<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
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<journal-meta>
<journal-id>0717-7194</journal-id>
<journal-title><![CDATA[Historia (Santiago)]]></journal-title>
<abbrev-journal-title><![CDATA[Historia (Santiago)]]></abbrev-journal-title>
<issn>0717-7194</issn>
<publisher>
<publisher-name><![CDATA[Instituto de Historia de la Pontificia Universidad Católica de Chile]]></publisher-name>
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<article-id>S0717-71942008000100003</article-id>
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<article-title xml:lang="en"><![CDATA[Affronts washed with blood: honor, masculinity and sword duels in 18th century Chile]]></article-title>
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<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Undurraga Schüler]]></surname>
<given-names><![CDATA[Verônica]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Labarca Cortés]]></surname>
<given-names><![CDATA[Cristina]]></given-names>
</name>
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<institution><![CDATA[,  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
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<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2008</year>
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<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2008</year>
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<volume>4</volume>
<numero>se</numero>
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<lpage>0</lpage>
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<self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_arttext&amp;pid=S0717-71942008000100003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_abstract&amp;pid=S0717-71942008000100003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_pdf&amp;pid=S0717-71942008000100003&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[This works deals with the relationship between honor and social practices in Chile's eighteenth century and analyzes formal duels or expressions of legalized masculine violence. This article explores various manifestations of the social ways used to deal with honor at that time, together with the inquiries about mechanisms used to restore honor and its links with traditional masculinity. Theoretically, this work rescues contributions made by anthropologists and provides an overview of how honor and masculinity have been examined in the historiography. Starting from judicial records, the article considers the transversal character of honor in social terms and approaches its "double significance" as both a relational space for people and as a sphere for the confrontation of individuals.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Este trabajo aborda la relación entre honor y prácticas sociales en el siglo XVIII chileno, analizando la figura de los duelos o expresiones de violencia masculina formalizada. Junto con indagar en los mecanismos restitutorios del honor y su vinculación a los fundamentos de una masculinidad tradicional, reflexiona sobre las gamas de manejo social de dicho valor en el período señalado. Teóricamente se rescatan los aportes de la antropología y se hace un balance del tratamiento histo­riográfico del problema. Desde los registros judiciales se plantea el carácter trans­versal del honor en términos sociales y se aborda su "doble naturaleza" en cuanto espacio relacional y ámbito de confrontación de los individuos.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Honor]]></kwd>
<kwd lng="en"><![CDATA[Duels]]></kwd>
<kwd lng="en"><![CDATA[Violence]]></kwd>
<kwd lng="en"><![CDATA[Masculinity]]></kwd>
<kwd lng="en"><![CDATA[Eighteenth Century Chile]]></kwd>
<kwd lng="es"><![CDATA[Honor]]></kwd>
<kwd lng="es"><![CDATA[duelos]]></kwd>
<kwd lng="es"><![CDATA[violencia]]></kwd>
<kwd lng="es"><![CDATA[masculinidad]]></kwd>
<kwd lng="es"><![CDATA[siglo XVIII chileno]]></kwd>
</kwd-group>
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</front><body><![CDATA[ <p><font face="Verdana, Arial, Helvetica, sans-serif" size="4"><b><a name="t01"></a>Affronts    washed with blood: honor, masculinity and sword duels in 18th century chile<a href="#n01"><sup>1</sup></a></b></font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Ver&ocirc;nica    Undurraga Sch&#252;ler</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">PhD candidate in    History, Pontificia Universidad Católica de Chile, holder of the CONICYT scholarship.    E-mail: <a href="mailto:vundurra@uc.cl">vundurra@uc.cl</a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Translated by Cristina    Labarca Cort&eacute;s    <br>   Translation from <a href="http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0717-71942008000100006&lng=es&nrm=iso&tlng=es" target="_blank">Historia    (Santiago), Santiago, v.41, n.1, p. 165-188, enero-junio. 2008.</a></font></p>     <p>&nbsp;</p>     <p>&nbsp;</p> <hr size="1" noshade>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>ABSTRACT</b></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This works deals    with the relationship between honor and social practices in Chile's eighteenth    century and analyzes formal duels or expressions of legalized masculine violence.    This article explores various manifestations of the social ways used to deal    with honor at that time, together with the inquiries about mechanisms used to    restore honor and its links with traditional masculinity. Theoretically, this    work rescues contributions made by anthropologists and provides an overview    of how honor and masculinity have been examined in the historiography. Starting    from judicial records, the article considers the transversal character of honor    in social terms and approaches its "double significance" as both a relational    space for people and as a sphere for the confrontation of individuals. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Key words</b>:    Honor, Duels, Violence, Masculinity, Eighteenth Century Chile </font></p> <hr size="1" noshade>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>RESUMEN</b>    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Este trabajo aborda    la relación entre honor y prácticas sociales en el siglo XVIII chileno, analizando    la figura de los duelos o expresiones de violencia masculina formalizada. Junto    con indagar en los mecanismos restitutorios del honor y su vinculación a los    fundamentos de una masculinidad tradicional, reflexiona sobre las gamas de manejo    social de dicho valor en el período señalado. Teóricamente se rescatan los aportes    de la antropología y se hace un balance del tratamiento histo­riográfico del    problema. Desde los registros judiciales se plantea el carácter trans­versal    del honor en términos sociales y se aborda su "doble naturaleza" en cuanto espacio    relacional y ámbito de confrontación de los individuos. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Palabras clave:</b>    Honor, duelos, violencia, masculinidad, siglo XVIII chileno. </font></p> <hr size="1" noshade>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>I. INTRODUCTION    </b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">A history of social    uses of honor necessarily entails the analysis of the socio cultural value system    that all human groups construct to evaluate, reward or sanction the patterns    of action and possession &#150;material or symbolic- of its members. Therefore, this    leads us to the cultural referents of past societies and opens up windows for    the observation of representations and practices that were significant to those    that shared the same mental universe<a href="#n02"><sup>2</sup></a><a name="t02"></a>.    In this sense, we can say that one of the faces of honor consisted in constructing    communication links that make dialogue inside the community possible, forming    a common language that crosses society transversally<sup><a href="#n03">3</a><a name="t03"></a></sup>.    Now, these dynamics have not avoided that at the same time honor lend its categories    for a game of competitions that break dialogues and boost individual and collective    rivalries about its uses and attributes. It is this duality between the spheres    of relationships and confrontation that explains the complexity of the phenomenon    and sustains this presentation analytically. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Honor, a secular    value of traditional societies, has been the object of permanent <i>symbolical    struggles</i> inside society to anoint certain cultural forms as "legitimate"<a href="#n04"><sup>4</sup></a>.<a name="t04"></a>    The control and selection of the many practices and discursive forms &#150; by the    power and knowledge of that historical moment &#150; consecrated the discourse of    the elites as the <i>real discourse</i> of honor<a href="#n05"><sup>5</sup></a><a name="t05"></a>.    The installation of this <i>real discourse</i> <i>of honor</i> as a cultural    referent explains the silence &#150; or better still, the hiding &#150; of the other discursive    forms existent in the period and that can be read between the lines of, for    example, legal registers<a href="#n06"><sup>6</sup></a><a name="t06"></a>.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Besides this elitist    discourse there were a series of values, practices and norms that formed what    could be called the <i>culture of aristocratic honor</i>, a system of significances    that give meaning to a set of behaviors, mechanisms of judgment and of relations    with certain economical means. The material fundaments of power were covered    with a symbolical burden and became symbols of prestige, just like some types    of real estate, certain activities or some agricultural crops that were linked    to the elites and were therefore labeled as "noble". </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Now, behind the    façade of a <i>legitimate culture of honor</i>, that defined suitable ways of    use and comprehension, there were alternative and transversal codes that crossed    the whole social body. The oneness and exclusiveness of honor, proposed by their    <i>real discourse</i>, were only illusory and responded more to the will of    order of a few than to the dynamics of the complex social reality of 18<sup>th</sup>    century Chile. This not only tells us, following Frédéri­que Langue, of "the    polysemy of normative universes and mental structures"<a href="#n07"><sup>7</sup></a><a name="t07"></a>    of colonial American societies, but also of the update, re significance and    manipulation of representations and practices of honor by a large part of the    social actors of the period<a href="#n08"><sup>8</sup></a><a name="t08"></a>.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It was a social    use of honor, practiced daily and formed from the ethnical, work and gender    circumstances that sustained identities and constructed the acceptance of otherness    inside the colonial world of Chile. With this, castes, <i>poor Spaniards, </i>artisans    or laborers showed their operative capacity to move inside hierarchic structures,    detecting and maneuvering the gaps that the structures of colonial domination    left unsealed<a href="#n09"><sup>9</sup></a><a name="t09"></a>. This point of    view does not pretend to minimize the action of dispositions for submission    used on large part of the American population<a href="#n10"><sup>10</sup></a><a name="t10"></a>.    Rather, it ratifies its existence, choosing complementary points of view that    make it possible to understand the ways in which colonial individuals resisted,    adapted, manipulated, and, in one word, lived under those guidelines<a href="#n11"><sup>11</sup></a><a name="t11"></a>.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>II. PRESENCE    AND ABSENCE OF HONOR IN CHILEAN HISTORIOGRAPHY </b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Although the plurality    of codes of honor for colonial America is a known phenomenon, studied by historiography    in the last fifteen years, its analysis in the <i>Capitanía General de Chile</i>    has not been attended in the same measure by investigators.<a href="#n12"><sup>12</sup></a><a name="t12"></a>    Centered on the already mentioned "true discourses of honor", Chilean historiography    has generally conceived this value as an exclusive attribute of the superior    groups of society. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">If we attend to    the classic works of Diego Barros Arana, Benjamín Vicuña Mackenna or Domingo    Amunátegui Solar, to mention just a few, we will confirm that the closest observations    about this refer to the "aristocratic spirit" of the creoles, that make them    incline towards "the honors and distinctions of any kind"<a href="#n13"><sup>13</sup></a><a name="t13"></a>.    One or another reference to the conflicts for the order of precedence in official    acts, to the acts of noble character or the professions of gentleman in some    military order, express in these works the distinctive adscription of the honor    practices of the elite.  The genealogic works that seal the identity preoccupations    about lineage of the dominant groups, who looked at the material or symbolical    fundaments that allowed them to access, reserve or increase individual and collective    honor through entailment or titles of Castilla, endorse this perspective<a href="#n14"><sup>14</sup></a><a name="t14"></a>.    Meanwhile, Hispanists associated the concept of honor to the noblemen, those    <i>sons of good birth</i>, turned into idealized archetypes that crystallized    the self perception of moral nobility of elite that remitted vices to the frontiers    of its group<a href="#n15"><sup>15</sup></a><a name="t15"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Later generations,    under the influence of European historiography currents like the history of    mentalities or structuralism, channeled their interest to areas evaded by other    investigators, thinking about codes of conduct and value attributes that informed    the cultural reality of the colonial past. This is how in the works of Góngora    we find allusions to the basis of an elusive and disputed social prestige, not    only coveted by individuals enriched by commerce, but also individuals from    the margins of society, those to whom any sign of status was supposedly vetoed,    obliged to live anonymously inside the apparently homogenous and generally "vicious"    group of castes<a href="#n16"><sup>16</sup></a><a name="t16"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">According to Villalobos,    the claim for honor by individuals that did not belong to the elite, responded    to the fact that "popular culture could not escape the dominant environment"    of a "Hispanic Creole culture" especially preoccupied with honor<a href="#n17"><sup>17</sup></a><a name="t17"></a>.    Though the "segment of the dominated" formed a space with its own ways of life    to counteract the official culture, many Indians or poor creoles would have    aspired to be a part of the regime and participate of its benefits<a href="#n18"><sup>18</sup></a><a name="t18"></a>.    In this way, honor was adhered to a unified code formulated by the dominant    groups, where any pretension of belonging was equivalent to an immersion in    the values of the elite. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">From our point    of view, we see that despite in several occasions the pretensions of honor of    <i>castes </i>and <i>poor Spaniards </i>made them submit themselves to the visions    of the world and the parameters of conduct of superior groups, in other instances    these same individuals constructed representations and validated practices that    were useful to their social status and that were contradictory with the honor    representations of the elite<a href="#n19"><sup>19</sup></a><a name="t19"></a>.    The social use of honor was immersed in daily life of men and women that turned    to its parameters to obtain advantages in the hierarchies of esteem and power    inside their own communities, and that were not necessarily at the service of    the interests of the elite. This is why an interpretation of honor from the    point of view of Hispanics, as an attribute of the dominant groups and a tool    of social control, still reproduced the mental structures and parameters of    conduct of the elite and evaded alternative manifestations of honor that respond    to the particular dynamics of all the groups of this colonial society<a href="#n20"><sup>20</sup></a><a name="t20"></a>.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The access to these    is possible through a historiography more concerned with the effective social    uses than the general lineaments that prescribed models of conduct, that were    not always followed<a href="#n21"><sup>21</sup></a><a name="t21"></a>. In this    way, the analysis of the practice of honor in the 18<sup>th</sup> century makes    it possible for us to know the ways in which they dialogued with norms and costumes,    generating a creative space of new uses and representations in a dynamic we    have called <i>social use of honor</i>. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This sphere of    interaction was feasible in the measure that actors from the most diverse social    standings participate in it. This leads us to some of the latest historiography    discussions about honor. It is already a cliché in the analysis of this issue    in colonial America to state that individuals of all social standings were familiar    with honor, or asked for this or that gesture or treatment of honor<a href="#n22"><sup>22</sup></a><a name="t22"></a>.    However, for a historic moment in which the high spheres of power imposed restrictions    of legal, social and origin/color characteristics to those that aimed for honor,    the questions we can ask about those who searched, found and flaunted this ideal    must take into account the broader social dynamics; mechanisms of cultural circulation,    the construction of individual and collective identities. If, for example, we    consider the claims of honor laborers or artisans made before justice as a discursive    strategy to obtain legal favors, we perpetrate the interpretation of traditional    historiography of honor as an ideal exclusively linked to the elite, from which    it could eventually "derive" towards the other social groups. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The latter issue    has been a privileged variable that has tended to monopolize the historiography    of honor in colonial America. The contributions of the history of gender have    been vital in these preoccupations, and have tackled topics like sexuality,    marriage, family and women. Among these many analyses are the works of Verena    Martínez-Alier, <i>Marriage, class and colour in nineteenth-century Cuba. A    study of racial attitudes and sexual values in a slave society</i>, Cambridge,    Cambridge University Press, 1974; Asunción Lavrín (coord.), <i>Sexualidad y    matrimonio en la América Hispánica. Siglos XVI &#150;XVIII</i>, México, Grijalbo,    1991; Patricia Seed, <i>Amar, honrar y obedecer en el México colonial. Conflictos    en torno a la elección matrimonial, 1574-1821</i>, México, Patria (Alianza),    1991; Ramón Gutiérrez, <i>Cuando Jesús llegó, las madres del maíz se fueron.    Matrimonio, sexualidad y poder en Nuevo México, 1500-1846</i>, México, F.C.E.,    1993; Pablo Rodríguez, <i>Seducción, amancebamiento y abandono en la Colonia</i>,    Bogotá, LEALON, 1991; Pablo Rodríguez, <i>En busca de lo cotidiano. Honor, sexo,    fiesta y sociedad s. XVII &#150; XIX</i>, Bogotá, Universidad Nacional de Colombia,    2002; Ann Twinam, "Honor, sexualidad e ilegitimidad en la Hispanoamérica colonial",    en Asunción Lavrín, (coord.), <i>Sexualidad y matrimonio en la América hispánica:    siglos XVI-XVIII, México DF., Grijalbo, 1991, 127-171</i>. Meanwhile, female    honor in Chile, from the analysis of trials for the non-fulfillment of engagements,    has been studied in Consuelo Figueroa, "El honor femenino. Ideario colectivo    y práctica cotidiana", in Diana Veneros (ed.),<i> Perfiles revelados. Historias    de mujeres en Chile, siglos XVIII-XIX</i>, Santiago, Editorial Universitaria,    63-89, 1997. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The possibility    that these individuals have in fact participated in a particular representation    of honor, practiced it daily and defended it when it was attacked, implies a    reversal of viewpoint and to propose new analytical categories. These tools    may come from two complementary proposals; the anthropological perspective or    the historiography outlined by Langue who refers to the "mirror identities".    They help us understand the ways in which the elites, <i>poor Spaniards, </i>artisans    or <i>castes</i>, to mention just some of the colonial social actors, constructed    representations and practices of honor according to their needs of situation    and identity.  </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">When honor is conceived    as one of the supreme temporary values of societies, and therefore as a criterion    that can be found in any place and group &#150; be it in the Bedouin communities    of Egypt, in the towns of Cyprus, inside upper or lower classes &#150; the anthropological    interpretation has posed this notion as one of the ways of imposition of socialized    types and models of behavior in human societies<a href="#n23"><sup>23</sup></a><a name="t23"></a>.    The contributions of the so-called "current of social anthropology of Oxford",    made since the mid 1960s, revitalized the studies about Mediterranean honor,    offering new interpretations that led to dozens of publications, soon going    beyond the frontiers of that group. That is how Peristiany, one of the major    representatives of that line of investigation, has pointed out that "as long    as all societies evaluate conduct referring it to ideal patterns of action,    all societies have their own forms of honor and shame<a href="#n24"><sup>24</sup></a>"<a name="t24"></a>.    With this, ethnocentric claims of an honor considered as the nation's "character"    were questioned. Likewise, the anthropological interpretation forced to think    of an honor that was not only characteristic of a social stratified structure    &#150; in which its prerogative only belonged to the elites &#150;<a href="#n25"><sup>25</sup></a><a name="t25"></a>,    but poised clear and precise bases of a popular honor, with structural issues,    specific attitudes, definitions of gender, status gradations or mechanisms to    appeal to violence, that conjunctly conformed a defined and frequently sophisticated    cultural universe<a href="#n26"><sup>26</sup></a><a name="t26"></a>.  </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">If we can establish    the cultural universality and multi-faceted nature of honor from the anthropological    point of view, we as investigators of the particular and diachronic must show    the ways in which this code has been used, renamed or challenged in the diverse    historical contexts. For the 18<sup>th</sup> century in Chile, it has been habitual    to fall in a simplifying polarity of a "high" culture and another one of "popular"    tradition. This hides both the diversity of forms and the existence of hybrid    mentalities that could have acted as cultural mediators<a href="#n27"><sup>27</sup></a><a name="t27"></a>.    When thought in terms of complements &#150; in dynamics of "mirrors"- more than oppositions    we will observe colonial America as a privileged space for syncretism and for    the diffusion of cultural models<a href="#n28"><sup>28</sup></a><a name="t28"></a>.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>III. THE SCENE    AND THE ACTORS: MALE MICROSOCIETIES AND HONOR IN 18<sup>th</sup> CENTURY SANTIAGO    </b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Through the 18<sup>th</sup>    century the city of Santiago was a pole of attraction for population in and    outside the <i>Capitanía General de Chile</i>, which came in search of better    opportunities<a href="#n29"><sup>29</sup></a><a name="t29"></a>. Women and men    from diverse nations, trades and <i>qualities</i> &#150; or identities as defined    by origin/color&#150;<a href="#n30"><sup>30</sup></a><a name="t30"></a>, formed a    crowd of new arrivals. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Many of those    who came from abroad had connections in the country; they could count on the    support of some relative, or at least a compatriot, and temporarily settle in    his residence<a href="#n31"><sup>31</sup></a><a name="t31"></a>. Others, like    laborers and farm boys, found temporary refuge at ranches of the periphery,    conforming a floating population with intermittent jobs who were sometimes confused    with vagabonds and loafers<a href="#n32"><sup>32</sup></a><a name="t32"></a>.    There were also individuals with some degree of work qualification that allowed    them to earn enough to rent narrow rooms in the city. Among them was the hairdresser    Pedro Carrera and the doctor Vicente Martres, both Frenchmen, who rented shared    rooms with other companions in the area of <i>Cañada baja</i>, close to <i>Calle    de los Baratillos</i><a href="#n33"><sup>33</sup></a><a name="t33"></a>. The    link between them, us and the problem that concerns us is a substantial legal    process against Carrera for the homicide of his compatriot and party pal Vicente    Martres, in a sword duel<a href="#n34"><sup>34</sup></a><a name="t34"></a>.    With this event we can get to know snippets of male lives obsessed with honor    and reconstruct in detail all the norms, hierarchies and parameters of conduct    of a micro society of Frenchmen on Chilean soil in the mid 18<sup>th</sup> century.    </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The relationship    between Carrera and Martres was strong, stable and independent of their place    of residence or trade. Moreover, this bond could be socially transversal, joining    individuals of different social and economic backgrounds in loyalty and comradeship.    Following the terminology of the time, it was a relationship of closeness from    the recognition of the same place of origin of immigrants<a href="#n35"><sup>35</sup></a><a name="t35"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The tendency of    foreigners to look for support in their compatriots was reinforced by a socio    cultural context preoccupied with defining identities and constructing the "otherness"    of individuals according to their <i>origin</i>. Taxonomical gestures of colonial    societies that morally classified and defined individuals according to the purity/impurity    of birth also boosted the constructions of identities and stereotypes from the    place of origin<a href="#n36"><sup>36</sup></a><a name="t36"></a>. So, geography    of birth was conformed that defined characters and modes of conducts, especially    visible in Hispanic immigrants, but that must have been the same for Frenchmen    in Chile<a href="#n37"><sup>37</sup></a><a name="t37"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The Frenchmen of    the mentioned legal trial established strong bonds of belonging with one another,    constructing a micro society with hierarchies and comparisons, norms and transgressions,    spheres of interaction and confrontation. Hairdressers, doctors, inn-keepers,    barrel-makers, small merchants &#150; or "<i>mercachifles</i>" as they are called    in the documentation &#150; were in permanent contact, reuniting in the same places    of sociability. They met in inns and boules courts of Santiago and <i>la Cañada</i>    was the spot where the two compatriots tried to avenge their honor the night    of April 10<sup>th</sup> 1752. Those Frenchmen that lived off their trades and    shared rooms with compatriots to be able to pay the rent approach us to the    ways of life of the immigrants that were located in what we could call the "middle    level" of 18<sup>th</sup> century Chilean society. Connected to <i>poor Spaniards</i>,    artisans and small merchants, their personal paths express the dynamics of connection    and distancing that marked the ways of interaction between them and the local    population. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Their preoccupations    were far from the subjects that part of historiography has studied about the    French in colonial Chile, like their participation in contraband of valuables    or their connections with the Hispanic Creole elite through convenient marriages<a href="#n38"><sup>38</sup></a><a name="t38"></a>.    Instead, they were about the practice of their work for their daily sustenance,    just like many other individuals that lived of their trades. If they interrupted    their tasks to attend to places of fun, they always did it under codes of conduct    and models of values marked by an honor constructed from their identities. It    was the dishonor suffered by one of them in a place of fun that demanded justice    through a duel, for ever breaking the history of that community. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We can legitimately    ask ourselves what were two Frenchmen doing fighting a duel on Chilean soil    in the mid 18<sup>th</sup> century? If, on one hand, from the point of view    of the "high culture" that period has been considered the century of the illustration    and the lights, vector of transformations that supposedly made honor an old    fashioned ideal, why were men willing to risk their lives for a (from the perspective    of the illustration) superfluous and class-conscious ideal?<a href="#n39"><sup>39</sup></a><a name="t39"></a>.    What were the circumstances that forced to spill blood of the aggressor as the    sole path to restitute the damaged honor, evading the institutional ways to    solve conflicts, like justice &#150; through the legal term of<i> slander</i> &#150; or    the mediation of renowned individuals of society? Lastly, if the duel has for    a long time been considered to be an exclusive resort of the elite, what were    two individuals outside the power circles doing, who had trades of precarious    social prestige, following the pre-established stages of those violent ritualized    exchanges?<a href="#n40"><sup>40</sup></a>.<a name="t40"></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">These questions    mark some of the lines we will develop throughout this presentation. They speak    to us of the diversity of cultural forms, the ambiguity of the categories of    honor and the creative power of social practices. We will observe how the duel    &#150; as a social use of honor &#150; threatened the repeated policies of population    control by part of the crown and local authorities; these were preoccupied with    monopolizing violence in administrative organisms, eliminating practices like    private vengeance<a href="#n41"><sup>41</sup></a><a name="t41"></a>. In this    way, honor acted as a driving force of conducts of transgression and ceased    to be an instrument of social discipline to become the best ally and means to    legitimize a violence that could be linked to more "noble" motivations, as a    defense of personal dignity<a href="#n42"><sup>42</sup></a><a name="t42"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Finally, the story    of the physician and hairdresser show the ambiguous supports of prestige in    Chilean colonial society of the 18<sup>th</sup> century. To acknowledge the    viewpoint of the elite was not enough; prestige summoned different judgments    of value according to the sphere in which it was structured. So, if a physician    could be despised in the aristocratic circles that remembered the dark origins    of a trade linked to barbers and surgeons, this same subject could enjoy ample    credibility and respect among manual workers and even small merchants. In the    case of the micro society of Frenchmen on Chilean soil in the mid 18<sup>th</sup>    century, we see that the physician Vicente Martres received shows of respect    and enjoyed privileges that the hairdresser Pedro Carrera did not. However,    the complexity of the network of status is even larger, because it was the honor    of the hairdresser that was damaged and he demanded a duel to repair it. The    fact that the claims of Pedro Carrera were heard by the physician implies not    only that he agreed to the challenge, but that he also acknowledged the legitimacy    of the latter's honor. This leads us once again to consider the transversal    and polysemous character of honor that could be vindicated by judges and mayors    as well as artisans, inn-keepers or hairdressers. </font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>IV. THE ITINERARY    OF DISHONOR:  MALE CONFLICTS THAT DAMAGE HONOR</b> </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The trajectory    of the dishonor of "Pedro the hairdresser" was forged during lunch on Monday    august 10<sup>th</sup>  1752<a href="#n43"><sup>43</sup></a><a name="t43"></a>.    As always, the group of Frenchmen had gathered in the inn of Pedro Potier, in    the lower part of <i>la Cañada</i>. This was the meeting point of the group,    a nucleus of sociability that brought them together every day, reinforcing the    sense of belonging to a foreign nation. A large table gathered the men, who    ate and laughed at the heat of their drinks. All, except Pedro, took part in    the male reunion. Marginalized and sitting among the women on the platform,    among other reasons for his underestimated task of serving plates, Pedro observed    the fun that men and women had throwing balls of bread and grapes at each other    from one table to the other. His humiliation was forged from second to second.    Why, the hairdresser would think, if that same morning he was playing boules    with the physician Vicente Martres, sharing jokes and signs of familiarity,    now his companion was sitting at the table with the men while he was degraded    in the female space?<a href="#n44"><sup>44</sup></a><a name="t44"></a></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The spheres of    male sociability were crossed by different codes that, if in some circumstances    &#150; like games &#150; allowed camaraderie between men of different social standings,    in others &#150; like sitting down at the table to eat &#150; prescribed more strict rules    of interaction, governed by the prevailing criteria of socio cultural discrimination.    Like in any society, small as its scale may be, inside the French community    we have analyzed there were logics of inclusion and exclusion of its members.    The criteria of parity, essentially caused by the conscience of belonging to    the same nation, were supplanted by gestures of differentiation that defined    hierarchies inside the group. These made it possible that Pedro the hairdresser    and Vicente Martres had fun together in the morning, displaying several <i>"demonstrations    of friendship"</i> and in the evening locate in unequal places inside the same    inn<a href="#n45"><sup>45</sup></a>.<a name="t45"></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">While solidarity    between compatriots led Pedro Potier to lend the hairdresser the ovens of his    inn to prepare the hairs for his wigs, the perception of intercommunity distances    marginalized the latter from the male reunion. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The bond of friendship    between the physician and French hairdresser was governed by unwritten, but    equally compulsive laws of a masculinity that showed "the approved way to be    a male in a determinate society"<a href="#n46"><sup>46</sup></a>.<a name="t46"></a>    If we consider that the fundamental preoccupations of traditional male identity    &#150; power, autonomy, domination and virility &#150; were damaged that afternoon for    Pedro Carrera, we will see the scope of his dishonor<a href="#n47"><sup>47</sup></a>.<a name="t47"></a>    A dishonor that was even graphically expressed in his feminization, his marginalization    to the female space. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the male universe    of honor, leaving an offense without amends was equal to cowardice. This showed    the tight link between honor and courage, on one hand, and between cowardice    and dishonor, on the other. In the case of the former duo, these were attributes    that have been linked to masculinity inside the patriarchal structure. From    the point of view of psychology, the construction of traditional male subjectivity    has been highlighted on a series of bases, like the characteristics of hardness    directly linked to violence and power<a href="#n48"><sup>48</sup></a>.<a name="t48"></a>    In this context, the man carried the imperative to externally defend, if need    be with blood, both his honor and that of his family, of which he bore the name<a href="#n49"><sup>49</sup></a><a name="t49"></a>.    The practice of male physical violence linked to honor could be used against    women &#150; understood as a correction of conducts that had damaged the honor of    the father, husband of brother&#150;<a href="#n50"><sup>50</sup></a><a name="t50"></a>,    or against another man after an aggression to male honor, caused by a blow,    insult, the generation of a rumor or sexual interaction with a women dependent    on the damaged man. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The shortest way    to get honor was to snatch another man's<a href="#n51"><sup>51</sup></a><a name="t51"></a>.    Among manual workers like artisans, butchers or laborers, a man who failed to    defend himself from the attacks of his peers was marginalized from male community.    As stated by Lyman L. Jonson for Buenos Aires of the time, the stimulus of these    types of conducts necessarily carried aggressive reactions that increased disputes    in the several instances of male interaction, like local stores, horse races,    gambling and card games "generating an interminable circle of challenges and    responses"<a href="#n52"><sup>52</sup></a><a name="t52"></a>. Cheating in a    game, addressing a woman or declining another glass of alcohol expressed and    found their meaning in the fundamental preoccupations of male identity: power,    autonomy, domination and virility. Questioning a man's honor, courage or sexual    prowess was to question his place in male society. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this case, Pedro    the hairdresser had been marginalized. We don't know how many bread projectiles    reached him before he stood up to get some coconuts in the garden to throw them    violently at the men's table. Though a subject called don Bartolomé received    the fruits on his head, he did not give it much thought and continued eating.    This action, or inaction of an individual challenged by another, implied two    things. In the first place, that the defied man did not consider the offense    to the relevant, because when it came from a man who was not his <i>equal</i>,    it did not diminish his honor in the least. According to Bourdieu, challenge    &#150; as a source of honor &#150; "only counts if it is directed to a man (as opposed    to a woman) and to an honorable man, capable of giving a response"<a href="#n53"><sup>53</sup></a><a name="t53"></a>.    The challenge to an equal in the competition of honor implied the acknowledgment    of that equality and, therefore, the possibility to recover the lost honor attacking    the honor of the opponent. In the referred context, the preeminence of the attacked    subject was not only represented by his inclusion in the table of the men, but    also by the form of address of "don", with which he was designated by his table    companions and by Pedro himself. For the period in question, the use of "don"    was not reserved for the descendants of conquerors or colonial elites, but had    suffered a semantic displacement that made it possible to grant it &#150; though    often after intense fights &#150; to all who claimed <i>clean blood</i>, or who had    some kind of prestige inside the community, as in this case<a href="#n54"><sup>54</sup></a><a name="t54"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the second place,    the unwillingness of don Bartolomé to acknowledge the challenge, meant that    the public dishonor of Pedro increased and that he had to act as soon as possible    to repair it. The hairdresser approached don Bartolomé: his intention had to    be interpreted as a provocation that left the other with no other possibility    than to use fists or swords. He threatened him to talk, mocking his silence;    when he received no response and as a strategy to obtain recognition as an <i>equal</i>    to the men present, he challenged them all, saying that <i>"he was there for    anyone of that table"</i><a href="#n55"><sup> 55</sup></a><a name="t55"></a>.    In this way he called on his masculinity, restoring his courage in front of    those he had to live with every day. His masculinity &#150; intimately linked to    physical force and sexual prowess &#150; was the quality that could reinstate him    in the male sphere. </font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>V.  FROM WORDS    TO ACTS: THE DIALECTIC CHALLENGE-RESPONSE IN VIOLENT MALE INTERACTIONS </b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">After this, Pedro    told his rival to meanwhile have a glass of wine. Knowing his words would not    go unnoticed and that they would be interpreted by al present as a direct affront    to the conduct of don Bartolomé (associating his behavior to the social image    of <i>drunk</i>), the hairdresser aimed to wash his honor with blood. It mattered    little if his rival was or not inclined to drink excessively. The relevant thing    was that he publicly appealed to one of the most used insults in colonial imaginary    to discredit his contender<a href="#n56"><sup>56</sup></a><a name="t56"></a>.    As we have pointed out, offenses were public because of the presence of witnesses,    who were potential generators of the rumor that would then damage the reputation    of the affronted<a href="#n57"><sup>57</sup></a><a name="t57"></a>.  In a world    of face to face relationships, in which honor was essential for credibility    and social insertion, the permanence of social links with others  not only implied    recognition, it was necessary for daily sustenance<a href="#n58"><sup>58</sup></a><a name="t58"></a>.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Given the circumstances,    the answer of don Bartolomé could not wait. According to a witness: </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">"Don Bartholo answered    that he was not a drunk for him to call him so, at the same time making the    gesture of putting his hand on the chest of the hairdresser, and he then grabbed    a knife from the table; and he brandished it and made gestures as if he wanted    to use it, so the onlookers moved and the deponent took the knife from his hand,    then he was grabbed by the women, who threw him out"<a href="#n59"><sup>59</sup></a><a name="t59"></a>.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The dialectic challenge-response    had led the offended part &#150; in this part don Bartolomé &#150; to take the initiative,    combining two defense systems. He verbally denies the insult and when he makes    the gesture of placing <i>"his hand on the hairdresser's chest"</i> he interprets    the role of aggressor. Don Bartolomé fell in the game of the satisfaction of    honor for Pedro the hairdresser, appealing to the symbolic-corporal system of    honor that made a difference between the upper and lower parts of the body,    qualifying the former noble and the latter vulgar<a href="#n60"><sup>60</sup></a>.<a name="t60"></a>    When he made this gesture, he transgressed what Georg Simmel has called "the    ideal sphere" that surrounds the body of every individual<a href="#n61"><sup>61</sup></a><a name="t61"></a>.    The violation of that sacred perimeter &#150; be it by a blow, push, scratch or pulling    of hair for example &#150; did not only leave physical traces, tangible and exposed    to others. Next to physical presence, in each social actor there was a moral    presence, a social image of the individual for the group. It was this moral,    that we could call "reputation", that was most affected by affronts and its    repair was considered to be a reincorporation to the social body<a href="#n62"><sup>62</sup></a><a name="t62"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Among all the physical    offenses prior to the violent exchange in itself, placing a hand on the rival's    chest, pushing him or taking him by his clothes was one of the most offensive.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This act did not    entail the ambiguity of the pat on the back, but constituted a direct invitation    to fight<a href="#n63"><sup>63</sup></a><a name="t63"></a>. That explains the    violent reaction of Pedro, who brandished a knife. He was willing to use it    in that instant, just like many men used to do to save their honor after insults    and aggressions in local stores and inns<a href="#n64"><sup>64</sup></a><a name="t64"></a>.    In this case, the witnesses of the dispute prevented it, and what was even more    humiliating for Pedro the hair dresser, women ended up throwing him out of the    place. However, before this last gesture of disgrace, Pedro managed to exchange    some words with his companion of games of that morning. Vicente Martres had    said in the middle of the argument, that the hairdresser <i>"deserved to be    hit with sticks for his disrespect"</i>, an especially dishonorable form of    punishment, reserved only for animals or slaves<a href="#n65"><sup>65</sup></a><a name="t65"></a>.    When he was about to be expelled by the women - and just a few minutes away    from losing any possibility to avenge his honor - Pedro stood in front of Vicente    and asked ratification of the offense. When he received it, he provocatively    said <i>"see you"</i><a href="#n66"><sup>66</sup></a><a name="t66"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The challenge was    made. His motives were explicit. His acts defined. Just a small reflection about    this last issue: the future duelists. Pedro the hairdresser had to choose his    rival between the men of that table. He chose Vicente Martres, an option that    can be understood from the camaraderie they had that morning in the boules court.     This implied their mutual acknowledgement as compatriots, members of a male    community, which was the basis of the reciprocated perception of the offense.    Later, Pedro would confess to Joachim Joseph Telles &#150; his companion of trade    who was also his roommate &#150; that after the incidents he was especially upset    with Martres because of an insult the latter said to him. It was the expression    <i>"picaronazo"</i>, augmentative adjective of "pícaro" (scoundrel) that according    to the Diccionario de Autoridades evoked everything that was <i>"low, despicable,    malicious, dishonorable and shameful"</i><a href="#n67"><sup>67</sup></a><a name="t67"></a>.    That word, pronounced in front of all, really expressed the opinion of the men    who were seated at the table: Pedro had no honor. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Perhaps the practice    of a prestigious private trade, plus his poverty that forced him to work as    a servant in Potier's inn consigned him to an inferior category &#150; <i>"low" </i>as    described by the source &#150; in the society of the French<a href="#n68"><sup>68</sup></a><a name="t68"></a>.    According to these ranks, Pedro should not have felt offended when he was relegated    from the table of men that for these matters, was the table of honor. From that    point of view, the hairdresser did not keep his place, transgressing the hierarchies    that sealed status inside the group. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We find ourselves    faced with the double aspect of honor we mentioned at the beginning of this    presentation. In the sphere of relationships, honor built ties of communication    that made coexistence possible and set norms for interaction. In the sphere    of confrontation, honor was object of continuous disputes and disagreements    about its uses, attributions and components. In many cases, these were struggles    between divergent representations, related with the particular identities of    each one of the colonial subjects. For Pedro the hairdresser, despite the others    opinion, masculinity was essential in the representation of honor. It made it    possible for him to relate with the physician Vicente Mar­tres, having fun together    in male environments, and then get offended by the sexual incursion of the companion    &#150; now rival &#150; with some woman. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Actually, there    were conflicts pending between the parts, derived from the visits they made    to some women called <i>"las Valdivianas" </i>who temporarily located their    "house of dates" in the house next to Potier's inn. Their trade did not prevent    that Pedro's masculinity was affronted when Vicente Martres started to spend    time with the woman he used to be intimate with first<a href="#n69"><sup>69</sup></a><a name="t69"></a>.    This not only corroborates the tight relationship between maleness and sexual    prowess, amply studied from the historical and anthropological point of view<a href="#n70"><sup>70</sup></a><a name="t70"></a>,    it also extends implications independently of the nature of the bond between    women and men. This, since literature has tended to associate male honor to    the capacity to control the sexuality of dependent women &#150; linked to man through    law or blood &#150; be they wives, daughters or sisters. However, for 18<sup>th</sup>    century Chile we have observed that it could in turn be damaged by the behavior    of women united in "illicit friendship" to the man. This shows that in these    cultural universes civil unions were validated<a href="#n71"><sup>71</sup></a><a name="t71"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Now, the case that    concerns us goes beyond those considerations, and shows the versatility of the    social uses that associated male honor with unquestionable sexual prowess. We    don't know if there was any kind of formal relationship between the hairdresser    and that woman or if the other men knew about Pedro's fondness of her. To our    conjectures, we only find silence in legal registers that did not systematically    tackle that line of investigation. Instead, the motivations for the duel were    sought in the incidents of that same afternoon in Potier's inn<a href="#n72"><sup>72</sup></a><a name="t72"></a>.    For now, we have only been able to see the ambiguity of the networks of significations    on the diverse types of relationships between a man and a woman in the colonial    past. </font></p>     ]]></body>
<body><![CDATA[<p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>VI. SWORD DUEL    OR THE RESTORATIVE POWER OF BLOOD</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">After uttering    that threatening <i>"see you", </i>Pedro had all afternoon to prepare his revenge.    He gathered in his room with some neighbors who lent him a long sword, appropriate    for the confrontation<a href="#n73"><sup>73</sup></a>.<a name="t73"></a> He    left the room he rented with a companion of trade, carrying the weapon and his    cloak to hide his identity while he waited for Vicente, after dining, to leave    the same inn where the argument had taken place only a few hours before.  The    hairdresser approached the physician and told him, before another man, that    he needed him to visit a sick woman. When Vicente Martres agreed, Pedro Carrera    moved away a few meters from his rival and told him that he was the sick person,    because of the words that had offended him that afternoon. Propounding dishonor    as a disease that marginalizes from the social body and proposing a duel as    a means of recovery and reinsertion, Pedro and the physician embarked on a discussion    that could only end in a violent confrontation. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Vicente went quickly    to his house to fetch his sword and then returned to the accorded place, south    of <i>la Cañada</i>. The next morning, when the committal began for the homicide    of the physician Vicente Martres, witnesses pointed out that the night before,    for a long time, they heard sword noises and then a voice that cried out: <i>"Pedro,    I am hurt"</i><a href="#n74"><sup>74</sup></a>.<a name="t74"></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Friends and rivals    had gathered in the night to wash their honor with blood. The circumstance that    had damaged the honor of Pedro the hairdresser and the scene in which the affronts    had taken place, forced him to openly claim the attributes of a masculinity    centered on domination, physical force and sexual prowess. If his manhood had    been damaged so flagrantly that afternoon, he had to regain it by taking that    of another man. This explained why he chose violence as a means to repair his    honor, evading the institutional mechanisms to solve interpersonal conflicts.    On occasions, the revenge of damaged honor was only achieved with bloodshed<a href="#n75"><sup>75</sup></a><a name="t75"></a>.    Honor, a part of the "ideal and sacred sphere"<a href="#n76"><sup>76</sup></a><a name="t76"></a>of    a person, needed immense atonement in the same field, and was to be repaired    through practices in sacred and ritualized spheres. The role of human blood    as a substance capable of atoning damages finds its highest expression in the    figure of the whipped, crucified and bleeding Christ of the Christian worldview.     The duel as expiation, as amends of damaged honor, finds a restoring balm in    blood. Its rules established that the end of the clash was the first wound with    bloodshed on one of the duelists<a href="#n77"><sup>77</sup></a><a name="t77"></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The norms of its    development gave it the appearance of a ritual; concerned with forms that shifted    the accent from substance and function<a href="#n78"><sup>78</sup></a><a name="t78"></a>.    In this sense we could talk of a stylization of violence, aimed at disguising    the gross reality of the act of a man to man fight, joining bodies, sweating,    bleeding. The creation of symbolical universes for its phases, weapons, times    and participants, have been considered by historiography as one of the many    efforts of the elites to legitimize its practices and differentiate it from    the practices of other groups<a href="#n79"><sup>79</sup></a><a name="t79"></a>.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">S. Parker, "La    ley penal y las "leyes caballerescas": hacia el duelo legal en el Uruguay, 1880-1920",    en <i>Anuario IEHS</i>, Facultad de Ciencias Humanas, Universidad Nacional del    Centro, Tandil-Argentina, Nº 14, 1999, 295-311; Pablo Piccato, "La política    y la tecnología del honor: el duelo en México durante el porfiriato y la revolución",    in <i>Anuario IEHS</i>, Facultad de Ciencias Humanas, Universidad Nacional del    Centro, Tandil-Argentina, Nº 14, 1999, 273-294; Nelly Porro Girardi, "La defensa    de la honra a uso de Indias", <i>Revista Chilena de Historia del Derecho</i>,    Santiago, Facultad de Derecho Universidad de Chile, N° 12, 1986, 323-331. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this case the    difference was between a refined violence and one of popular tradition, represented    &#150; according to the perspective of the elite &#150; as chaotic, irrational, and informal,    with no values or predefined objectives. These considerations have been refuted    in the last years, showing that related to certain social values like honor,    popular violence could be understood as a <i>system of private revenge</i>,    subject to particular norms and codes<a href="#n80"><sup>80</sup></a><a name="t80"></a>.    Thoughts like these, from disciplines like anthropology, force us to rethink    the categories and clarify judgments about the representations and practices    of honor in the colonial past. If popular violence could be related to specific    formal values and codes, we must also be open to the possibility that duels    were not exclusive of the elite and that honor was not a monolithic code, reserved    to privileged groups, with consent of the community. </font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>VII. AN ELUSIVE    HONOR  </b></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The hairdresser    Pedro Carrera chased an elusive honor, enjoyed its privileges to loose it in    a social game of competitions and solidarities, quarrels and camaraderie. From    a male universe based on physical force and virility, he had to wash his honor    with the blood of a companion and, finally, with his own. He knew that when    he saved his honor he risked losing his life, as in fact happened the morning    of July 4<sup>th</sup> 1752 when he was hanged by order of the <i>Real Audiencia</i>,    for his confessed homicide of Vicente Martres<a href="#n81"><sup>81</sup></a>.<a name="t81"></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">However, he also    knew the costs of a dishonor that would break the links he had with the other    members of the micro society of Frenchmen that lived on Chilean soil in the    mid 18<sup>th</sup> century. Only if we consider that honor and related criteria    &#150; like good name and reputation &#150; more than superfluous adornments, were fundaments    of the confidence that made it possible to establish commercial relationships    and camaraderie, we understand he vital importance that value had in traditional    societies. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The relevance of    honor in the social game of the Chilean 18<sup>th</sup> century made this a    common language that connected an important part of the individuals under its    codes and nomenclature; individuals who appealed to its treatments and claimed    its gestures. However, individual aspirations of honor were only effective if    they were acknowledged socially and this is where discrepancies began that made    honor a space of confrontation.  In this, lies the dramatic nucleus of the story    of Pedro Carrera and Vicente Martres: the ambiguity of an honor that in some    circumstances could be patrimony of all and in others only belonged to a few.    </font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Date of reception:    March 2007     <br>   Date of acceptance: November 2007 </font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name="n01"></a><a href="#t01"><sup>1</sup></a>    This article is part of an investigation for a thesis to obtain PhD in History    at Pontificia Universidad Católica de Chile, <i>En busca de honor: Identidades,    representaciones y prácticas culturales de los grupos medios y populares en    Santiago colonial (1700-18800)</i> directed by professor Jaime Valenzuela Márquez,    with the valuable support of CONICYT. A preliminary paper was presented at the    <i>V Encuentro de Historia Colonial,</i> Universidad Andrés Bello, Santiago,    October 2006.     ]]></body>
<body><![CDATA[<!-- ref --><br>   <a name="n02"></a><a href="#t02"><sup>2</sup></a> About this, the anthropologist    Peristiany, one of the referents in the study of honor in Mediterranean societies,    has pointed out that honor and dishonor "are the reflection of the personality    of society and the mirror of social ideals". J. G. Peristiany (ed.), <i>El concepto    de honor en la sociedad mediterránea,</i> Barcelona, Labor, 1968, 12.    <!-- ref -->  By <i>representation    </i>we understand the systems of perceptions and judgment than individuals or    the <i>communities of interpretation</i> understand and construct of the social    world. Under the concept of <i>practices</i> we will be referring to the experiences    and ways how people materialize what honor meant for them. Roger Chartier, <i>El    mundo como representación. Estudios sobre historia cultural</i>, Barcelona,    Gedisa, 1992.    <!-- ref --> For some critical reflections about the notion of representation,    see Carlo Ginzburg, <i>Ojazos de madera. Nueve reflexiones sobre la distancia</i>,    Barcelona, Península, 2000, 85-88.    <!-- ref --><br>   <a name="n03"></a><a href="#t03"><sup>3</sup></a> About the transversal and    polysemous character of collonial chilean honor see Verónica Undurra­ga, "Honores    transversales, honores polisémicos en la sociedad chilena del siglo XVIII",    in A. Araya, A. Candina and C. Cussen (eds.), <i>Del nuevo al viejo mundo: mentalidades    y representaciones desde América,</i> Santiago, Fondo de Publicaciones Americanistas    y Facultad de Humanidades de la Universi­dad de Chile, 2008, 53-65.    <!-- ref --><br>   <a name="n04"></a><a href="#t04"><sup>4</sup></a> By "symbolic struggles" we    understand, following Pierre Bourdieu, the disputes for the appropriation of    the <i>distinctive signs</i> that are the basis of the cultural capital of a    society. These are "struggles in which what is at stake is everything that,    in the social world, is about beliefs, credibility or incredibility, perception    and appreciation, knowledge and recognition, name, renown, prestige, honor,    glory, authority, everything that constitutes the symbolic power as a recognized    power". Pierre Bourdieu, <i>La distinción. Criterio y bases sociales del gusto</i>,    Madrid, Tau­rus, 2000, 248.    <!-- ref --><br>   <a name="n05"></a><a href="#t05"><sup>5</sup></a> By elite we refer to a select    and reduced group of people that had social, economic and political prerogatives    in a certain social, economic and political context. See Jacques A. Barbier,    "Elite and Cadres in Bourbon Chile", <i>Hispanic American Historical Review</i>    (from now on <i>HAHR</i>), 52 (3), 1972, 416-435.    <!-- ref --> We take the notion of discourse    proposed by Foucault, as a system of possibility of knowledge. As such, it is    not only a way of expression, but a disposition of experiences and knowledge.    Michel Foucault, <i>El orden del discurso</i>, Barcelona, Tusquets, 2002;    <!-- ref --> Michel    Foucault, <i>Arqueología del saber</i>, Buenos Aires, Siglo XXI, 2003.    <br>   <a name="n06"></a><a href="#t06"><sup>6</sup></a> It is import to consider the    sometimes highly deforming mediation of sources produced by the dominant groups.    This leads to the discussion about the methodological difficulties to access    the unofficial discourses and practices as well as ideas, perceptions and value    systems of popular groups. Although the legal archives insert their content    inside the power structures of each historical moment, reflecting the cultural    models of those who sustained it, they leave some spaces for the expression    of the imagery of reality by lower and middle class individuals. Though these    persons knew the rules and expectations of the authorities when they found themselves    in legal instances, their initial testimonies did not fall in legal formality.    This contrasts with the middle and final stages of the trials, in which institutional    mediation and styling were clearly expressed.     <!-- ref --><br>   <a name="n07"></a><a href="#t07"><sup>7</sup></a> Frédérique Langue, "Les identités    fractales: honneur et couleur dans la société vénézuélienne du XVIIIe siècle",    <i>Caravelle</i>, Nº 65, 1995, 25 (translation is ours).    <!-- ref --><br>   <a name="n08"></a><a href="#t08"><sup>8</sup></a> The social use of identities    is referred especially to those derived of origin and color of the colonial    actors. Berta Ares Queija, "<i>Mestizos en hábito de indios</i>: ¿estrategias    transgresoras o identidades difusas?", in R. M. Loureiro y Serge Gruzinski (eds.),    <i>Passar as frontei­ras. Il coloquio internacional sobre mediadores culturais,    séculos XV a XVIII</i>, Lagos, Centro de Estudios Gil Eanes, 1999, 133-146;    <!-- ref -->    Bernard Lavallé, <i>Amor y opresión en los Andes centrales</i>, Lima, IEP /    IFEA / URP, 85-136.    <!-- ref --> When we state the existence of a social use of honor in    18th century Chile, we not only postulate the possibility of negotiation of    native identities but of all those linked to the faces of honor, especially    in middle and lower groups.  The synonymy between honor and good conduct, or    between honor and virility, were some of the mechanisms used by <i>poor Spaniards</i>,    Indians and castes to construct alternative representations of honor. With this,    the importance of traditional criteria, like lineage, was eluded or at least    minimized. See Verónica Undurraga, "<i>El honor no es más que la buena opinión</i>:    aproximación al honor a partir de la categoría de lo <i>público</i> en el Chile    de 1792 a 1822", <i>Bicentenario. Revista de Historia de Chile y América,</i>    Vol. 4, Nº 2, 2005, Santiago, 17-35.    <br>   <a name="n09"></a><a href="#t09"><sup>9</sup></a> The term <i>Spaniard </i>is    used here according to the common use it had in the time of this study, that    is to say, referring to the individuals that arrived from Spain, the descendants    of Spaniards or even those who, because of their phenotype, passed as them.    Adding "poor" to that notion, as is frequently seen in the documentation of    the time, a material criterion is added to characterize the social status of    some "Spaniards" in the colony.     <!-- ref --><br>   <a name="n10"></a><a href="#t10"><sup>10</sup></a> The notion of American colonial    society as a society of domination, with all the range of nuances that this    notion can have, has been studied by several authors. For Chile we can mention,    among others, the works of Sergio Villalobos, <i>Historia del pueblo chile-no</i>,    Tomo IV, Santiago, Editorial Universitaria, 1999, 211-294. From the point of    view of social disciplining, Leonardo León has shown the mechanisms of control    of the population by the elite of the illustration. See his works, "Elite y    bajo pueblo durante el período colonial. La guerra contra las pulperas en Santiago    de Chile", <i>Monografías de Cuadernos de Historia Nº 1, Historia de las mentalidades.    Homenaje a Georges Duby,</i> Santiago, Departamento de Ciencias Históricas,    Universi­dad de Chile, 2000, 93-114;    <!-- ref --> "La construcción del orden social oligárquico    en Chile colonial: la creación del Cuerpo de Dragones, 1758", <i>Estudios Coloniales    I,</i> Santiago, Universidad Andrés Bello, 2000, 183-195;    <!-- ref --> "Reglamentando la    vida cotidiana en Chile colonial, 1760-1768",<i> Valles. Revista de estudios    regionales</i>, La Ligua, Año 4, Nº 4, 1998, 47-75.    <!-- ref --><br>   <a name="n11"></a><a href="#t11"><sup>11</sup></a> The strategies of adaptation    and manipulation in the social world show the operability of a "specific rationality"    in the actions of colonial actors. The term "specific rationality" comes from    Giovanni Levi who applies it to the European peasant world of the Old Regime.    Giovanni Levi, <i>La herencia inmaterial. La historia de un exorcista piamontés    del siglo XVII</i>, Madrid, Nerea, 1990, 11 y 12.    <!-- ref --><br>   <a name="n12"></a><a href="#t12"><sup>12</sup></a> Lyman L. Johnson and Sonya    Lipsett-Rivera, <i>The faces of honor in Colonial Latin America. Sex, shame    and violence</i>, Albuquerque, University of New Mexico Press, 1998;    <!-- ref --> María Eugenia    Chaves, <i>Honor y libertad. Discursos y recursos en la estrategia de libertad    de una mujer esclava (Guayaquil a fines del período colonial),</i> Goteborg,    Departamento de Historia/Instituto Iberoamericano de la Uni­versidad de Goteborg,    2001;    <!-- ref --> Sarah Chambers, <i>From Subjects to Citizens. Honor, Gender and Politics    in Arequipa, Peru, 1780-1854,</i> University Park PA, Pennsylvania State University    Press, 1999;    <!-- ref --> Frédé­rique Langue, "Les identités fractales", <i>op. cit</i>.,    23-37; Frédérique Langue, <i>Aristócratas, honor y subversión en la Venezuela    del siglo XVIII</i>, Caracas, Biblioteca de la Academia Nacional de la Histo­ria,    Serie Fuentes para la Historia de Venezuela, Vol. 252, 2000     <!-- ref --><br>   <a name="n13"></a><a href="#t13"><sup>13</sup></a> Diego Barros Arana, <i>Historia    general de Chile</i>, tomo VII, Santiago, Universitaria-DIBAM, 2000, 308.    <!-- ref --> The    description of individuals of mixed race as vicious, with propensity to drinking    and gambling, certainly did not contribute to search for fundaments of honor    in the middle or lower groups. Benjamín Vicuña Mackenna, <i>Historia crítica    y social de Santiago. 1541-1868</i>, Santiago, Nascimento, 1924, Tomo II, 144    y 532.    <!-- ref --><br>   <a name="n14"></a><a href="#t14"><sup>14</sup></a> Domingo Amunátegui Solar,    <i>Mayorazgos y títulos de Castilla</i>, 3 vols., Santiago, Imprenta, Litografía    I Encuadernación Barcelona, 1901;    <!-- ref --> Juan Mujica, <i>Linajes españoles. Nobleza    colonial de Chile</i>, 2 vols., Santiago, Zamorano y Caperán, 1927;    <!-- ref --> Luis Thayer    Ojeda, <i>Familias chilenas</i>, Santiago, Guillermo Miranda Editor, 1905;    <!-- ref --> Juan    Luis Espejo, <i>Nobiliario de la Capitanía General de Chile</i>, Santiago, Andrés    Bello, 1967;    <!-- ref --> Julio Retamal Favereau y otros, <i>Familias fundadoras de Chile</i>,    3 vols., Santiago, Universidad Católica de Chile, 1992, 2000, 2003.    <!-- ref --> Also, the    several articles by Luis Lira Montt endorse the conception of honor as a principle    associated to the elite. His interest for the study of nobility in <i>Indias</i>,    as a social institution regulated by the Spanish crown, stems from a historical-legal    and institutional point of view.  Some of his works are: "Bene­méritos del Reino    de Chile repertorio del siglo XVII", <i>Boletín de la Academia Chilena de la    Historia </i>(en adelante <i>BAChH</i>), N° 105, 1995, 51-74;    <!-- ref --> "El fuero nobiliario    en Indias", <i>BAChH</i>, N° 89, 1975­1976, 45-78;    <!-- ref --> "La fundación de mayorazgos    en Indias", <i>BAChH</i>, N° 102, 1991-1992, 349-386.    <!-- ref --><br>   <a name="n15"></a><a href="#t15"><sup>15</sup></a> Jaime Eyzaguirre, <i>Fisonomía    histórica de Chile</i>, Santiago, Ed. del Pacífico, 1958, 15-17, 21-23.    <!-- ref --><br>   <a name="n16"></a><a href="#t16"><sup>16</sup></a> About the preoccupations    of enriched merchants with social prestige see Mario Góngora, <i>Encomenderos    y estancieros. Estudios acerca de la constitución social aristocrática de Chile    después de la Conquista 1580-1660</i>, Santiago, Universitaria, 1970, 80-87.    In his analysis of social urban stratification in colonial Chile, the same author    refers to the expectative of honor the mixed race had and their efforts to obtain    it through the military ranks in the 18<sup>th</sup> century. Though these ideas    were not systematically developed in his writings, they constituted refreshing    pints of view that obligated to center the attention of facets that gave color    and mobility to the apparently quiet and grey colonial siesta. Mario Góngora,    "Urban social stratifi­cation in colonial Chile", <i>HAHR</i>, 55 (3), august    1975, 440.    <!-- ref --> About the prestige that the promotion ladders of urban militias gave    to castes in the 18<sup>th</sup> century in Chile, see Hugo Contreras, "Las    milicias de pardos y morenos libres de Santiago de Chile en el siglo XVIII,    1760-1800", <i>Cuadernos de Historia</i>, Nº 25, Santiago, 2006, 93-117.     &nbsp;    <br>   <a name="n17"></a><a href="#t17"><sup>17</sup></a> Sergio Villalobos, <i>op.    cit</i>., 284.     <br>   <a name="n18"></a><a href="#t18"><sup>18</sup></a> <i>Ibid</i>., 294.     <br>   <a name="n19"></a><a href="#t19"><sup>19</sup></a> About the struggles between    discordant representations of honor, see Verónica Undurraga, "Honores transversales,    honores polisémicos", <i>op. cit</i>.     <!-- ref --><br>   <a name="n20"></a><a href="#t20"><sup>20</sup></a> In the reality of colonial    Chile, the existence of codes of honor different from those of the elite has    remained unnoticed for historiography up until a few years ago, and there is    still no systematic study that &#150; dialoguing with documentary registers &#150; shows    the diversity of its representations and practices, an issue we are currently    working on for our doctoral thesis. Up to the moment, the only works exclusively    destined to analyze honor in Chilean colonial society, besides those previously    mentioned of our own authorship, have been "El concepto de honor en Chile colonial"    and "Mujeres de Chillán luchan por su honra", by Retamal Ávila. In the first,    the analysis is centered on the fundaments of power and social prestige of the    aristocrats of the 16<sup>th</sup> and 17<sup>th</sup> centuries, recording    a change in the "concept of honor" for the 18<sup>th</sup> century derived from    the penetration of "new people" in the nucleus of the elite. Likewise, the author    accepts the possibility that this notion "went through" the integrants of the    "emerging middle group" and even some Indians, especially caciques. In the second    article, the importance of female sexual purity is addressed in the conformation    of the Hispanic Creole honor. See Julio Retamal Ávila, "El concepto de honor    en Chile colonial", <i>Estudios Colo­niales II</i>, Universidad Andrés Bello,    Santiago, 2002, 41-56;    <!-- ref --> "Mujeres de Chillán luchan por su honra", <i>Estudios    Coloniales III</i>, Universidad Andrés Bello, Santiago, 2004, 113-127.    <!-- ref --><br>   <a name="n21"></a><a href="#t21"><sup>21</sup></a> Frédérique Langue has proponed    this way of access to the American colonial past, based on the parameters of    the 1990s European "new social history". See her work "Les identités fractales",    <i>op. cit</i>., 24. For a critical analysis of the contributions and weaknesses    of the work directed by Bernard Lepetit, that crystallizes the preoccupations    of this "new social history", see the review by Abel Ignacio López, "La historiografía    francesa de los años noventa. Bernard Lepetit (director). <i>Les formes de l'experience.    Une autre histoire sociale</i>. Paris, Albin Michel, 1995",    <!-- ref --> in <i>Anuario Colombiano    de Historia Social y de la Cultura</i>, Vol. 26, 1999, 373-386.    <!-- ref --> The interest    for the study of the social practices in the American colonial world has intended    to reconsider, for example, the history of institutions, with the accent on    the social actors and the adjustment of general norms to local peculiarities.    For the legal sphere, see Juan Carlos Garavaglia and Jean-Frédéric Schaub, <i>Lois,    Justice, Coutume. Amérique et Europe latines (16e-19e siècle)</i>, Paris, Éditions    de L'Ècole del Hautes Études en Sciences Sociales, 2005. 23 See note 13.    <!-- ref --><br>   <a name="n22"></a><a href="#t22"><sup>22</sup></a> The lines of analysis of    Mediterranean honor impelled by the anthropological interpretation have included    topics like social position, <i>spiritual kinship</i> or relationships with    godfathers, family, hospitality and sexuality. Some of these works are: J. G.    Peristiany (ed.), <i>El concepto de honor</i>, <i>op.cit</i>.; Julian Pitt-Rivers,    <i>Antropología del honor o política de los sexos. Ensayos de antropología mediterránea</i>,    Barcelona, Crítica,1979;    <!-- ref --> Julian Pitt-Rivers and J. G. Peristiany (eds.), <i>Honor    y gracia</i>, Alianza, Madrid, 1993;    <!-- ref --> J. K. Campbell, <i>Honnour, Family and    Patronage: A Study of Institutions and Moral Values in a Greek Mountain Community</i>,    Oxford, Oxford University Press, 1964;    <!-- ref --> J. Davis, <i>People of the Mediterranean.    An essay in comparative social anthropology</i>, Londres, Routhledge and Kegan    Paul, 1977.    <br>   <a name="n23"></a><a href="#t23"><sup>23</sup></a> J. G. Peristiany, <i>El concepto    de honor</i>,<i> op. cit</i>. 12.     <br>   <a name="n24"></a><a href="#t24"><sup>24</sup></a> J. G. Peristiany, El concepto    de honor, op. cit. 12.     ]]></body>
<body><![CDATA[<!-- ref --><br>   <a name="n25"></a><a href="#t25"><sup>25</sup></a> For this perspective see    José Antonio Maravall, <i>Poder, honor y élites en el siglo XVII</i>, Madrid,    Siglo XXI, 1984.    <!-- ref --> In turn, Weber's sociology endorses the connection between    honor and "class situation". Max Weber, <i>Economía y sociedad. Esbozo de sociología    comprensiva</i>, Santafé de Bogotá, F.C.E., 1997, 687-691.     &nbsp;    <br>   <a name="n26"></a><a href="#t26"><sup>26</sup></a> About this, anthropologists    have stressed the multi-faceted nature of honor "and the fact that the different    social groups value their facets differently". The representation of honor is    articulated in a different context according to the location in the social structure    and the specific value given to their different aspects can be explained by    this. Julian Pitt-Rivers, <i>Antropología del honor</i>, <i>op. ci</i>t., 66    y 140.     <!-- ref --><br>   <a name="n27"></a><a href="#t27"><sup>27</sup></a> Already thirty years ago    Carlo Ginzburg pointed out the need to reconsider the relationship between <i>popular    culture</i> and <i>culture of the elite</i>, avoiding a paternalism that makes    the former be a sole reproducer of the ideas of the latter. Though this prejudice    has been avoided, replacing the study of the culture <i>produced by</i> the    popular groups to the problem of the culture <i>imposed to</i> them, the most    attractive solution has been to show circularity between the levels of culture.    Next to this, the notion of "popular culture" has been amply problematic, as    it gives a false impression of homogeneity and expresses a reductionism cultural    division in two levels, thus forgetting plurality of thought, behavior and the    specific modalities of appropriation of cultural meanings. Carlo Ginzburg, <i>El    queso y los gusanos. El cosmos según un molinero del siglo XVI</i>, Barcelona,    Península, 2001 (1ª ed. 1976).    <!-- ref --> About the role of cultural mediators, see Berta    Ares Queija y Serge Gruzinski (coord.), <i>Entre dos mundos. Fronteras culturales    y agentes mediadores,</i> Sevilla, Publicaciones de la Escuela de Estudios Hispano-Americanos    de Sevilla, 1997.    <!-- ref --><br>   <a name="n28"></a><a href="#t28"><sup>28</sup></a> Frédérique Langue, "Les identités    fractales", <i>op.cit.</i>; Serge Gruzinski, <i>El pensamiento mestizo</i>,    Barcelona, Paidós, 2000.    <!-- ref --><br>   <a name="n29"></a><a href="#t29"><sup>29</sup></a> To analyse the influence    of Santiago inside the colonial economic system see the studies of Marcello    Carmagnani, <i>Los mecanimos de la vida económica en una sociedad colonial.    Chile, 1680-1830</i>, Santiago, DIBAM, 2001 and Romano Ruggiero,    <!-- ref --> <i>Una economía    colonial: Chile siglo XVIII</i>, Buenos Aires, Eudeba, 1965.    <!-- ref --> From the point    of view of the mobility of men in search of work and social opportunities see    the interesting article, revolutionary for the time, of Mario Góngora, "Vagabundaje    y sociedad fronteriza en Chile siglos XVII-XIX)", en <i>Estudios de historia    de la ideas y de historia social</i>, Valparaíso, Ediciones Universitarias de    Valparaíso, 1980.    &nbsp;    <!-- ref --><br>   <a name="n30"></a><a href="#t30"><sup>30</sup></a> McCaa, Robert, "Calidad,    Class, and Marriage in Colonial Mexico: The Case of Parral, 1788-1790", <i>HAHR</i>,    64 (3), 1984, 477-501;    <!-- ref --> Roland Anrup and María Eugenia Chaves, "La «plebe» en    una sociedad de «todos los colores». La construcción e un imaginario social    y político en la colonia tardía en Cartagena y Guayaquil", <i>Caravelle. Cahiers    du monde hispanique et luso-bresilien</i>, Nº 84, 2005, 93-126.    <!-- ref --><br>   <a name="n31"></a><a href="#t31"><sup>31</sup></a> Just like historiography,    our sources show the networks the Basques established from the peninsula with    their friends and relatives in Chile, an essential step for their quick social    insertion and promising economic bonanza. See, for example, Archivo Nacional    Fondo Real Audiencia (from now on A.N.R.A.) Vol. 3205, Pieza 1, 35 Fjs., Santiago,    1794. Don Benito Aspeitía Yañez asks for permission to marry doña Constanza    Ferrer. In this file one can see the friendship between the parents of Aspeitía    and don Manuel de Salas, who felt the moral obligation to act as the father    of the newly arrived Basque, advising him on his marriage plans. See also Trinidad    Zaldívar, María José Vial and Francisca Rengifo, <i>Los vascos en Chile. 1680-1820</i>,    Santiago, Los Andes, 1998, 36-40.    <!-- ref --><br>   <a name="n32"></a><a href="#t32"><sup>32</sup></a> About the spatial mobility    of the laborers, see the works of Gabriel Salazar, <i>Labradores, peones y proletarios.    Formación y crisis de la sociedad popular chilena del siglo XIX</i>, Santiago,    Lom Ediciones, 2000;    <!-- ref --> "Ser niño huacho en la Historia de Chile (Siglo XIX)",    <i>Proposiciones. Chile, Histo­ria y Bajo Pueblo</i>, Nº 19, Santiago, 1990,    55-83.    <!-- ref --> The link between loitering and the laborers-farmboys has been studied    by Alejandra Araya in <i>Ociosos, vagabundos y malentretenidos en Chile colonial</i>,    Santiago, Dibam-Lom Ediciones, 1999, 67-80.    <!-- ref --><br>   <a name="n33"></a><a href="#t33"><sup>33</sup></a> Armando de Ramón, <i>Santiago    de Chile (1541-1990). Historia de una sociedad urbana</i>, Santia­go, Editorial    Sudamericana, 2000;    <!-- ref --> "Santiago de Chile: 1650-1700", en <i>Historia</i>, Nº 12,    Instituto de Historia, Pontificia Universidad Católica de Chile, 1974-1975,    93-104.    <br>   <a name="n34"></a><a href="#t34"><sup>34</sup></a> A.N.R.A. Vol. 2537, Pza.    3, 70 Fjs. y A.N.R.A. Vol. 3224, Pza. 10, 9 Fjs. Contra Pedro Carrera por homicidio    de Vicente Maestres, Santiago, 1752.     ]]></body>
<body><![CDATA[<!-- ref --><br>   <a name="n35"></a><a href="#t35"><sup>35</sup></a> The <i>Diccionario de Autoridades</i>,    derives "paisanaje", of "paisano". The latter refers to "someone who is from    a same country, province or place as another or others. It is formed from the    name País". Real Academia, <i>Diccionario de la lengua castellana, en que se    explica el verdadero sentido de las voces, su naturaleza y calidad, con las    phrases o modos de hablar, los proverbios o refranes, y otras cosas convenientes    al uso de la lengua</i>, Imprenta de la Real Academia Española por los herederos    de Francisco del Hierro, Madrid, tomo V, 1737, 80.    <!-- ref --><br>   <a name="n36"></a><a href="#t36"><sup>36</sup></a> Historiography has amply    referred to the problem of ethnic identities, particularly the relationship    between the categories derived from mixed races and the "society of castes"    and the social structure of the colonial American world. In general terms, we    can point out that the initial impact of the statements of Magnus Mörner that    established equivalence between "race" and social hierarchies have been questioned    from different angles. The criticisms on the nomenclature used, like "race"    or "ethnia", do not only express semantic problems, but they pretend to show    the ambiguity of cultural identities and the inconveniences of circumventing    the tight links between those categories and the mechanisms of domination used    by Hispanics. Some examples: Magnus Mörner, <i>La mezcla de razas en la historia    de América latina</i>, Buenos Aires, Paidós, 1969;    <!-- ref --> Berta Ares Queija, "<i>Mestizos    en hábito de indios</i>", <i>op. cit</i>.; Roland Anrup and María Eugenia Chaves,    "La «plebe»", <i>op. cit</i>.; Robert H. Jackson, "Race/Caste and the Creation    and Meaning of Identity in Colonial Spanish America", <i>Revista de Indias</i>,    Vol. LV, Nº 203, 1995, 149-173;    <!-- ref --> John K. Chance and William B. Taylor, "Estate    and Class in a Colonial City: Oaxaca in 1792", <i>Comparative Studies in Society    and History</i>, Vol. 19, Nº 4, 1977, 454-487;    <!-- ref --> Carmen Bernand, "De lo étnico    a lo popular: circulaciones, mezclas, rupturas", en <i>Nuevo Mundo Mundos Nuevos</i>,    Nº 6, 2006, <a href="http://nuevomundo.revues.org/document1318.html" target="_blank">http://nuevomundo.revues.org/document1318.html</a>        <br>   <a name="n37"></a><a href="#t37"><sup>37</sup></a> About the construction of    identities/otherness from the place of birth, we have referred to the prejudices    about Galicians in 18th century Chile and some of the hostilities between them    and the Basques in our work "Honores transversales, honores polisé­micos", <i>op.    cit</i>.     <!-- ref --><br>   <a name="n38"></a><a href="#t38"><sup>38</sup></a> Jean-Pierre Blancpain, <i>Francia    y los franceses en Chile (1700-1980)</i>, Santiago, Hachette, 1987;    <!-- ref --> Aníbal Escobar    V., <i>Francia y la colonia francesa en Chile</i>, Santiago, Imprenta y Litografía    La Ilustración, 1920;    <!-- ref --> Fernando Campos Harriet, <i>Veleros franceses en el Mar    del Sur (1700-1800)</i>, Santia­go, Zig-Zag, 1964.    <!-- ref --><br>   <a name="n39"></a><a href="#t39"><sup>39</sup></a> However there are several    studies that refute the vision that the coming of the bourgeoisie diminished    the preoccupation with honor, especially during the 19<sup>th</sup> century.    See Sandra Gayol, "Honor Moderno: The significance of honor in fin-de-siécle    Argentina", <i>HAHR</i>, 84 (3), 2004, 475-498;    <!-- ref --> Sandra Gayol, <i>Sociabilidad    en Buenos Aires. Hombres, Honor y Cafés 1862-1910</i>, Buenos Aires, Ediciones    del Signo, 2000;    <!-- ref --> Sarah Chambers, <i>From Subjects to Citizens</i>, <i>op. cit</i>.;    Verena Martínez-Alier, <i>Marriage, class and colour</i>, <i>op. cit.</i>; Peter    M. Beattie, "The House, the Street, and the Barracks: Reform and Honorable Masculine    Social Space in Brazil, 1864-1945, <i>HAHR</i>, 76 (3), 1996, 439-473;    <!-- ref --> Thomas    W. Gallant, "Honor, Masculinity, and Ritual Knife Fighting in Nineteenth-Century    Greece", <i>HAHR</i>, 105, (2), 2000, 359-382;    <!-- ref --> Kenneth S. Greenberg, "The Nose,    the Lie, and the Duel in the Antebellum South", <i>The American Historical Review</i>,    Vol. 95, Nº 1, 1990, 57-74     <!-- ref --><br>   <a name="n40"></a><a href="#t40"><sup>40</sup></a> About social contempt for    the practice of doctors in colonial Chile, see Vicuña Mackenna, <i>Médicos de    antaño</i>, Buenos Aires, Editorial Francisco de Aguirre, 1974, 106-117.    <!-- ref --> About    this subject, we have an interesting legal process for slander filed by a doctor    after a man insulted him degrading his profession. Just as he said, the other    individual "<i>with violent contempt and despise of my honor and profession    he insulted me notoriously accusing me of being only a bleeder and not a physician".    </i>Consequently, he requests the aggressor to publicly deny his words for the    <i>"restoration of my honor and profession". </i>Archivo Nacional, Fondo Criminal,    Legajo 1, expediente 2, Foja 1, Dn Agustin Gastaldes contra Dn Francisco Pérez    por injurias, 1802, Sta Rosa del Huasco. We thank Emma de Ramón for the chance    to review this documentation when it was in process of cataloguing. Gonzalo    Vial has studied some of the prejudices about trades at the end of the colonial    period. Gonzalo Vial, "Los prejuicios sociales en Chile, al terminar el siglo    XVIII. (Notas para su estudio)", <i>BAChH</i>, 73, 1965, 14-29.     However, we    estimate that the author's perspective, particularly centered on the mechanisms    of exclusion, must be clarified also including the strategies of recognition    by the large part of marginalized individuals. These aspects were tackled by    us in the Third Session of     <!-- ref --><br>   "Cátedras y Tertulias": "En busca de honor en Chile colonial: re-significación,    categorías raciales y masculinidad", Archivo Nacional Histórico, 29 de agosto    de 2006.    <!-- ref --><br>   <a name="n41"></a><a href="#t41"><sup>41</sup></a> About the ways of "private    vengeance" in Spain and its domains from the 16th to the 18th century and the    difficulties of the crown to eliminate this practice, see Francisco Tomás y    Valiente, <i>El Derecho Penal de la Monarquía absoluta (Siglos XVI - XVII -    XVIII)</i>, Madrid, Tecnos, 1969, 46-80.    <!-- ref --> The policies of social control displayed    under the aegis of illustrated despotism amply exceed the parameters of this    investigation. For a general analysis of the Chilean case, see Jacques A. Barbier,    <i>Reform and Politics in Bourbon Chile, 1755-1796</i>, Ottawa, University of    Ottawa, 1980.    <!-- ref --> An interesting line of analysis refers to the efforts of the illustrated    elite to "order" public fun under the parameters of civilization/barbarism.    Juan Pedro Viqueira Albán, <i>¿Relajados o reprimi­dos? Diversiones públicas    y vida social en la ciudad de México durante el Siglo de las Luces</i>, México,    F.C.E., 2005.    <!-- ref --><br>   <a name="n42"></a><a href="#t42"><sup>42</sup></a> The concept of honor as a    means of social disciplining has been one of the most studied aspects of the    subject in historiography, especially in the perspectives of the <i>history    of gender. </i>However, these interpretations evade the existence of a social    use of honor, capable of turning this notion in a legitimizing element of transgressions    of order and official moral. For a summary and discussion of this perspective.    see Steve Stern, <i>The secret history of gender</i>. <i>Women, men, and power    in late Colonial Mexico</i>, Chapel Hill &amp; London, The University of North    Carolina Press, 1995, 14-19.     &nbsp;    <br>   <a name="n43"></a><a href="#t43"><sup>43</sup></a> That is the way in which    witnesses, friends and acquaintances of Pedro Carrera referred to him. In some    cases, he was also called "<i>Pedro the French hairdresser". </i>A.N.R.A. Vol.    2537, Pza. 3, Fjs. 152 vta, 161vta y 164, among others.     <!-- ref --><br>   <a name="n44"></a><a href="#t44"><sup>44</sup></a> About the game of boules    and other games of the time see the works of Eugenio Pereira Salas, <i>Juegos    y alegrías coloniales en Chile</i>, Santiago, Editorial Zig-Zag, 1947 and Oreste    Plath,    <!-- ref --> <i>Origen y folclor de los juegos en Chile: ritos, mitos, tradiciones</i>,    Santiago, Grijalbo, 1998.    <br>   <a name="n45"></a><a href="#t45"><sup>45</sup></a> Declaration of the owner    of the boules court, who was there when the physician and hairdresser were there.    A.N.R.A., Vol. 2537, Pza 3, Fj. 163.&nbsp;    <!-- ref --><br>   <a name="n46"></a><a href="#t46"><sup>46</sup></a> Irene Meler, "La masculinidad.    Diversidad y similitudes entre los grupos humanos", in Mabel Burin and Irene    Meler, <i>Varones. Género y subjetividad masculina</i>, Buenos Aires, Paidós,    2000, 76.    <!-- ref --><br>   <a name="n47"></a><a href="#t47"><sup>47</sup></a> For an analysis of masculinity    in the popular sectors of the 19<sup>th</sup> century in Chile, see the works    of Marcos Fernández L., <i>Prisión común, imaginario social e identidad. Chile,    1870-1920</i>, Santiago, Andrés Bello, DIBAM, 2003;    <!-- ref --> "Perfiles masculinos al    interior de la cárcel rural: historias de reos y soldados en el penal de Rancagua    durante el siglo XIX", <i>Revista de Historia Social y de las Mentalidades</i>,    Santiago, Nº 3, 1999, 137-168;    <!-- ref --> "Pobres, borrachos, violentos y libres: notas    para la reconstrucción de identidades masculinas populares en el siglo XIX",    in José Olavarría y Rodrigo Parrini (eds.), <i>Masculinidad/es. Identidad, sexualidad    y familia</i>, Santiago, FLACSO-UAHC, 2000, 47­58.    <!-- ref --> The case of Argentina has    been studied by Sandra Gayol, who connects masculinity to a popular honor linked    to sexuality, physical force and reputation. See her book <i>Sociabilidad en    Buenos Aires, op. cit.</i> It is worth noting the similarity of that construction    of masculinity in the traditional world, independently of the geographical place.    To observe these similarities in 17<sup>th</sup> century England, for example,    see Elizabeth A. Foyster, <i>Manhood in Early Modern England. Honour, Sex, and    Marriage</i>, London and New York, Longman, 1999.    <br>   <a name="n48"></a><a href="#t48"><sup>48</sup></a> Mabel Burin, "Construcción    de la subjetividad masculina", in Mabel Burin and Irene Meler, <i>Varones. Género,    op. cit</i>., 130.     <br>   <a name="n49"></a><a href="#t49"><sup>49</sup></a> Consuelo Figueroa, "El honor    femenino", <i>op. cit</i>.     <!-- ref --><br>   <a name="n50"></a><a href="#t50"><sup>50</sup></a> María Teresa Rojas, "Agresión    de hombre, defensa de mujer: una aproximación a la violencia conyugal y la justicia    en el mundo popular. Zona central de Chile 1760-1830", <i>Revista de Historia    Social y de las Mentalidades</i>, Nº 3, 1999, 89-116.    <br>   <a name="n51"></a><a href="#t51"><sup>51</sup></a> Lyman L. Johnson, "Dangerous    Words, Provocative Gestures, and Violent Acts. The Disputed Hierarchies of Plebeian    Life in Colonial Buenos Aires", in Lyman L. Johnson and Sonya Lipsett-Rivera,    <i>The faces of honor</i>, <i>op. cit.,</i> 133. See also, Julian Pitt-Rivers,    <i>Antropología del honor</i>, <i>op. cit., </i>20-24.     <br>   <a name="n52"></a><a href="#t52"><sup>52</sup></a> Lyman L. Johnson, "Dangerous    Words",<i> op. cit., </i>130.     <br>   <a name="n53"></a><a href="#t53"><sup>53</sup></a> Pierre Bourdieu, <i>La dominación    masculina</i>, Barcelona, Anagrama, 2000, 67. About this, Pitt-Rivers points    out: "When honor is contested, it can be vindicated. Now, the power to contest    the honor of another man also depends on the relative position of the contenders.    An inferior man is considered not to have enough honor to be insulted by the    affront of a superior. A superior can ignore the affront of an inferior, since    his honor is not compromised by it, though he may decide to punish his nerve.     The contenders in duel must acknowledge equality, since they are in it in equal    conditions &#91;…&#93; A man is responsible for his honor only before his equals in    society, that is to say, before those he competes with conceptually". Julian    Pitt-Rivers, <i>Antropología del honor</i>, <i>op. cit.,</i> 30. &nbsp;    <br>   <a name="n54"></a><a href="#t54"><sup>54</sup></a> About the shifts in the use    of "don" and the struggles for the legitimacy of its use, see Frédérique Langue,    "Les identités fractales", <i>op. cit. </i>    <br>   <a name="n55"></a><a href="#t55"><sup>55</sup></a> A.N.R.A., Vol. 2537, Pza    3, Fj.162.     ]]></body>
<body><![CDATA[<!-- ref --><br>   <a name="n56"></a><a href="#t56"><sup>56</sup></a> About the persistente of    the term "drunk", an insult in colonial times, see María Eugenia Albornoz, <i>Violencias,    género y representaciones: La injuria de palabra en Santiago de Chile (1672-1822)</i>,    tesis inédita de Magíster en Género y Cultura, Santiago, Universidad de Chile,    2003, 43 y 45.    <!-- ref --> William B. Taylor proposed to call insults "fight words", given    their role prior to physical confrontation. He makes a distinction of types    of insults according to the ethnic identities of those who pronounce them. See    his work <i>Drinking, Homicide, and Rebellion in Colonial Mexican Villages</i>,    Stanford, Stanford University Press, 1979, 73-83.    <!-- ref --> For an analysis of insults    &#150; amply understood as words and gestures &#150; and social colonial order, see Sonya    Lipsett-Rivera, "Los insultos en la Nueva España en el siglo XVIII", in Pilar    Gonzalbo Aizpuru (dir.), <i>Historia de la vida cotidiana en México, Tomo III    El Siglo XVIII: entre tradición y cambio</i>, México, El Colegio de México,    F. C. E., 2005, 473-500.    <!-- ref --> A historiography balance of the topic in the American    colonial world, with new proposals, can be found in Cheryl English Martin, "Popular    Speech and Social Order in Northern Mexico, 1650-1830", <i>Comparative Studies    in Society and His­tory</i>, Vol. 32, Nº 2, 1990, 305-324.    <br>   <a name="n57"></a><a href="#t57"><sup>57</sup></a> Verónica Undurraga, "<i>El    honor no es más que la buena opinión</i>, <i>op. cit</i>. &nbsp;    <!-- ref --><br>   <a name="n58"></a><a href="#t58"><sup>58</sup></a> About the tight relationships    in traditional Chile, see René Salinas, "Espacio do­méstico, solidaridades y    redes de sociabilidad aldeana en Chile tradicional, 1750-1880", <i>Contribucio­nes    Científicas y Tecnológicas</i>, Santiago, N° 118, 1998, 1-19.    <br>   <a name="n59"></a><a href="#t59"><sup>59</sup></a> A.N.R.A., Vol. 2537, Pza    3, Fj. 162.     <!-- ref --><br>   <a name="n60"></a><a href="#t60"><sup>60</sup></a> Marta Madero, <i>Manos violentas,    palabras vedadas: la injuria en Castilla y León, siglos XIII ­XV</i>, Madrid,    Taurus, 1992, 13 (notions of the prologue by Jacques Le Goff).    <!-- ref --> About the uses    of corporal metaphors as expressions of the social order in the colonial American    world, see the works by Alejandra Araya, "Aproximación hacia una historia del    cuerpo. Los vínculos de dependencia personal en la sociedad colonial: gestos,    actitudes y símbolos entre elites y subordinados", in <i>Monografías de Cuadernos    de Historia Nº 1, op. cit</i>., 81-91; "La pedagogía del cuerpo en la educación    Novo-Hispánica", <i>Estudios Coloniales II</i>,<i> op. cit.,</i> 115-157; "Sirvientes    contra amos: Las heridas en lo íntimo propio", in Rafael Sagredo and Cristián    Gazmuri (directors), <i>Historia de la vida privada en Chile, Tomo I: El Chile    tradicional. De la Conquista a 1840</i>, Santiago, Taurus, 2005, 161-197.    <!-- ref --><br>   <a name="n61"></a><a href="#t61"><sup>61</sup></a> <i>The Sociology of Georg    Simmel</i>, translated, edited, and with an introduction by Kurt H. Wolff, The    Free Press of Glencoe, Glencoe, 1950, 321.    <br>   <a name="n62"></a><a href="#t62"><sup>62</sup></a> About the relationship between    dishonor and social marginalization in Chile at the decline of the colonial    period, see our work "<i>El honor no es más que la buena opinión</i>, <i>op.    cit</i>.      <br>   <a name="n63"></a><a href="#t63"><sup>63</sup></a> The range of interpretations    constructed about physical contacts between males in situations of work and    leisure in 18<sup>th</sup> century Buenos Aires has been reviewed in Lyman L.    Johnson, "Dangerous Words", <i>op. ci</i>t., 132 y 133.     <!-- ref --><br>   <a name="n64"></a><a href="#t64"><sup>64</sup></a> We tackle this in the paper    "Cuando las afrentas se lavaban con sangre: honor y violencia popular en Chile    colonial", III Seminario historiadores de Chile: Mario Góngora.     Vida, ideas    e historiografía, Instituto de Historia, Pontificia Universidad Católica de    Chile, Santiago de Chile, noviembre de 2006.     <!-- ref --><br>   <a name="n65"></a><a href="#t65"><sup>65</sup></a> A.N.R.A., Vol. 2537, Pza    3, Fj. 164vta. About social significances of bodily punishment, see Alejandra    Araya, "El castigo físico: el cuerpo como representación de la persona, un capítulo    en la historia de la occidentalización de América, siglos XVI-XVIII", <i>Historia</i>,    Nº 39, Vol. 2, Santiago, 2006, 349-367.    <!-- ref --> From the legal perspectiva, see the    detailed work of Patricia Zambrana Moral, "Rasgos generales de la evolución    histórica de la tipología de las penas corporales", <i>Revista de Estudios Histórico-Jurídicos</i>,    Escuela de Derecho, Pontificia Universidad Católica de Valparaíso, XX­VII, 2005,    197-229.    <!-- ref --> For Mexico, see Gabriel Haslip-Viera, <i>Crime and punishment in late    colonial Mexico City, 1692-1810</i>, Albuquerque, University of New Mexico Press,    1999, 101-131.    <br>   <a name="n66"></a><a href="#t66"><sup>66</sup></a> A.N.R.A., Vol. 2537, Pza    3, Fj. 164vta.     <br>   <a name="n67"></a><a href="#t67"><sup>67</sup></a> Real Academia Española, <i>Diccionario    de la lengua castellana, op. cit</i>., Tomo V, 1737, term: «pícaro», 257. &nbsp;    <br>   <a name="n68"></a><a href="#t68"><sup>68</sup></a> The material poverty Pedro    Carrera lived in can be read of the scrawny inventory of his possessions, made    by the law after his sentence. This procedure was usually done to cover the    costs of the trial.  A.N.R.A. Vol. 3224, Pza. 10, Fjs. 101 y 101vta.     ]]></body>
<body><![CDATA[<br>   <a name="n69"></a><a href="#t69"><sup>69</sup></a> Potier's wife pointed out    that during lunch, Pedro the hairdresser referred to Vicente Martres as <i>"that    dog &#91;that&#93; has me heartbroken because he goes to a house of women that I visit".    </i>A.N.R.A., Vol. 2537, Pza. 3, Fj. 165.     <!-- ref --><br>   <a name="n70"></a><a href="#t70"><sup>70</sup></a> Julian Pitt-Rivers, <i>Antropología    del honor</i>, <i>op. cit</i>.; J. G. Peristiany (ed.), <i>El concepto de honor</i>,    <i>op. cit</i>.; J. K. Campbell, <i>Honnour, Family and Patronage</i>;    <!-- ref --> Pierre    Bourdieu, <i>La dominación masculina</i>;    <!-- ref --> Robert Nye A., <i>Masculinity and    male codes of honor in modern France</i>, New York, Oxford University Press,    1993;    <!-- ref --> Elizabeth A. Foyster, <i>Manhood in Early Modern England.     </i>    <!-- ref --><br>   <a name="n71"></a><a href="#t71"><sup>71</sup></a> This is one of the aspects    we are studying for our doctoral thesis and have already referred to it in the    already mentioned paper "Cuando las afrentas se lavaban con sangre". About the    acceptance in the community of men and women living together, without the sacrament    of marriage, see the works by Eduardo Cavieres and René Salinas, particularly    <i>Amor, sexo y matrimonio en Chile tradicional</i>, Valparaíso, Universidad    Católica de Valparaí­so, 1991;    <!-- ref --> René Salinas, "La transgresión delictiva de la    moral matrimonial y sexual y su represión en Chile tradicional. 1700-1870",    <i>Contribuciones Científicas y Tecnológicas</i>, Santiago, N° 114, noviem­bre    1996, 1-23.    <br>   <a name="n72"></a><a href="#t72"><sup>72</sup></a> When this was known in the    trial, the women had already left the place. The ambivalence of the men's position    towards them is expressed in several of the witnesses' declarations. Some admitted    to frequent them, but at the same time must have felt uncomfortable with their    presence in the neighborhood, a position they probably took on before the representatives    of justice. A.N.R.A., Vol. 2537, Pza. 3, Fj. 165.     <br>   <a name="n73"></a><a href="#t73"><sup>73</sup></a> A witness described the weapon    as <i>"a large sword, one of those of a well known brand, of squadron with a    high quality bluish shimmer".</i> The owner of the sword was <i>"don Ignacio    Corona",</i> a merchant that had his store next to the room of Pedro Carrera    and his companion. Corona points out that Carrera must have gone fetching the    weapon in the room of Joseph Astorga, <i>"a merchant of that neighborhood",</i>    he had borrowed it to the night before. In fact, at the moment of the questioning,    Corona did not have the sword because he had lent it to the merchant <i>Dn.    Juan de Santiago.</i> The expedient does not answer the question if Astorga    or Santiago used the sword in a duel, but in any case, the image of that weapon    going from hand to hand of the men of the place is highly suggestive. A.N.R.A.,    Vol. 2537, Pza. 3, Fjs. 169-170vta.     ]]></body>
<body><![CDATA[<br>   <a name="n74"></a><a href="#t74"><sup>74</sup></a> A.N.R.A., Vol. 2537, Pza.    3, Fjs. 160, 163 y 168vta. Pedro Carrera was convicted to death by hanging for    homicide.     <!-- ref --><br>   <a name="n75"></a><a href="#t75"><sup>75</sup></a> "It is evident that the duel,    as understood in classic Europe, places us in the confluence of concepts of    different origin: blood vengeance and punishment of insult". Jean-Paul Roux,    <i>La sangre. Mitos, símbolos y realidades</i>, Barcelona, Península, 1990,    185.    <!-- ref --> See also <i>Mentalites. Histoire des Cultures et des Sociétés</i>, Nº 1:    <i>Affaires de Sang</i>, Paris, Imago, 1988.    <!-- ref --><br>   <a name="n76"></a><a href="#t76"><sup>76</sup></a> <i>The Sociology of Georg    Simmel</i>, 321.    <!-- ref --><br>   <a name="n77"></a><a href="#t77"><sup>77</sup></a> V. G. Kiernan, <i>El Duelo    en la Historia de Europa. Honor y privilegio de la aristocracia</i>, Madrid,    Alianza, 1992, 162.    <!-- ref --><br>   <a name="n78"></a><a href="#t78"><sup>78</sup></a> Pierre Bourdieu, <i>La distinción,    </i>195-197.    <!-- ref --><br>   <a name="n79"></a><a href="#t79"><sup>79</sup></a> Bibliography about duels    is ample. For Europe, only from the historiographic point of view, we can cite:    Claude Chauchaudis, <i>La loi du duel: le code du point d'honneur dans l'Espagne    des XVI et XVII siècles</i>, Toulousse, Presses Universitaires du Mirail, 1997;    <!-- ref -->    Robert Nye A., <i>Masculinity and male codes, </i>V. G. Kiernan, <i>El Duelo    en la Historia, op. cit.</i> Also, considering only historiography, for America    we can mention: Sandra Gayol, "Duelos, honores, leyes y derechos: Argentina,    1887-1923", en <i>Anuario IEHS</i>, Facultad de Ciencias Humanas, Universidad    Nacional del Centro, Tandil-Argentina, Nº 14, 1999, 313-330;     David     <!-- ref --><br>   <a name="n80"></a><a href="#t80"><sup>80</sup></a> It is a perspective we are    developing in an investigation about honor in the Chilean 18th century and that    we have already presented in the mentioned paper "Cuando las afrentas se lavaban    con sangre". For the anthropological perspective, see Pierre Bonte and Michael    Izard (dir.), <i>Diccionario de etnología y antropología</i>, Madrid, Akal,    1996, 732-735;    <!-- ref --> Joseph Ginat, <i>Blood disputes among Bedouin and rural Arabs    of Israel</i>, Pittsburgh, Pennsylvania, University of Pittsburgh Press, 1987;    <!-- ref -->    Raymond Verdier (dir), <i>La vengeance. Etudes d'ethnologie, d'histoire et de    philosophie</i>, Paris, Editions Cujas, 4 vols., 1980-1984.    <!-- ref --> From the historiography    point of view, see Pieter Spierenburg (ed.), <i>Men and Violence. Gender, Honor    and Rituals in Modern Europe and America,</i> Ohio, Ohio State University Press,    1998.    <!-- ref --> We specially stress the suggesting work of Thomas W. Gallant, "Ho­nor,    Masculinity, and Ritual Knife Fighting in Nineteenth-Century Greece", <i>The    American Historical Review</i>, Vol. 105, Nº 2, 2000, 359-382.    <br>   <a name="n81"></a><a href="#t81"><sup>81</sup></a> The <i>Real Audiencia</i>    revokes the first sentence that convicted Pedro Carrera to torment, applying    <i>"the ordinary death penalty, which will be given to him. He will be taken    out of prison on a horse with small saddle, with a rope con his neck, and taken    &#150; while the town crier informs his crime &#150; to the orca that will be placed on    the main market-place and there he will be hanged, until his natural death,    and may no person dare to take the body without express permission of this Real    Audiencia".</i> A.N.R.A. Vol. 3224, Pza. 10, Fj. 98.</font></p>      ]]></body><back>
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