference are universal, extraterritorial (Sarlo, 2000) and    correspond to the so-called “sites of transitory sociability” that Augé (1993)    speaks of. These are urban spaces that people pass through in transit, characterised    by flows of pedestrians, vehicles, etc, which operate as sites for fleeting    encounters. They lack historical references, memory and therefore visual and    architectural distinctions. A “place”, on the other hand,<i> </i>would imply    actual and symbolic ownership of the space, giving it an emotional and affective    resonance for those who inhabit and use it. The same can be said of the late-night    discos such as Mandarina and Life.<a href="#_ftn9" name="_ftnref9" title=""><sup>9</sup></a> These have constructed “semiotic filters”    which, in a frankly discriminatory way, bar entry to young people not considered    “the right sort,” meaning those who cannot flaunt the “trophies” of skin colour    or surname. Diversity is perceived as a threat and the owners of these discos    take steps to ensure that their clients do not come across strangers in the    shadows.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The presence of    young people is not passive. On the contrary, they seek to conquer an anonymous    place and transform it into a space for communication and belonging that allows    them to recognise themselves as members of the same social and cultural circle.    They thus erect symbolic boundaries of exclusion that distinguish them from    other young people in the city. They construct imaginary spaces – behaviours,    gestures, clothes – that they use as markers to close themselves off from the    threats posed by those who are socially and racially “different”.<a href="#_ftn10" name="_ftnref10" title=""><sup>10</sup></a>    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The city of Cochabamba    – or, rather, the spatial image that upper-middle-class young people make of    it – revolves around these enclosed consumer centres that are isolated from    an urban fabric which they simultaneously are and are not part of. This reflects    the crisis and decline of the public space in Cochabamba. The previous generation    also had its own spaces, such as El Prado or the cafés along the old Calle Perú.    However, we should not exaggerate the comparison. These were genuinely public    spaces, open to everyone. They had no formal rules of exclusion, although some    people would be excluded due to custom, dress, or the level of expenditure involved    in spending time in these places.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The urban <i>agora</i>    of today’s middle-class young people, in contrast, is consumerism. It is in    this capacity – as consumers, not as young people – that they are received in    these segmented spaces. They lose the status of citizenship – as an inhabitant    of the city – and adopt a provisional and impersonal identity as a result of    being forced to submit to a contractual relationship with the owner of the business.    In other words, within its walls one is not a passer-by but a consumer or purchaser    of the services of a commercial institution, whose codes and regulations one    must abide by. With the proviso, we would add, that the young people who frequent    these commercial centres have no interest in going out and about, in the sense    of exploring and experiencing the city and its diversity. Instead, as we mentioned    before, they prefer to withdraw and take refuge in a space they consider culturally    their own, exclusive to them. </font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>4. Territoriality    and gender</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Our surveys and    interviews do not reveal major differences with regard to how women and men    appropriate and construct their imaginary of the urban territory. Their grammar    of fear is practically the same. Like men, women cut the city in two: the safe    North, the unsafe South. They also live in a divided space.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The collective    identity that they share, in terms of belonging to the same class and age group    and having similar life experiences, provides a set of rules, routines and representations    that enables them to construct a “we” almost free of gender gaps. This self-identification,    which is constructed first and foremost in contrast to those others outside    the group, makes it possible to assert symbolic ownership of the territory,    whereby men and women mark the limits and boundaries separating their ingroup    from the outgroup through a shared set of signs such as clothes and the same    tastes, fears, desires and subjectivities. However, although it might be assumed    that young people’s territory is a setting of shared representations and imaginaries    that provide it with a largely homogeneous identity, one issue that is starting    to be elucidated by the literature is the extent to which this territoriality    constructed by young people reveals uses and senses of space differentiated    by gender. Put another way, the question is how gender power relations structure    different ways of naming territories, imagining their limits and moving around    them as physical entities (Gómez, 2005: 74-104; Velásquez and Añadía, 2003:    74-104).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In a patriarchal    society like that of Cochabamba, where the public space is symbolised as masculine,    men are the ones who – from a position of power – exercise their autonomy and    freedom to name their spaces and place limits on movement within them. Men are    the ones who feel safe walking along streets and pavements, while women move    through these spaces with a sense of fear and risk, which dissipates as soon    as they find someone to accompany them. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Our interviews    show that while men move around with greater freedom at night or in places classified    as risky, women are more vulnerable and fragile as they traverse these same    spaces (cf. Lindon, 2006: 13-32). They are able to access these spaces only    if accompanied by women friends, family members or a man. For many years, leisure    time has been the prerogative of men, especially at night, although young women    have won their place in the city’s nightlife. Men and women alike go to discos,    but women prefer enclosed spaces where they can chat, have a coffee or smoke    a cigarette. Men, in contrast, prefer open spaces where they can meet in groups,    express themselves more uninhibitedly and show off their daring defiance.  </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">More restrictions    are placed on upper-middle-class women and they are under increased surveillance    because they are seen as more vulnerable. They also undergo a lengthy socialisation    process that educates them for a life of fear. As Manuel Delgado correctly observes,    women continue to receive “a sexist education, whose messages include those    that inculcate them with a reverential fear of what is outside the door of their    homes, where the dangers that await them are much worse than those that threaten    boys” (2007: 326).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>&nbsp;</i>In    Cochabamba we find that:</font></p>     <blockquote>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&#149; “When      I was young, I used to go to the ballet and walk home at about 11 o’clock      at night. I never had any problems. Now, my daughters don’t go out at night      on their own – I take them and I go and collect them” (Mónica, teacher, 44      years old).</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&#149; “When      my daughter goes out at night, someone in the family takes her or, when we      can’t, she goes in a minicab from a firm we’ve used for years. It hasn’t changed      much since I was at university and my parents used to take me to parties and      come and collect me afterwards. And the city was much safer then than it is      now” (Virginia, university teacher, 59 years old)</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&#149; “Because      I live a long way away, my mum or my dad takes me to parties or discos, or      to a friend’s house. Or sometimes I go with my boyfriend” (Sofía, university      student, 20 years old) </font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&#149; “I’m not      allowed to go out on my own or come home on my own. If they don’t come and      collect me, I have to look for someone I know to bring me home” (Andrea, secondary      school student, 17 years old).</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the new generation    of young women, the vast majority goes to university and has high expectations    of getting a good job. For that very reason, they feel more resentful about    not being able to occupy every leisure space in the same way as men. Women’s    freedom is curtailed and they are placed under more restrictions and surveillance,    although they feel that they have more freedom than their mothers who were sheltered    at home.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In a growing city,    getting from one place to another is seen as a problem. Public transport is    not even an option in the daytime, let alone at night. It is considered unsafe,    dirty and unpleasant. The car offers the freedom to go out at any time one wants,    but fewer girls than boys have a car available, and even if they do, the shadow    of insecurity once again hovers over them. It is feared that they will be attacked    in the street or while they are going into the garage. Incidents of women being    attacked, recounted repeatedly at get-togethers and social gatherings and amplified    by the press, serve as a powerful deterrent.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The greatest fear    – of being the victim of moral or physical crime – reflects Cochabamba’s cultural    fabric in terms of the socialisation process for women. Studies carried out    in different countries show that the level of fear of the public space is higher    among women than it is among men (Dammert, 2008: 63). Beset by gestures and    gazes, women’s bodies and sexuality become the site of fear that constrains    women’s autonomy and their presence in streets, parks and open spaces. Women’s    greater vulnerability in comparison to men surely lies in the possibility of    them becoming the victims of sexual aggression or bodily behaviours that invade    their privacy, sexist remarks or unwanted touching – a more subtle and everyday    violence known as moral violence (as distinct from physical violence) which    gives rise to street harassment or sexual harassment.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>5. Conclusion</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">During the last    decades of the 20th century and the first few years of the 21st, Cochabamba    has been undergoing a process of urban transformation and fragmentation, leading    to the emergence of at least two spaces that have very few links between them.&nbsp;</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In contrast to    previous generations, young people living in the residential North of the city    today do not use the whole of the city for their leisure, social and educational    activities. On the contrary, they have barricaded themselves behind imaginary    walls and marked out their own private territory. These young people consider    the residents of the South be dangerous and avoid coming into contact with them    or visiting that area of the city. In other words, fear has caused them to withdraw    from public spaces. These attitudes, which have hardened following the changes    that have taken place in Bolivian politics and the victory of Evo Morales in    the 2005 election, have strong racist connotations and express a naked fear    of living alongside “the other”.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Newspaper references</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Los Tiempos, 30    September 1971</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Los Tiempos, 10    March 2005</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Los Tiempos, 4    January 2008</font></p>     ]]></body>
<body><![CDATA[<p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Internet references</b></font></p>     <!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Barbero Martín,    Jesús 2003  “Los laberintos urbanos del miedo” <a href="http://www.javeriana.edu.co/sociales/universitas/documents/4barbero.pdf" target="_blank">www.javeriana.edu.co/sociales/universitas/documents/4barbero.pdf</a>    Accessed 5 November 2007</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Fexia, Carles (coord.)    2004 <i>Culturas juveniles en España, 1960-2004</i>. 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María Lourdes Zabala Canedo, a sociologist    with a master’s in Political Science, is a lecturer in Sociology at the UMSS.    <br>   <a href="#_ftnref2" name="_ftn2" title=""><sup>2</sup></a> In this article, we present some of the    results of the research project “Decline of the public space and upper-middle-class    young people in Cochabamba,” sponsored by PIEB. The surveys, interviews and    direct observation were carried out at the end of 2007.    <br>   <a href="#_ftnref3" name="_ftn3" title=""><sup>3</sup></a> For an analysis of the situation in poor,    peri-urban neighbourhoods, see Hinojosa Z., Eric <i>et al</i>, 2006.    <br>   <a href="#_ftnref4" name="_ftn4" title=""><sup>4</sup></a> Cf. <a href="http://www.barcelona2004.org" target="_blank">www.barcelona2004.org</a>;    Goycoolea (2008:11).    <br>   <a href="#_ftnref5" name="_ftn5" title=""><sup>5</sup></a> Statements made in    focus groups and individual conversations in Cochabamba at the end of 2007.    <br>   <a href="#_ftnref6" name="_ftn6" title=""><sup>6</sup></a> The very first company    was set up in Santa Cruz in 1982.    <br>   <a href="#_ftnref7" name="_ftn7" title=""><sup>7</sup></a> For hours that day, under the passive gaze    of the police, thousands of residents of the North, mainly young people, fought    in the streets with people from rural communities and young people from the    South of the city. Three people were killed and hundreds injured. These violent    clashes, which clearly had racial connotations, called into question Cochabamba’s    supposed (and vaunted) <i>mestizo</i> identity and unity.    ]]></body>
<body><![CDATA[<br>   <a href="#_ftnref8" name="_ftn8" title=""><sup>8</sup></a> In this article we do not analyse nocturnal    youth culture, which is the territory that young people have kept to themselves,    away from their parents and neighbours, since the end of the 1980s. The culture    of the night is likewise organised by fear of and differentiation from those    regarded as “other.”    <br>   <a href="#_ftnref9" name="_ftn9" title=""><sup>9</sup></a> Now closed down.    <br>   <a href="#_ftnref10" name="_ftn10" title=""><sup>10</sup></a> We have taken these ideas from the thought-provoking    work by Inés Cornejo Portugal<i> </i>(2007: 191 <i>et seq.</i>) </font></p>      ]]></body><back>
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