<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
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<journal-id>0327-7712</journal-id>
<journal-title><![CDATA[Sociedad (Buenos Aires)]]></journal-title>
<abbrev-journal-title><![CDATA[Sociedad (B. Aires)]]></abbrev-journal-title>
<issn>0327-7712</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Buenos Aires. Facultad de Ciencias Sociales]]></publisher-name>
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<article-id>S0327-77122006000100002</article-id>
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<article-title xml:lang="en"><![CDATA[The fall of the Gods, or modernity without illusions]]></article-title>
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<surname><![CDATA[Grüner]]></surname>
<given-names><![CDATA[Eduardo]]></given-names>
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<contrib contrib-type="author">
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<surname><![CDATA[Merajver]]></surname>
<given-names><![CDATA[Marta Ines]]></given-names>
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<institution><![CDATA[,University of Buenos Aires School of Social Sciences ]]></institution>
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<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2006</year>
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<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2006</year>
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<volume>1</volume>
<numero>se</numero>
<fpage>0</fpage>
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<self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_arttext&amp;pid=S0327-77122006000100002&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_abstract&amp;pid=S0327-77122006000100002&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_pdf&amp;pid=S0327-77122006000100002&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[In this paper, the author explores the survival of religion in the world after the modern historical process known as "disillusionment with the world". In that context, the paper poses questions about the present relations between religion and the social sciences, bearing in mind religion’s ideological plasticity. An interest in various sociological traditions that have dealt with religious issues reveals that a purely rational approach to the problem is bound to frustrate hermeneutic power. Perhaps what is being called into question is man’s "presence" in the world.]]></p></abstract>
</article-meta>
</front><body><![CDATA[ <p><font face="Verdana, Arial, Helvetica, sans-serif" size="4"> <b>The fall of    the Gods, or modernity without illusions</b></font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Eduardo Grüner</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Professor of Political    Theory at the School of Social Sciences, University of Buenos Aires. Former    Deputy Dean of the School of Social Sciences (UBA)</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Translated by Marta    Ines Merajver    <br>   Translation from <b>Sociedad (Buenos Aires)</b>, Buenos Aires, n.24, 2005.</font></p>       <p>&nbsp;</p>        <p>&nbsp;</p>   <hr size=1 noshade>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>ABSTRACT</b></font></p>       ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this paper,      the author explores the survival of religion in the world after the modern      historical process known as “disillusionment with the world”. In that context,      the paper poses questions about the present relations between religion and      the social sciences, bearing in mind religion’s ideological plasticity. An      interest in various sociological traditions that have dealt with religious      issues reveals that a purely rational approach to the problem is bound to      frustrate  hermeneutic power. Perhaps what is being called into question is      man’s  “presence” in the world.</font></p>   <hr size=1 noshade>        <p>&nbsp;</p>       <p>&nbsp;</p>        <p align="right"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>“Deep    down, what deprives man of all possibility of speaking about God is that, in    human thought, God is necessarily the image of man, whereas man is weary and    hungry for sleep and peace”</i></font></p>     <p align="right"><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Georges    Bataille</font></p>        <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>1</b></font></p>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It is said –or    rather, it has quite often been said- that modernity is an unstoppable process    of “disillusionment with the world” from which there is no turning back. At    that point, the religious (better said, God, as if the religious could be <i>reduced</i>    to this image) <i>has no place</i><a href="#_ftn2" name="_ftnref2" title=""><sup>I</sup></a> . The phrase, so frequently uttered    by judges in movies, should at least deserve an article by Marc Augé: is religion    also one of his trivial <i>non-places</i>? One of the first signs of incipient    “modernity”, as suggested by Hegel himself, was the introduction of Judeo-Christian    monoteism into ancient European paganism as the principle of subjective individuation.    It goes without saying that, in this context, the term “introduction” is not    a random choice, for in fact the so-called “West” <i>receives</i> monoteism    as if it were “from outside”. On the subject of monoteism: since I am far from    being an expert in the matter, I do not know whether much thought has been devoted    to the fact that the West as such has not given rise to <i>any </i>of the great    religions of the world. All of them –Judaism, Christianity, Islamism, and even    Buddhism, “the atheist religion” can be included here- come from what we call    the “East”. After all, this may not be a minor detail, specially when one wants    to discuss the bond between religion and the <i>social sciences, </i>which indeed    have been “invented” in the West.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Whatever      the case may be, with regard to this field, modernity believed it had surpassed      itself –let us say, it had achieved its own <i>Aufhebung</i>, to keep up Hegel’s      terminology- by casting away the very monoteism that had been one of its first      distinctive features insofar as it stood for a process of <i>abstraction </i>that      unified the much more <i>carnal </i>dispersion of the endless “primitive”      or ancient gods. The passage from the Many to the One is accompanied by <i>distance</i>      from a divinity that is much less willing to meddle in men’s daily disputes.      To clear this point further, let it be understood that “casting away” is meant      as the fact that, at least in appearance, social life (as well as economic,      political, and cultural life) ceases to <i>revolve</i> around religion. It      is common knowledge that religion has nothing to do with politics, economy,      art, and culture. Undoubtedly, the weight and <i>purpose</i> of institutional      cults and their policies concerning decisions made in <i>other</i> spheres      (something that any trained newspaper reader can confirm, irrespective of      the equally indubitable “last instance decisions”) have not succeeded in naturalizing      a more than common sense: religious <i>faith</i>, we were saying, belongs      in the <i>private</i>, intimate realm of individual conscience. Moreover,      this would be the strictly “modern”, “enlightened” and “progressist” stance      which, among other things, lies at the base of irrefutable proposals like      the one that urges that State and Church be separated.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> In      other senses, the persistence of religiousness, whether popular or <i>élite</i>,      is exceedingly obvious. In truth, religion dies hard. There are many who wonder      at the growing power of new sects and cults, while others stand aghast at      the part played by the passions involved in religious struggles during present      conflicts, or are horrified by the new fundamentalist trends <i>on both sides      </i>of what is now called “the clash of civilizations”, an objectionable name      if any. Although in the last few years the “return” of the religious to the      political arena has aroused particular interest, the phenomenon is not that      recent: in the early 50s, pioneers like Vittorio Lanternari, following into      the footsteps of previous studies by Antonio Gramsci and Ernesto de Martino,      had examined the crucial role of the religious in the forms of resistance      adopted by subaltern culture, more specifically in the processes of anti-colonial      struggle<a href="#_ftn3" name="_ftnref3" title=""><sup>1</sup></a>. Of course, this was not      restricted to the classic “Third World” regions; Ireland is another case in      point. It is hardly necessary to mention the extraordinary phenomenon embodied      in Latin America’s <i>theology of liberation </i>in the 60s. All of this soon      aroused historians’ interest in going back to the Middle Ages in order to      find, for example, the prophetic and messianic drive of certain “heresies”      whose meanings were utopian and even “revolutionary”<a href="#_ftn4" name="_ftnref4" title=""><sup>2</sup></a> or, conversely, the role      of religious “fanaticism” in the first great Western movement of “colonial”      expansion that preceded the conquest of America –I am speaking about the Crusades<a href="#_ftn5" name="_ftnref5" title=""><sup>3</sup></a>.      Closer to our own times, many scholars were surprised to see how seventy years      of consistent atheist education had clearly failed to do away with religiousness      in the popular classes round the zone of influence of the ex URSS: Poland      is a particularly striking case, but it is certainly not the only one.</font></p>       ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> It      can be inferred from these few examples, picked among many others, that the      religious not only persists, but that it is endowed with a remarkable ideological      and political plasticity. There also appears the hint of a suspicion that      perhaps the discovery made by the anthropologists as from the early 20<sup>th</sup>      Century regarding the <i>foundational </i>role played by the religious in      the very shaping of “archaic” societies was not valid <i>exclusively</i> for      them. Exception made of cases of extreme <i>reductionism</i> –of which there      are still quite a few- we are no longer content regarding religion as <i>pure</i>      “ideology” (in the bad sense of the word) or as <i>pure </i>manipulation of      propaganda at the service of the dominant classes. In Marcel Gauchet’s words<a href="#_ftn6" name="_ftnref6" title=""><sup>4</sup></a>, we are not even content      to make classic schema of historic materialism more complex by <i>integrating</i>      the religious “superstructure” into the economic-technological “infrastructure”,      as Maurice Godelier pointedly did, also in the 60s. Like those anthropologists      and historians of religion, we have come to think that the religious is not      merely yet another dimension of the social, but the very <i>condition </i>of      its possibility.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Nevertheless,      “optimism” on the face of the irresistible road leading to a “laicized” world      seems to be as persistent as religiousness itself. Gauchet emphatically declares      that “what we have been witnessing <i>in Europe</i> (my italics) for the last      two centuries is in keeping with the  due way out of religion; that is to      say, a thorough transformation in the relations between the social actors      and the fact that they are in society. The point is not that there will not      be furtive returns of the religious, but there are criteria to identify them      properly, circumscribe them, and distinguish them clearly from the central      social movement where they in no way stand for the true feelings of the whole      population. There is no constituent need at the base of religion, so that      the collective would not exist if it were not for it. Religion is a secondary      formation; its old functions can be socially performed and replaced by something      completely different”. That is to say that in the old structural-functionalist      jargon (more recently updated by Habermas or by Luhmann’s “systemics”), religion      would be a mere “subsystem” among others, regardless of how <i>showy </i>and      attractive Vatican power or fundamentalist violence can be for the value the      media set on catastrophic events..</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Yes,      but... <i>but</i>: the situation seems to be rather more complicated. It is      not enough to speak of a change of “function” or a “topological” redistribution      of the religious with respect to the social to account for the extent (or      lack of it) of its constitutive role in modernity’s <i>political unconscious</i>,      as Jameson would label it. Finally, political scientists tell us that modernity,      in the purest juridical and political sense of the word, began with the French      Revolution. But was it not the French Revolution that consecrated a “Religion      of Reason”, with its own cultural and devoted patterns, not to speak of its      own regime of Terror, whose <i>logic</i> was not unlike the iniquities of      the Inquisition?  This remark should not be read as a naive rejection of Jacobinism,      but merely as a further call of attention directed at the complexities involved,      <i>symptomatically</i> anticipating Adorno’s and Horkheimer’s reflections      about the dialectic transformation undergone by “instrumental” rationality      in the new Myth of modern Reason. The following sections will not provide      answers to these questions –it would be an impossible task. At the most, I      will succeed in bringing up a few instances of a hazy yet persistent <i>perplexity</i>.      </font></p>        <p>&nbsp;</p>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>2</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Dostoievsky –or    one of his characters; it makes no difference to our immediate purposes- complemented    Nietzsche’s  most famous dictum “God is dead” by adding “and we have killed    Him.” The added words are far from being innocent: the point is, precisely,    detecting <i>guilt</i> or, at the very least, responsibility. This is more than    –and not the same as- Heidegger does when he regrets the passive <i>retreat</i>    of the gods in order to make room for “the image of the world” resulting from    the metaphysics of technology.  Years before, Marx had uttered his equally famous    <i>dictum </i>about “the opium of the peoples”. Of course this was not the <i>only</i>    thing he said on the matter. Still, if it were, it is inconceivable to think    that someone like Marx would choose the first words that came to his mind: where    such a strong pain-killer is needed, it is because the pain is <i>real</i>.    This is so, let us say, from an absolutely negative standpoint; one cannot make    light work of <i>active</i> mystic and messianic redemptory perspectives of    Marxists such as Ernst Bloch or Walter Benjamin, no doubt heterodox but extraordinarily    important. Something similar must have happened with Freud and his “future of    an illusion”. Anybody who has read at least two pages by him knows that the    nature of  illusions –<i>ideals-</i> makes them less essential to sustain man’s    subjectivity. Sartre may have lost sight of the issue when, during one of his    last interviews, he answered, regarding his “atheism”: “I am not in fact an    atheist; but I deal with man’s predicament, not with God.” His ingenious answer    implies that atheism is a <i>theological</i> rather than an “anthropological”    problem. But the thing is that God, precisely –and the absence of God, naturally-    falls within the scope of <i>man’s </i>problems, whether  believers or atheists;    it is certainly not a problem to God himself.</font></p>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> At all events,    these examples of diehard agnostics show that, in their view, the issue is a    <i>problem</i> that cannot be easily shaken off. Nor can it be disposed of through    the  <i>magnificent irony</i> displayed by Borges, who finds this to be the    most interesting (and the most ancient) instance of science fiction. In all    the cases mentioned –just as in the many others we could cite- we are dealing    with critical thinkers <i>of</i> modernity (in the twofold sense that they criticize    modernity while still being a part of it). That is to say that, contrarily to    those who praised religion in superlatively optimistic ways –i.e. those who    lived between the Enlightenment in the 18<sup>th</sup> Century to the ones who    witnessed positivism in the 19<sup>th</sup> Century- these thinkers sense that    religion is <i>something else</i> than a scarecrow invented by priests and reactionaries    to handle ignorant peasants; something else than an anachronistic superstition    amply “defeated” by science. The obvious dilemma lies in defining the “something    else”, the symbolic “added value”, the <i>supplement </i>that, in the “imaginary”,    seems to enjoy an obstinate, effective <i>lifespan expansion</i>, to use a thought-provoking    notion of Aby Warburg that points to something much more powerful and disturbing    than the idea of “survival” or the <i>cultural lag</i><a href="#_ftn7" name="_ftnref7" title=""><sup>II</sup></a> of evolutionist anthropologists. Since    we have invoked Freud’s ominous shadow, we could also talk of the insistent    <i>return of the repressed</i>. If God -or the gods, or religion/s- stands as    a problem before these thinkers, most of whom lived in the positivist, optimistic,    and “progressist” 19<sup>th</sup> Century, it is mainly because they endow the    very issue with the full value of a <i>symptom</i>.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> A “symptom”      of what? First and foremost, perhaps of the fact that the dominant <i>imago</i>      of the century –that of having left behind traditional mythologies for the      sake of a technological and scientific Reason that was potentially able to      do away with the “pain” of existing, thus making redundant the need for some      kind of ‘opium”- was nothing but a colossal <i>foreclosure </i>(to persist      in using psychoanalytic jargon) of the shattering and fractures that survived      from previous eras or were <i>produced</i> by modernity itself, call them      what you will: class struggle, will of power, or splitting of the subject.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> There      is no denying that the above enumeration is not at all naive. These are, to      echo Foucault’s words, the three “founders of discourse” that can be immediately      identified with the three great fields of problems respectively posed by Marx,      Nietzsche, and Freud. Though in entirely different ways, these thinkers were      the most consequent in resisting <i>deproblematization </i>of modernity, in      accepting the homogeneous and “conciliatory” image that hegemonic thought      intended to build as a <i>superstructure</i> even in intellectual and scientific      circles (and please excuse my simplification of the matter). The said superstructure      aimed at the new ways of the “administration of things” discussed by Auguste      Comte; in truth, one should not forget that <i>the 19<sup>th</sup> Century</i>      “invented” social science, and that its invention is <i>constitutive</i> of      the modern dream that wishes for the “secularization” of culture. It cannot      be a mere coincidence that, in their zeal to cause trouble to the hegemonic      imaginary –and no doubt to the social sciences as well- the <i>three </i>authors      mentioned resort to the same <i>propitiatory metaphor</i>; namely, <i>tragedy</i>,      to coin their respective theories of history, of Western moral values, and      of the unconscious. </font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> It      is not just any metaphor: on the one hand, tragedy –<i>the</i> tragic- is      the register of the real where, by definition, <i>there is no</i> “going beyond”,      since tragedy is ignorant of <i>Aufhebung</i>. Within tragedy, conflict is      structural and there is no place for “reconciliation”. On the other hand (although      we are actually speaking about the same, only viewed from a different angle)      the original meaning of tragedy, as could have been understood by an Athenian      living in the 5<sup>th</sup> C. B.C., and <i>returning</i> later on in the      works of Marx, Nietzsche, and Freud, is <i>much more</i> than a literary genre.      It is the “symbolic representation” par excellence of the conflictive yet      inextricable <i>knot</i> of <i>the</i> esthetic and cultural, <i>the</i> political      and <i>the </i>religious.</font></p>       ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> To      some extent, it could be said that, in the register mentioned, the whole history      of Western culture consists of a dauntless effort to <i>un-tie</i> the foundational      knot until the moment of Max Weber’s “fragmentation of spheres” arrives as      the central characteristic of modern <i>instrumental rationality</i>. It is      not necessary to expound on Weber’s <i>nodal thesis</i> at this point: conviviality      between a (Protestant) religious ethics and the spirit of the times (capitalism).      To some –certainly to Nietzsche, but also to Heidegger and Adorno, in very      different ways, indeed- <i>that</i> had started much earlier, at the very      rise of Western thought, under the shape of “Socratism”. They would doubtlessly      agree that it was necessary to wait for that “spirit” to consolidate as the      <i>dominant</i> aspect of modernity for the issue to become unquestionably      visible. In the very early years of modernity, Jansenist Pascal shows some      <i>blurred clarity</i> (let me resort to oxymoron) about the subject: while      his faith prevents him from speaking of God as dead, he does speak of a <i>deus      absconditus </i>whose hiding away has installed “the terrifying silence of      infinite spaces”, and this might well be the other side of the “solidity”      dissolved in air and afterwards celebrated in the Communist Manifesto. The      attempt at <i>un-tying</i> the knot had already set its course; that is why      Lucien Goldmann, referring to Racine’s efforts and invoking Pascal himself,      can speak of the <i>impossibility</i> of tragedy in modernity.<a href="#_ftn8" name="_ftnref8" title=""><sup>5</sup></a>      Progress –whether scientific, technological, or economic, in the new tenets      of the field- does not need gods. When Napoleon asked Lavoisier about the      place of God in the latter’s theory of physics, the scientist answered frankly:      “Sire, God is an unnecessary hypothesis.”</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Well,      then; Marx, Nietzsche and Freud are bearers of bad news. That magnificent,      epic, in many ways defensible, or at least inevitable, has ended up in utter      <i>failure</i>. It could not have been otherwise. The determination to artfully      <i>deny </i>the knot produced inside and for the community by the <i>ekklesia</i>      (the “assembly” of the community as such), the movement that has the better      right to call itself a <i>generato</i>r of what we now call “the social bond”      could not but <i>fail, </i> it was bound to be as <i>unsuccessful</i> as the      positivist/evolutionist illusion that history can be simply <i>left behind.</i>      Of course, modernity –lets us hasten to translate: capitalism- <i>had to</i>      undertake that historical task, among other reasons because what Marx named      <i>intra-economic coercion</i> required the construction of a new <i>legitimization      logic </i>to exercise its power, and this logic had to be based on an “individual      liberty” that is incompatible with the <i>public</i> character (i.e. <i>political,      </i>in a wide yet strict sense) of the political, the religious, and the esthetic.      Thus, the other side of this movement consisted in the differentiation and      <i>privatization</i> of “spheres” that traditionally belonged in the tight      original “knot”. The esthetic was confined among the walls of a museum (or      an art dealer’s store), the religious was confined to the churches (or to      the schools, until these completed their secularization), and the political      to the Government House (or to political parties’ meeting places, or to the      places voters attended to cast their vote on election days). In every case,      it was reduced to a <i>conscience</i> issue through a massive operation that      <i>psychologized </i>the old components of the foundational “knot”. This operation      pushed them away from the public space –i.e. from the teeming arena of the      <i>demos</i>– to lock them up in the <i>solitude </i>of esthetic contemplation      provided by the confessional and the “dark room” (and here one cannot help      playing on the expressions “to vote” and “to make vows”).</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> It      is sometimes forgotten that, even in the religious field, and even before      Christianity, the vindication that solitude offers believers when the time      comes to confront their sinful conscience has been a rather belated idea.      It was only in the 13<sup>th</sup> Century (the same century  which “invented”      the intermediate stage of Purgatory, for before then we only had Heaven and,      more often than not, Hell to receive us) that the sacrament of <i>confession</i>      –that used to be voluntary- became compulsory for <i>every</i> believer, a      fact which definitely accoladed the <i>psychologization </i> we mentioned      before. If you will, we may say that it definitely accoladed what someone      called the passage from the culture of <i>shame</i> –a public, that is, <i>political      </i>feeling that existed in Homer’s time as well as in classical tragedy-      to the culture of <i>guilt</i> –an intimate, that is, <i>private </i>feeling      as a manner of “subejctivizing” dominance. </font></p>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> In no way does    this suggest that the greatest and most “revolutionary” among the struggling    bourgeoisie (take a look at the <i>princeps</i> examples offered by Machiavelli    or Hobbes, to name just the very conspicuous ones) did not preserve a decisive    role to be played by religion in the construction of the modern State. But their    only reason to engineer that <i>beautiful lie </i>–in Machiavelli’s own words-    was that for strictly political and “esthetic” motives it would come in handy    for the <i>integration </i>or <i>consolation</i> of the masses. After all, for    many centuries, some of the most beautiful productions of literature, the plastic    arts, and architecture would have been unthinkable unless they had been prompted    by religious feelings. This manipulation, one that might be called “reactionary”    today, but secured after the French Revolution by the much more frontal and    lucid <i>reaction </i>of conservatives such as Burke, Bonald, De Maestre, and    Donoso, should not prevent us from at least suspecting that there must have    been <i>a moment of</i> <i>truth</i> when the constitutive nature of the religious    was called upon to make up the “social bond”. Finally, the <i>three</i> thinkers    that our academic milieu has canonized as “the founding fathers” of the social    sciences (Marx, Durkheim, and Weber) placed religion at the centre of their    own theories. This is clearly seen from <i>Las Formas Elementales de la Vida    Religiosa</i> and  <i>Etica Protestante</i>;<a href="#_ftn9" name="_ftnref9" title=""><sup>III</sup></a> but were it not for    some inertial ideological reflexes, it should not be less clear in the case    of Marx, not so much because of the anecdotal reference to “opium” but because    of the much more significant description, in Chapter One of <i>Capital</i>,    of capitalism as the “religion of merchandise”, based on <i>fetishist </i>logic    –quite evidently, a blatantly religious notion. There are exceedingly few studies    of the extremely complex scope of this seemingly curious metaphor from Marx’s    pen –in fact, only one text gives due importance to the line that goes from    the “discovery” that money has a <i>religious </i>nature (with God as a  “general    equivalent”) to the notion that capitalism amounts to religion <i>disguised    </i>as secularism. The “discovery” was made by none other than St. Augustine,    and we owe the notion to Marx, Weber, and Simmel on the side. We are of course    referring to León Rozitchner’s <i>La Cosa y la Cruz .</i></font></p>     <p>&nbsp;</p>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>3</b></font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Obviously, the    issue is not related only to the “Holy Trinity” of the social sciences, the    one composed by Marx / Durkheim / Weber (we should not forget about other remarkable    historical sociological thoughts about the religious, like those produced by    Ernst Troeltsch, Joachim Wach, Arnold Toynbee, and Peter Berger, unfortunately    not frequently visited in our curricula) or, if you prefer Foucault’s approach,    the one including Marx / Nietzsche / Freud. Another outstanding anthropological    and social tradition takes the religious as the <i>matrix </i>of the social    structure: in it, society as such takes on a “sacred” status based on the basal    religious phenomena that involve the idea of sacrifice, “gift”, and reciprocity.    (More about these later.) This tradition came into existence in the late 19<sup>th</sup>    Century, when positivism was in full swing. It was started by Durkheim, but    enthusiastically embraced by Mass and Hubert and, enriched by a number of later    nuances and sophisticated additions, it ended up in Georges Dumézil and Claude    Lévi-Strauss great “structuralist” renewal. Just for the sake of naming it,    we need to remember the great philological tradition from Max Müller to H. Gunkel    and H. Gressmann, and the great tradition of the first “laboratory” religious    ethnology by Frazer, Tylor, Morgan, and Lang, and the great <i>phenomenological    </i>tradition of the history of religions by Van der Leeuw, Rudolf Otto, Father    Wilhelm Schmidt (the creator of the famous hypothesis supporting that <i>primitive    monoteism</i> “degenerated” into politeism), Raffaele Petazzoni, Adolf Jensen    and Mircea Eliade. We must also bear in mind the great tradition of the so-called    <i>mythic-and-ritual school ,</i>to which we will soon return out of its particular    interest for the purpose of this paper. Starting from Jane Harrison’s colossal    studies on the “dark aspects” of ancient Greek mythology, it is taken up by    A. M. Hocart and reaches our times through such profound historians and anthropologists    as Jean-Pierre Vernant, Marcel Detienne and Victor Turner.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Such      interest, such passion for the religious, in a wide yet strict sense that      includes “mythology” –a sense that amid <i>secular modernity</i> has produced      works ranking among the best of the social sciences and the humanities of      the past century- <i>must</i> be (going back to what we have already said)      a <i>symptom </i>rather than a mere coincidence. When from a hazy perspective      of “the history of ideas” one remembers that the interest in question <i>originated      </i>next to the giant <i>crisis </i>of rationalism, positivism, and “progressism”      that occurred between the late 19<sup>th</sup> Century and the early 20<sup>th</sup>      C., it is not easy to avoid suspicions of “irrationalism” and even of “proto-fascism”      against some or many of these trends of thought. Moreover, during the 20s      and 30s, the problematic ideological affiliations of some of the most important      authors mentioned above – Dumézil, Eliade, Jensen- do not aid clearer thinking.      However, we should make an intellectual effort, without necessarily reaching      a “balanced” assessment, for we do not intend to cross swords with anybody      for the sake of the exact <i>happy medium</i>. We could take the aforesaid      “affiliations” as symptomatic elements; as constituents of a “tragic” conflict,      so to speak, <i>within</i> Western reason. From <i>different</i> affiliations,      much less “suspicious”, this was what the members of the School of Frankfurt,      particularly Adorno, attempted to do, denouncing the ways in which omnipotent      instrumental rationality (the <i>will of dominance</i> that, under capitalism,      always became <i>synonymous </i>with <i>Reason) </i>had transformed “enlightened”      and anti-mythic drive in the <i>worse </i>of myths, for its “conciliatory”      pretensions prevented realizing their persistence, <i>distorted </i>by the      very denial of the mythic-and-religious social background.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Finally,      there is one more tradition, one that we shall have to call “the accursed      tradition”, in spite of having respectably originated in the concurrence between      the French sociological school (Durkheim/Mauss, to be brief) and the mythic-and-ritual      school from Jane Harrison on. This tradition lays emphasis on the <i>violent</i>      foundations of the religious, or of the “sacred”, to give it a more general      name, and allows for an uncomfortable grouping of names that include members      of the most heretical College de Sociologie (Roger Caillois, Georges Bataille,      Michel Leiris, Pierre Klossowski, Maurice Blanchot, specially the first three),      René Girard, Walter Burkert and, on the side, the already cited Jean-Pierre      Vernant, Marcel Detienne and Ernesto de Martino. Their <i>accursedness </i>is      due only to the fact that they were courageous enough to make <i>explicit      </i>a number of disquieting connotations that the research carried out by      those two schools had handled in a more reserved fashion. On the one hand,      it is common knowledge that the matrix <i>gift/reciprocity</i>, which constitutes      a central hypothesis in sociological thought, includes the institution of      (not only animal) <i>sacrifice</i> as a crucial element in the matrix, for      it gives rise to some sort of <i>communion</i> and “covenant” with the gods.      In the first decade of the 20<sup>th</sup> Century, Jane Harrison had already      revolutionized the ethnohistory of religions in two ways. First, she had posited      that<i> ritual</i> –i.e. the ideological and esthetical rationalization of      man’s concrete, effective conduct- rather than myth enclosed what is <i>true      </i>about the religious<a href="#_ftn10" name="_ftnref10" title=""><sup>6</sup></a>      and, second, she had detected, in religious rites practiced in ancient Greece,      a <i>double standard</i> that confronted “Olympic” rituals involving worship      of/calling on kindly gods with “ctonic” rituals to reject/drive away Evil      as represented by the same gods. In later times, anthropologists called these      rituals <i>“apotropaic”</i>; their steps included brutal sacrifices, and it      can be said that Nietzsche’s opposition between Apollo and Dyonisus has exercised      a clear influence on the pair “Olympic/ctonic”.<a href="#_ftn11" name="_ftnref11" title=""><sup>7</sup></a></font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> In      Caillois, but specially in Bataille –without forgetting Vittorio Lanternari’s      classic, <i>La Grande Festa</i><a href="#_ftn12" name="_ftnref12" title=""><sup>8</sup></a>–      religious ritual, boundless eroticism, and sacrificial violence compose a      new matrix from where the community is founded. According to Bataille, sacrificial      ritual is the <i>religious ceremony </i>par excellence<a href="#_ftn13" name="_ftnref13" title=""><sup>9</sup></a>. Its “religious quality” is <i>prior      </i>to any other religious form organized as theology and/or institution,      and it concerns the <i>sacred </i> in the widest sense of the word: that of       a “void” of meaning (the <i>yawn</i> of the real that the word <i>Chaos</i>      meant to the ancient Greeks) on which the foundational act occurs. The sacred      sacrifice takes upon itself the profound “knowledge” about the social of which      “archaic” societies boast when they refuse to acknowledge the existence of      <i>natural </i>death. They know that the social is constituted by potential      violence, and drive this violence towards the propitiatory victim through      a sort of primitive common “catharsis”. Bataille proves that, contrary to      what a more or less automated or spontaneous common sense might imagine (that      is, an evolutionist <i>ideology</i>), history tells that sacrificial practices      were <i>first </i>performed on animals and only were transferred to human      victims after a civilizing process had taken place. This is no “totemism”,      but an initial, metaphoric construction through which a sacred “transgression”      operates a “regulated” closeness to the primitive Chaos of <i>animal </i>sexuality      and violence devoid of norms (the bisons of Altamira or of Lascaux, but also      the <i>persona</i> or the <i>hypokrates</i>, those Greek animal masks used      during Dyonisian rites would here stand for the first “esthetic” representation      of unrestrained <i>animal divinity</i>, of pure “jouissance”.) In the logic      of the <i>celebration </i>of a sacrificial ritual, the tension between closeness      to animal original excess (the “subhuman”) and the register of prohibitions      and taboos regulating the ritual and endowing it with the characteristics      of a divine mystery put in play a true <i>dialectic </i>of sacred sacrifice.      On the one hand, the human world, shaped in the denial of nature, denies itself;      and through an operation of “denial of the denial” ascends towards divinity.      But this <i>transcendence</i> keeps the <i>immanent </i>imprint of the initial      concurrence between violence, eroticism, and the sacred. In Callois’s words:      “Like incest in the Dyonisian celebration, murder in war brings religious      echoes. It derives from human sacrifice and has no useful purpose &#91;...&#93; It      is the moment for looting with impunity, for desecrating that highly venerated      object, man’s mortal remains: who would resign such revenge, such desecration?      Whatever we deem sacred will eventually demand it. At the same time as it      sends shivers up your spine, it yearns for shame and attracts spit...”<a href="#_ftn14" name="_ftnref14" title=""><sup>10</sup></a>.</font></p>       ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> No      doubt it is a first “projective” movement towards the outside (similar to      what Marx attributed to Hegel when he said that Hegel projects the State born      from the conflict among men towards a divine realm), but it still keeps the      obscure consciousness of foundational violence. It is also the possibility      of thinking <i>the </i>political in relation to <i>the </i>sacred, outside      all theological “rationalization”; of producing a <i>materialist and political      </i>theory of the sacred, where the sacred is a <i>riddle</i> on which the      <i>ecclesia</i>, the “community of equals” is to be founded in its de-mimed      relation (here the articulation with the <i>gift/reciprocity </i>matrix is      suggestive.<a href="#_ftn15" name="_ftnref15" title=""><sup>11</sup></a>)</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> This      line will reach its apex with René Girard and his <i>scapegoat</i> (sacrificial      victim) theory as the <i>sacred </i>space par excellence. The sacrificial      ritual founds the Law (the religious Law first) insofar as it stands for a      “regulation” of the violence originally exerted among equals (this thesis      is redolent of Hobbes, no doubt) so as to redirect it against the “propitiatory      victim”. We could say that the first “pact” among the brothers is not only      a primitive form of religion but also of the <i>“State”</i>, a fully “democratic”      State, understood as one where there is full participation of the community      in the foundational act: at that moment there is no <i>separation </i>between      State and Society; like in the <i>Negara </i>analyzed by Geertz, the religious      ritual does not “represent” the State, nor does the State “symbolize” Society.      The three of them <i>are</i>, at one and the same time, one and the same <i>action</i><a href="#_ftn16" name="_ftnref16" title=""><sup>12</sup></a>. At the bottom of the      action there is an <i>imaginary</i> –something that has not yet developed      into the Law, but that stands for its condition of emergence. This operates      on a place that still lacks symbolic representation, and so the establishment      of <i>the</i> Law as such becomes essential (or the new establishment of the      Law in later ritual repetitions which, as we have already seen, keep all the      foundational violence in their subordination to the Myth, to the purely symbolic.)      We shall name all this <i>the </i>political, understood as the original engine      that produced the community of men in its original proximity to <i>the </i>religious.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Finally,      Walter Burkert also relates the origin of the social-and-religious to the      sacrificial ritual, where he finds the symbolic expression of atonement for      the violence that man the hunter exercises on nature. It is not a strictly      metaphysical issue: “reciprocity” between man and nature constitutes the basis      of the most primitive “mode of production” one could think of. As a primitive      form of religion, the sacrificial ritual represents, at the same time, the      <i>return </i>of goods “stolen” from nature through hunting and fishing, and      <i>communication </i>among men in the sacrificial feast. Primary “organic      solidarity” is then grounded on an original violent crime.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> The      sensible reader will have noticed that <i>all</i> the cases considered are      more or less conscious variations of Freud’s famous hypothesis, developed      in his writing of 1912 and entitled  <i>Totem and Taboo</i>, about the <i>simultaneous      </i>origin of religion, the Law, and “political power” stemming from the murder      of a tyrannical “Primal Father” and “retroactive obedience” moved by a feeling      of guilt. In actual fact, this <i>generates </i>the three instances (religion,      “social” law, political order) as an indivisible whole. In Freud’s well-known      words: “culture is the product of a shared crime.” To the purpose of this      paper, there is no point in trying to establish the historical/anthropological      “truth”(impossible to prove, by the way) of Freud’s hypothesis. What really      matters is that the “variations” are underlaid by a <i>hermeneutic horizon</i>;      namely, an “interpretation” whose ideology does not <i>fall far </i>from the      <i>violent </i>background nesting in the <i>logic</i> foundations of the “knot”      that originated the religious, the political, and the cultural. Neither does      it fall far from the fact that the religious, like the <i>sacred</i> –i.e.,      that <i>radical otherness</i>, that <i>void</i> of meaning into which men      build up meanings- is not the realm of pure Goodness, but that of a constant      <i>negative dialectics</i> between Good and Evil, regardless of how different      societies choose to define both terms. Furthermore, contrary to what Marcel      Gauchet thinks when he sees, in the first forms of “State”, an incipient laicization      process through which politics supposedly begins to replace religion, from      what has been said we can clearly see the  <i>solidarity </i> between politics      and religion, between State and Church; this solidarity is not only circumstantially      historical, as happens so frequently and easily, but also constitutive and      generative.</font></p>       <p>&nbsp;</p>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>4</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It is not then    so simple to establish a clear-cut differentiation between a “traditional” society,    ruled by any of the multiple religious forms that be, and a secular, “modern”    society, fully liberated from religion. This is a unilateral, schematically    evolutionist notion into which the “dominant” social sciences (a product, as    we have said, of the same illusions entertained by modern laicism) have sometimes    hastily rushed headlong. Unfortunately, there have also been Marxist developments    that did not succeed in escaping this illusion. Owing to a rare paradox, such    developments tend to think <i>too well </i>of the religious. What I mean is    that they tend to conceive of it as an ideological space that is both <i>harmonic</i>    and <i>homogeneous</i> instead of analyzing its shattering and conflicts as    well as the complex ways in which religions, those particular <i>modes of production    of the symbolic</i>, permit –thanks to another apparent paradox and provided    that one can hold the “accursed” perspective we discussed- to interrogate critically    and <i>call into question</i> the evidence presented by such evolutionist, linear,    and teleological <i>common sense.</i><a href="#_ftn17" name="_ftnref17" title=""><sup>13</sup></a></font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">      For example, Ernesto de Martino –the great Italian ethnologist who was a disciple      of  Gramsci’s and Heidegger’s simultaneously–, has shown, with amazing subtlety,      the (far too often) “enlightened” error of believing that the practice of      religious rituals are plainly “out of history”. De Martino views the issue      as a much more subtle logic by means of which it is deeply engrained <i>in      </i>history, but <i>as if </i>it were not so<a href="#_ftn18" name="_ftnref18" title=""><sup>14</sup></a>. The ritual’s ultimate meaning does not consist in      a mere “repetition” of a mythical event that occurred in <i>illo tempore</i>      (going back to Mircea Eliade), but the periodical <i>new foundation</i> of      the social community, under the constant threat of being dissolved by what      de Martino calls <i>the crisis of presence</i>. The mere fact that “archaic”      societies (or the “social archaism” that persists in any “modern” religious      practice) need to <i>found anew</i> their own social existence with the obsessive      periodicity of the ritual points to a much sharper –at any rate, much more      intense- social consciousness than our Western, modern, “progressist” consciousness.      They <i>know</i> that their society –I am extrapolating Adorno’s famous phrase      about art- has not been guaranteed even the right to exist, since the “crisis      of presence” appears in it from time to time. Apocalypse is not at the end      of a road whose length is unknown; apocalypse is a constant threat, which      is the reason why history has to <i>recommence </i>every now and then. It      is true that it always does so in the same way, returning to the primal, “metahistorical”      moment; still, the very idea of <i>a return to History</i> from outside, in      every ritual, is more profoundly “historical” than the deceitful comfort of      those who think they are <i>forever</i> installed in the irreversible course      of events; in the “progress” of time.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> On      issuing massive <i>denial</i> of the “knot” that originated the religious,      the political, and the cultural such as we have seen it esthetically depicted      in the tragedy, the omnipotence of modernity –and of the corresponding hegemonic      versions produced by the social sciences- has rendered us helpless to recognize      and interpret <i>the return of the repressed </i>(let alone exercise political      action on it) that the denial itself has contributed to bring about. This      involves “postmodern” varieties of religion, ranging from extreme “fundamentalism”      (it goes without saying that the epithet is not addressed at the partial,      poorly representative Islamic extremism <i>only</i>) to the silliness of the      widespread, <i>new age</i> forms of self-help, with the reactionary populism      of electronic pastoralism or whatever else between both ends. All this to      avoid the pathetic predicament of having to mention the many ways in which      the 20<sup>th</sup> Century became an enormous, barbaric ritual of collective      sacrifice, a “useless” one at that. To cite Caillois once again, it has been      <i>actually </i>possible “to loot with impunity and desecrate that highly      venerated object, man’s mortal remains”, without even having a “true” religion      that might justify the act as necessary. Now –let us say it once more- it      is about “postmodernity” forced to kill its own illusions. Were the great      “authoritarian” narratives of modernity over? Here they are again, as the      “return of the repressed” with its most perverse trimmings. As always, and      without the possibility of reckoning <i>all</i> of the related consequences,      this amounts to an oversized challenge to what goes by the name of “critical      thought”, and an even bigger challenge to a worldwide intervention on <i>the      </i>political, stricto sensu; namely, on the re-creation of a true <i>ekklesia      </i>in its classic Greek meaning: an egalitarian, democratic <i>assembly</i>      of humans where legitimacy and consensus for the sake of a better world –including,      if you will, the reconstruction of true religious <i>faith</i>- may be ruled      by a different <i>logic </i>of production regarding social issues.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Our      arrogant “modernity” has ensnared us in our own traps. As Bataille would say      in the epigraph to this paper, we are weary and hungry for sleep and peace.      Perhaps too weary to notice our own “crisis of presence” before it is too      late.</font></p>        ]]></body>
<body><![CDATA[<p>&nbsp;</p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b><font size="3">Bibliography</font></b><font size="3">:</font></font></p>        <!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Georges Bataille.    <i>El erotismo</i>. Editorial Sur, Buenos Aires,  1967.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Roger Caillois.      <i>El hombre y lo sagrado</i>. Fondo de Cultura Editorial, Mexico, 1958.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Norman Cohn:      <i>En pos del Milenio. Revolucionarios, milenaristas y anarquistas místicos      de la Edad Media . Barral Editores, Barcelona, 1972.</i></font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Marcel Gauchet.      <i>La democracia contra sí misma</i>. Editorial Homo Sapiens, Rosario, 2004.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Clifford Geertz.      <i>Negara. El Estado-teatro balinés en el siglo XIX</i>. Editorial Paidós,      Buenos Aires, 1996.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Lucien Goldmann.      <i>El hombre y lo absoluto</i>. Editorial Península, Barcelona, 1973.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Jane Harrison.<i>      Prolegomena to the Study of Greek Religion</i> . Meridian Books, New York,      1955.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Vittorio Lanternari.      <i> Movimientos religiosos de libertad y salvación de los pueblos oprimidos</i>      . Editorial Seix Barral, Barcelona, 1962.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Vittorio Lanternari.      <i>La Grande Festa. Vita rituale e sistema di produzione nelle societá tradizionali</i>.      Edizioni Dedalo, Bari, 2004.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Steven Runciman.      <i>Historia de las cruzadas</i>. Editorial Alianza, 1978.</font><p>&nbsp;</p>       <p>&nbsp;</p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Published in      <b>Sociedad</b>. Social Science Journal, School of Social Sciences, University      of Buenos Aires, #24. Buenos Aires Argentina.</font></p>        <p>&nbsp;</p>     <p>&nbsp;</p>        <!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref3" name="_ftn3" title="">    1</a> Vittorio Lanternari. <i>Movimientos religiosos de libertad y salvación    de los pueblos oprimidos</i>. Editorial Seix Barral, Barcelona, 1962.</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref4" name="_ftn4" title="">    2</a> Of course, the canonical text on this problem is Norman Cohn’s <i>En pos    del Milenio. Revolucionarios, milenaristas y anarquistas místicos de la Edad    Media . Barral Editores, Barcelona, 1972.</i></font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref5" name="_ftn5" title="">    3</a> Steven Runciman. <i>Historia de las cruzadas</i>. Editorial Alianza, 1978.</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref6" name="_ftn6" title="">    4</a> Marcel Gauchet. <i>La democracia contra sí misma</i>. Editorial Homo Sapiens,    Rosario, 2004.</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref8" name="_ftn8" title="">    5</a> Lucien Goldmann. <i>El hombre y lo absoluto</i>. Editorial Península,    Barcelona, 1973.</font>    <br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref10" name="_ftn10" title="">    6</a> Also an <i>existential </i>“truth”. Again we come across Blaise Pascal,    who very cunningly, as Louis Althusser remembers regarding ideology) recommended    not to try to <i>persuade</i> an agnostic with more or less logical arguments,    but with deeds (I quote off the top of my head: “Just ask him to go into the    nearest church, kneel before the altar, and start to pray: then he will believe.”</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref11" name="_ftn11" title="">    7</a> Jane Harrison.<i> Prolegomena to the Study of Greek Religion</i>. Meridian    Books, New York, 1955.</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref12" name="_ftn12" title="">    8</a> Vittorio Lanternari. <i> La Grande Festa. Vita rituale e sistema di produzione    nelle societá tradizionali</i> . Edizioni Dedalo, Bari, 2004.     In an extraordinary    demonstration of Girardi’s hypothesis about the possibility of existence of    a <i>materialist </i>theory of the sacred, Lanternari, from a perspective that    included Marx, De Martino, and Gramsci, studied the <i>structural </i>place–but    not at all the “superstructural” in the vulgar Marxist sense of religious rituals    in “pre-modern” Oceanian societies already studied by Malinowski, for the development    of the corresponding <i>mode of production, </i>whether of hunting-and-gathering    societies or more “advanced” agricultural societies.</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref13" name="_ftn13" title="">    9</a> Georges Bataille. <i>El erotismo</i>. Editorial Sur, Buenos Aires,  1967.</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref14" name="_ftn14" title="">10</a>    Roger Caillois. <i>El hombre y lo sagrado</i>. Fondo de Cultura Editorial, Mexico,    1958.</font>    <br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref15" name="_ftn15" title="">11</a>    In <i>El enigma del don</i>, Maurice Godelier explores how, in institutions    known as <i>potlatch </i>or <i>kula</i> , the <i>obligation</i> to interchange    is ruled precisely by the <i>prohibition</i> to exchange certain mysterious    objects that only initiates know; sacred objects that endow the society with    its identity. To a certain extent, the exchanged objects are <i>substitutions</i>    that protect the enigma of what, being sacred, gives a society its absolute    <i>difference</i> from others; its “raison d’étre”.</font>    <!-- ref --><br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref16" name="_ftn16" title="">12</a>    Clifford Geertz. <i>Negara. El Estado-teatro balinés en el siglo XIX</i>. Editorial    Paidós, Buenos Aires, 1996.</font>    <br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref17" name="_ftn17" title="">13</a>    There is no need to point out here that <i>renunciation </i>by many Marxists    (or progressist thinkers in general) has only succeeded to deliver the thorny    yet enthralling problem of the <i>teleological-and-political </i>(to use Carl    Schmitt’s canonical expression) into the hands of “rightist thought”, which    may be interesting despite our ideological rejection of it.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref18" name="_ftn18" title="">14</a>    See, for example, his <i>magnum opus</i> (unfinished and posthumous): <i>La    Fine del Mondo</i>, published in Milan in 2000.    <br>   <a href="#_ftnref2" name="_ftn2" title="">I</a> Here starts a play on words    based on the Spanish phrase “no ha lugar”, which is equivalent to the word “overruled”    uttered by a Judge in a trial conducted in English, but that also means “there’s    no room”. &#91;TN&#93;    <br>   <a href="#_ftnref7" name="_ftn7" title="">II</a> In English in the original.    &#91;TN&#93;</font>    <br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#_ftnref9" name="_ftn9" title="">III</a>    Published in English under the titles of “Elementary Forms of the Religious    Life” and “Protestant Ethic and the Spirit of Capitalism” respectively. &#91;TN&#93;</font></p>              ]]></body><back>
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</article>
