<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0104-8333</journal-id>
<journal-title><![CDATA[Cadernos Pagu]]></journal-title>
<abbrev-journal-title><![CDATA[Cad. Pagu]]></abbrev-journal-title>
<issn>0104-8333</issn>
<publisher>
<publisher-name><![CDATA[Núcleo de Estudos de Gênero - Pagu]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0104-83332008000100002</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Freud's nanny and other nannies]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Corrêa]]></surname>
<given-names><![CDATA[Mariza]]></given-names>
</name>
<xref ref-type="aff" rid="A01"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Corrêa]]></surname>
<given-names><![CDATA[Mariza]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,State University of Campinas Center for Gender Studies/Pagu ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2008</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2008</year>
</pub-date>
<volume>1</volume>
<numero>se</numero>
<fpage>0</fpage>
<lpage>0</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_arttext&amp;pid=S0104-83332008000100002&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_abstract&amp;pid=S0104-83332008000100002&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_pdf&amp;pid=S0104-83332008000100002&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[The Freud-Fliess letters attracted attention to Freud's nanny and also to the role played by nannies in the ideal family of psychoanalytic theory. Included in the models that explained the bourgeois family since the nineteenth century, but excluded by analytic theory, the nanny, ever present in Brazilian upper-class families, still poses a question to the father-mother-infant triangle.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Nannies-Governesses-Maids]]></kwd>
<kwd lng="en"><![CDATA[Freud]]></kwd>
<kwd lng="en"><![CDATA[Domestic Work]]></kwd>
<kwd lng="en"><![CDATA[Female Migration]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[ <p><font face="verdana" size="4"><b>Freud's nanny and other nannies<a href="#_ftn1" name="_ftnref1" title="">*</a></b></font></p>     <p>&nbsp;</p>     <p><font face="verdana" size="3"></font></p>     <p><font face="verdana" size="2"><b>Mariza Corrêa</b></font></p>     <p><font face="verdana" size="2">Researcher for Center for Gender Studies/Pagu,    State University of Campinas (Unicamp), E-mail: <a href="mailto:correa.mariza@uol.com.br">correa.mariza@uol.com.br</a></font></p>     <p><font face="verdana" size="2">Translated by Mariza Corrêa    <br>   </font><font face="verdana" size="2">Translated from <a href="http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-83332007000200004&lng=en&nrm=iso" target="_blank"><b>Cadernos    Pagu</b>,    Campinas, n.29 p. 61-90, July/Dec. 2007.</a></font></p>     <p>&nbsp;</p>     <p>&nbsp;</p> <hr size="1" noshade>     <p><font face="verdana" size="2"><b>ABSTRACT</b></font></p>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="2">The Freud-Fliess letters attracted attention    to Freud's nanny and also to the role played by nannies in the ideal family    of psychoanalytic theory. Included in the models that explained the bourgeois    family since the nineteenth century, but excluded by analytic theory, the nanny,    ever present in Brazilian upper-class families, still poses a question to the    father-mother-infant triangle.</font></p>     <p><font face="verdana" size="2"><b>Key words:</b> Nannies-Governesses-Maids,    Freud, Domestic Work, Female Migration. </font></p> <hr size="1" noshade>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p align=right><font face="verdana" size="2">Poor people! They cannot even retain    their own names.    <br>   </font><font face="verdana" size="2">Freud</font></p>     <p><font face="verdana" size="2"><i>&nbsp;</i></font></p>     <p>&nbsp;</p>     <p><font face="verdana" size="2">Around the sixties - precisely in 1964 and 1965    – two nannies were put on the screen by the same actress (Julie Andrews) and    made a success in the movies, besides being shown also in many stages around    the world. One of them was English, the other one, Austrian.<a href="#_ftn2" name="_ftnref2" title=""><sup>1</sup></a> English nannies were,    by then, famous in their country and abroad: many a memorialist and a novelist    of the 19<sup>th</sup> century mentioned them, as a source of pleasure as often    as a source of displeasure.<a href="#_ftn3" name="_ftnref3" title=""><sup>2</sup></a>    Austrian nannies were not so famous, until they were put on the analytical scene    by Sigmund Freud. <a href="#_ftn4" name="_ftnref4" title=""><sup>3</sup></a>    Almost all of his patients had a nanny or nurse – some of them had two, what    would lead to a curious unfolding of this character, either in the duo good    mother/ bad nanny, or, in a kind of duplication, as good nanny/bad nanny.<a href="#_ftn5" name="_ftnref5" title=""><sup>4</sup></a></font></p>     <p><font face="verdana" size="2">Freud's interest in nannies began, it seems,    with the analysis of the cases that would be known in the analytical literature    as those that were in the origin of the 'seduction theory' – and also with his    auto-analysis. His interest, though, extended well beyond the time of this emergence,    as we will see. Notwithstanding, the recent revisions published in the wake    of what is called the 'Freudian wars' did not pay much attention to it, maybe    because the authors thought of as a 'minor' or 'domestic' interest. <a href="#_ftn6" name="_ftnref6" title=""><sup>5</sup></a> I will argue here, with the help of many authors who    did pay attention to it, that it is a relevant topic, not only for the domestic    economy, and the economy of the affects, in t 19<sup>th</sup> century Vienna,    and around the industrializing world, but also for a feminist reflection in    Brazil today.</font></p>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="2"><i>&nbsp;</i></font></p>     <p><font face="verdana" size="3"><b>Seduction theory</b></font></p>     <p><font face="verdana" size="2">To begin with the so-called 'seduction theory':    in 1896 Freud published a polemic article in which he attributed the origin    of hysteria to a sexual trauma suffered by his female – and some male - patients    that ranged from sexual harassment to sexual abuse in the hands of a member    of the family: uncles (some of whom were revealed as fathers in subsequent publications),    brothers, guardians, school colleagues, or nannies. He said that this trauma    was "unhappily" caused "too frequently, by a near kin." <a href="#_ftn7" name="_ftnref7" title=""><sup>6</sup></a> In this article he said that in 18 cases of hysteria    until then analyzed by him (six men and twelve women), <i>all </i>of them showed    this etiology, or cause, of the condition. By the next year, he began doubting    his proposition, and wrote to Fliess: "I don't believe in my neurotica [neurosis    theory] any more." <a href="#_ftn8" name="_ftnref8" title=""><sup>7</sup></a> Even if he mentioned the    seduction theory in other letters of this year (and also years after), he began,    then, to treat these denounces of his patients as a fantasy. <a href="#_ftn9" name="_ftnref9" title=""><sup>8</sup></a></font></p>     <p><font face="verdana" size="2">Many contemporary authors addressed themselves    to the nanny theme in Freudian texts, but almost all of them were interested    in <i>his</i> nanny. His nanny, from whom even the name is disputed, could have    been a Czech woman, a catholic, who took him to masses and reproved him for    being good for nothing. <a href="#_ftn10" name="_ftnref10" title=""><sup>9</sup></a> He wrote: </font></p>     <blockquote>        <p><font face="verdana" size="2">"Today's dream has, under the strongest disguise,      produced the following: she was my teacher in sexual matters and complained      because I was clumsy and unable to do anything." <a href="#_ftn11" name="_ftnref11" title=""><sup>10</sup></a> </font></p> </blockquote>     <p><font face="verdana" size="2">And further on: "she washed me in reddish water    in which she had previously washed herself". Telling that his nanny made him    steal money to give her, Freud interpreted his dream as a reproach for asking    money from his patients for his bad treatment of them, in the same way as "the    old woman got money from me for her bad treatment." In the next letter (October,    15), Freud registers what his mother had told him about the nanny. Asking her    if she remembered the nanny, he got the answer: </font></p>     <blockquote>       <p><font face="verdana" size="2">"Of course", she said, "an elderly person,      very clever, she was always carrying you off to some church; when you returned      home you preached and told us all about God Almighty. During my confinement      with Anna (two and a half years younger) it was discovered that she was a      thief, and all the shiny new <i>kreuzers</i> and <i>zehners</i> [coins] and      all the toys that had been given to you were found in her possession. Your      brother Philipp himself fetched the policeman; she then was given ten months      in prison." </font></p> </blockquote>     <p><font face="verdana" size="2">The fact that Freud used his mother's remembrance    to strengthen the interpretation he made of the dream –in which <i>he</i> was    the thief - doesn't matter here, neither his identification with the nanny,    observed by some analysts of this famous dream ("I = She"), but it is relevant    to consider that it seems that it was with his auto-analysis that the nanny    figure began to be seen as a malignant one or, in the best hypothesis, as an    ambiguous one. <a href="#_ftn12" name="_ftnref12" title=""><sup>11</sup></a></font></p>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="2">In fact, even if the nannies had already been    mentioned in some other letters of this same year as seducers, they seemed rather    to be connected with the fathers perversion with them – or with some other maid    of the house, that commonly also acted as nannies – and not to the perversions    of the nannies vis-a-vis the children of the house, even if these scenes were    present in his 1896 essay. <a href="#_ftn13" name="_ftnref13" title=""><sup>12</sup></a> But the letters also    contained a preoccupation with the nannies in his own family. In a note to the    letter of November, 14, 1897, for instance, he almost accused the nanny of one    of his sons as a castrating person when mentioning that the child had lost his    second teeth: "In fact, the first one was <i>plucked out</i> in the night of    November 9 by the nanny; it could have lasted till November 10."[Emphasis added.]    He will also say, in 1899, writing about another son who had the tendency to    harm himself repeatedly: "I attributed that to a little hysteria. He was the    only one who received a bad treatment by the nanny." And, commenting a literary    text, he asks where the material for the familial romance – </font></p>     <blockquote>       <p><font face="verdana" size="2">"adultery, illegitimate child, and the like      – came from? "Usually from the lower social circles of servant girls. Such      things are so common among them that one is never at a loss for material,      and it is especially apt to occur if the seductress herself was a person in      service. <i>In all the analyses one therefore hears the same story twice:      once as a fantasy about the mother; the second time as a real memory of the      maid</i>." [Emphasis added.] </font></p> </blockquote>     <p><font face="verdana" size="2">In the letter about his nanny, Freud did exactly    the same: coupled his memory of his old maid to his memory of a journey in which    he saw his mother naked. <a href="#_ftn14" name="_ftnref14" title=""><sup>13</sup></a></font></p>     <p><font face="verdana" size="2">Nannies, and maids in general, were in fact omnipresent    in the families of Freud's circle in Vienna: Hans, who was phobic about horses,    played the horseman with his maid, intimating her to take off her clothes; the    Wolf-Man who, as Freud, had had a peasant nanny, who also told him religious    stories; Dora had two nurses, one whom she loved and the other one whom she    detested – besides that, the nanny of the K family was seduced by Mr. K; Anna    O. also loved one nurse and had revolting feelings about another; and Anna Freud    also have had a catholic nanny, whom she loved. The older daughter of Freud,    Mathilde, has had a wet nurse, almost never mentioned, yet the Freud family    maintained a relationship with her family for many years. <a href="#_ftn15" name="_ftnref15" title=""><sup>14</sup></a></font></p>     <p>&nbsp;</p>     <p><font face="verdana" size="3"><b>Theorie's seductions</b><a href="#_ftn16" name="_ftnref16" title=""><sup><font size="2">15</font></sup></a></font></p>     <p><font face="verdana" size="2">It seems that one of the first authors to deal    widely with the question of the nanny in Freud's writings was Jim Swan, in a    1974 essay. <a href="#_ftn17" name="_ftnref17" title=""><sup>16</sup></a> Swan refers to the pioneering analysis    of Max Schur (1972) and to the work of Didier Anzieu, wich has had many editions    since 1959. According to him, Schur was the first one to notice the discrepancy    between the German expression that signified something like "the first seductress    [<i>Urheberin</i>]"- in contrast with the Freudian theory that postulated the    father as the first seducer [<i>Urheber</i>] – and the English expression, in    the <i>Standard Edition,</i> "the prime originator [of my difficulties]". Swan    had also noted that Freud's <i>nanny </i>was a creation of the English translation,    in Ernest Jones's biography, who used the word nanny for the German expression    that meant maid [<i>Kinderfrau</i>]. <a href="#_ftn18" name="_ftnref18" title=""><sup>17</sup></a> </font></p>     <p><font face="verdana" size="2">Swan calls attention to the question of the Oedipus    complex:</font></p>     <blockquote>       ]]></body>
<body><![CDATA[<p><font face="verdana" size="2"> "What needs explanation is how the theory      of the Oedipus complex accounts for the boy's guilty impulses toward his mother      but ignores the boy's arousal at the hands of his nurse, especially in view      of how much more attention his nurse gets from Freud than his mother does."      (p.19) </font></p> </blockquote>     <p><font face="verdana" size="2">Discussing the possible interpretations of Freud's    dreams along his auto-analysis, Swan notes the relevance of the nanny's presence    in his development until his conclusion that "the remarkable circumstance" is    that Freud, in effect, had <i>two </i>mothers, </font></p>     <blockquote>       <p><font face="verdana" size="2">"his actual mother – whose nakedness he can      only mention in Latin – and his nanny whom he remembers in association with      numerous disturbing sexual experiences. Having two such mothers, and the luck      of having the 'bad' ugly mother banished from his life when he was only two      and a half, allows Freud to maintain a secure split between the internalized      good and bad mothers." (p.34) "Unconsciously, Freud's nurse was his seductress      and shamer, his mother the pure object of guilty desire."(p.50)</font></p> </blockquote>     <p><font face="verdana" size="2">The good mother and the bad nanny, or the good    nanny and the bad nanny, will from then on be permanently present in Freud analyses,    as if many of his patients were <i>repeating</i> his development as a boy. <a href="#_ftn19" name="_ftnref19" title=""><sup>18</sup></a> In any case, nannies or nurses were    always present in the Viennese's bourgeois households, despite the fact that,    as Swan notes, in the case of the Freud family, his father was permanently at    the edge of poverty. It is not possible, in this brief account, to make justice    to Swan's essay, but it is worth noting that he made a long digression about    the social relations underlying Freud's boyhood, showing that the "bourgeois    oedipal man </font></p>     <blockquote>       <p><font face="verdana" size="2">struggles to preserve his distinction and independence      from those on whose bodily labor he in fact depends for his existence and      status" (pp. 53-54) – an observation, as we will see further on, which will      sediment most of Anne MacClintock's analysis of Victorian England. And he      concludes: "Thus Freud's discovery of the Oedipus complex emerges not only      from memories of a small boy's guilty, aggressive lust for his mother, but      from memories of dependence on her, too – a dependence remembered, however      as the seduction of a small bourgeois, Austrian boy by a Czech working-class      woman in a province of the Austrian Empire still recovering from the Revolution      of 1848." (p.64) </font></p> </blockquote>     <p><font face="verdana" size="2">After Swan, Jane Gallop was one that analyzed    the relevance of the nanny on the analytical scene, beginning with the discussion    of Catherine Clément and Hélène Cixous (1975) about Dora's case, observing that    the figure of the nanny, or nurse, did not exhaust itself in Freud's identification    with a nanny or a maid in this case, but "has a decisive, structural relation    to psychoanalysis in general." </font></p>     <blockquote>       <p><font face="verdana" size="2">"The family never was, in any of Freud's texts,      completely closed off from questions of economic class. And the most insistent      locus of that intrusion into the family circle (intrusion of the symbolic      into the imaginary) is the maid/governess/nurse. As Cixous says, 'she is the      hole in the social cell'." <a href="#_ftn20" name="_ftnref20" title=""><sup>19</sup></a> </font></p> </blockquote>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="2">Cixous's reading of Dora's case, here resumed    by Gallop, is that what Freud did not stand for in his relation to Dora was    the fact of being dispensed by her – as would be the case with a nurse or a    nanny – at a fortnight's notice. <a href="#_ftn21" name="_ftnref21" title=""><sup>20</sup></a> "Neither Dora nor Freud    can tolerate identification with the seduced and abandoned governess." (p.145)    For Freud, being so 'feminized' would signify to accept the place of women circulating    in an exchange of women made by men. For Dora, it would signify that she, and    notwithstanding her social position, was also an object in this exchange. But,    contrary to what Gallop says, this was not an analysis of Freud <i>and</i> Dora,    antedating Lévi-Strauss analyses – it was Dora who was enraged for "being handed    to Herr K as the price of his tolerating the relations between her father and    his wife". <a href="#_ftn22" name="_ftnref22" title=""><sup>21</sup></a> If anyone, she was    the one who anticipated Lévi-Strauss theory on women's circulation.</font></p>     <p><font face="verdana" size="2">The intrusion of nannies –or of subaltern classes    – in the bourgeois households would be summed up by Anne McClintock in 1995,    this time adding the race variable to the research universe. She will also resume    the question of Freud's nanny. She summarizes this part of her research as the    analysis of "one of the most successful vanishing acts of modern history", the    vanishing of domestic labor. <a href="#_ftn23" name="_ftnref23" title=""><sup>22</sup></a> And, as she indicates very well, it    took a lot of work to make out an appearance of the leisure of the middle-class    housewife. The excellent iconography she exhibits in the chapter dedicated to    domestic work almost explains by itself her argument. The curious story of the    S/M couple Arthur J. Munby and Hannah Culwick – his wife and domestic servant    – is almost thrust to the background in this analysis. Munby, who had the habit    of picturing and drawing women from the working classes, and also of turning    them black in his drawings, had also had a working class nanny, called Hannah,    and a delicate and distant mother. <a href="#_ftn24" name="_ftnref24" title=""><sup>23</sup></a> </font></p>     <p><font face="verdana" size="2">It would be very difficult to follow the complex    history told by McClintock here, but it is worthwhile to remember that she invokes    a notion advanced by Julia Kristeva – abjection - to underline that " the abject    is something rejected from which one does not part". (p.71) The notion, coming    from Mary Douglas essay on pollution, could have been put to a better use theoretically    in her treatment of race, as we will see. As she proposes to articulate the    notions of gender, race, class, and sexuality, the author tries to show how    the <i>threshold</i> figure of the nanny/governess/ maid (already evoked by    H. Cixous and J. Gallop), always between the house and the street, the family    and lewdness, expresses the Victorian splitting between the good and the bad    woman – the saints and the whores – and "has its origins, then, not in an universal    archetype, but in the class structure of the household." (p.87) It was "the    contradiction between the barely repressed power of the waged female domestic    worker and the relative lack of power of the unwaged wife" that was at the roots    of this duplicity. So, it is a pity that she did not include the marker of <i>age</i>    in the list of notions to be considered, since she fails completely in the apprehension    of the perspective of childhood in the relations with the nanny – the bad nanny    in opposition to the good mother, even if the latter was a violent one.</font></p>     <p><font face="verdana" size="2">All the subtlety that she demonstrated in her    analysis of class-relations in Victorian England is left aside when the author    moves to South Africa, more specifically to accompany the history of novelist    and feminist Olive Schreiner.<a href="#_ftn25" name="_ftnref25" title=""><sup>24</sup></a> Since Schreiner denounces the domination of the adult    <i>ayahs </i>– black women – over children, her fiction did not gather any sympathy    from McClintock. <a href="#_ftn26" name="_ftnref26" title=""><sup>25</sup></a> As her rendering of    domesticity in England had a strong inflection in class relations, her analysis    of South Africa is strongly inflected by the <i>color </i>question, much more    than by the <i>racial politics</i> question. <a href="#_ftn27" name="_ftnref27" title=""><sup>26</sup></a> When retracing the    conflict as between <i>Blacks and Whites</i>, the author forgets the nuances    she had registered at the beginning of her work – when she showed, for instance    that white Irish were not only <i>socially</i> blackened as a way of disqualification    in Victorian England, but also morally downgraded. So, race turns out as a synonymous    of color, and the political aspect of racism is lost. <a href="#_ftn28" name="_ftnref28" title=""><sup>27</sup></a></font></p>     <p><font face="verdana" size="2">As the author herself observed, color itself    is not enough to be a sign of otherness – in the case of Schreiner, the difference    is also given by age: in her fiction, she shows a female <i>child</i> dealing    with oppressive <i>adults</i>. The fact that she became an activist, opposing    the racialist positions of her country as an adult, shows well her lucidity    about its government when grown up. McClintock also loses sight of the fact    that the Schreiner's anti-racist struggle could have been produced in an analogous    manner as the fascination Munby had for working women – that is, in the daily    conviviality of both of them, as children, with working and Black women. The    notion of abjection supposes something that we <i>incorporate</i> in childhood    and from which we cannot get free: a fascination or a repulsion.</font></p>     <p><font face="verdana" size="2">Leaving aside the rich uses of psychoanalysis    she made of in the case of Munby/Culwick, McClintock treats Olive Schreiner    as a privileged colonialist, even if Schreiner's family was a poor one, and    even if she describes, she doesn't analyse the aggressions Schreiner suffered    as a child, her auto-mutilations, her day-dreams and allegories, her asthma    – a long-life companion of her – and "an obscure sexual calamity that befell    her"[275]: all of which made Schreiner very alike her Viennese contemporaries    - and her reactions indeed made McClintock dub her protest as "hysterical" [264].    Seeing her sorrows as "a peculiarly colonial predicament", part of a colonial    culture "which has no memory", McClintock loses sight of her human condition    and reduces her position to a paramount example of "imperial faith", even if    she commended her "extraordinary foresight of African politics" and lamented    that "her political essays… remain by far the most neglected aspect of all her    writing" - a neglect she didn't remediate[281,293]. <a href="#_ftn29" name="_ftnref29" title=""><sup>28</sup></a> Being white, the oppressed and humiliated small girl    in the fictions of Schreiner could not benefit from McClintock's sympathy given    the fact that her (female) oppressors were black – so, the complex articulation    proposed about race, class, gender and sexuality is lost here as a fundamental    dimension of the constitution of sexuality is lost – childhood experience. <a href="#_ftn30" name="_ftnref30" title=""><sup>29</sup></a>    Such experience, Schreiner took to her fiction and to her political writings,    not to the divan. Not being a Jew, and not living in Vienna, she escaped the    fate of many of her female contemporaries, as Dora and Anna O., who received    a diagnosis that accompanied them through life and who showed symptoms very    similar to Schreiner's own, the symptoms of women who did not share the social    conventions of their time, and their families – but only to be so labeled by    one of our contemporary feminist writers. <a href="#_ftn31" name="_ftnref31" title=""><sup>30</sup></a> To reduce this complex    web of experiences – in Africa, in England, and her wide web of friendship with    contemporary writers and her political and intellectual life, always beset by    ailments is, to say the least, to impoverish the career of one of the most interesting    Victorian women.<a href="#_ftn32" name="_ftnref32" title=""><sup>31</sup></a></font></p>     <p><font face="verdana" size="2">Here, we would need a long digression about the    uses, which are implicit in her analysis, about the notion of culture – in this    case, colonial culture. I will be content, however, to mention an observation    from Elisabeth Roudinesco - that may open the way for such a discussion - about    Jung, who </font></p>     <blockquote>       <p><font face="verdana" size="2">"sustained that every people had a different      mentality from its neighbors and that, being so, it was necessary, to the      well-being of science, to construct a psychology adapted to the collective      soul of every nation." "It is the soul of the nation. It is the collective      'thing', occult and devilish through which man keeps being a sleepwalker."      (1989:176/7) <a href="#_ftn33" name="_ftnref33" title=""><sup>32</sup></a></font></p> </blockquote>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="3"><b><i>Guilhermina</i>: our nannies</b></font></p>     <p><font face="verdana" size="2">In 1912, Augusto dos Anjos (1884-1914) evoked    in a poem Freud's experience: </font></p>     <blockquote>       <p><font face="verdana" size="2">"My wet nurse Guilhermina    <br>     stole the coins that the Doctor gave me",     <br>     and concludes:     <br>     "You had stole the coins, but I, my nurse    <br>     I have stolen more    <br>     Since I stole the breasts    <br>     Who gave milk to your daughter!" <a href="#_ftn34" name="_ftnref34" title=""><sup>33</sup></a> </font></p> </blockquote>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="2">This is one of the few references about the fact    that black wet-nurses had to abandon their children – or to give milk as a second    chance to them – when they were called, or hired, to feed white children.</font></p>     <p><font face="verdana" size="2">In an analysis very similar to McClintock's,    Sandra Graham (1992) made a careful evaluation of the relations between maids    – among them the wet-nurses, that were best paid –and masters and mistresses    at the end of the nineteenth and the beginning of the twenty centuries in Rio    de Janeiro. The overall data are analogous to data from the United States and    Europe – a majority of women dedicated to domestic work and, among them, a majority    of black (here) and single women. Graham also evokes some famous characters    from Brazilian society who have had relations with nannies or maids. Machado    de Assis, for instance, who did not pay his maids, and Ruy Barbosa, who claimed    to have to recur to a wet-nurse for his daughter, since his wife could not do    the feeding. <a href="#_ftn35" name="_ftnref35" title=""><sup>34</sup></a> Here, as in Europe , the maid/ nanny    was a crucial figure for the keeping of the family. In both places she was stigmatized    - the emphasis here being more in the possibility of the transmission of diseases    than in the transmission of bad habits, but, here as there, it was poverty that    signalized a danger for the family. Here and there, also, the maids/nannies    were, sometimes, objects of desire of the masters – but the seduction of children    seems absent from the literature, at least in what respects small children,    in Brazil. It seems that, in the Brazilian case, color was a kind of veil that    colored poverty – always invoked first by social reformers, be it on their attack    on slums, be it on the attack to the <i>miasmas </i>that came to the city from    the spaces inhabited by the poor and that menaced the households in which this    poor people (poor <i>female</i> people, beginning with the slave ones) made    an intrusion. <a href="#_ftn36" name="_ftnref36" title=""><sup>35</sup></a> But, certainly, poverty    was black.</font></p>     <p><font face="verdana" size="2">In a beautiful essay in which she retrieves the    (small) national bibliography on the nanny theme, Rita Laura Segato begins pointing    out to the discussions, on the context of the Abolition debate, a propos the    evils of "contamination and moral corruption that the black presence was introducing    in the intimacy of the masters' homes". <a href="#_ftn37" name="_ftnref37" title=""><sup>36</sup></a> What means that the female black women were present,    first as wet-nurses, then as nannies (<i>amas-secas</i>) that did not give their    milk to the children. <a href="#_ftn38" name="_ftnref38" title=""><sup>37</sup></a> Showing that the prevalence    of women in domestic work is the continuation of a long tradition analyzed by    Tilly and Scott in their study about the industrial revolution, and by Graham    for 19<sup>th</sup> Century Brazil, Segato mentions the official statistics    of 2006: 94.3% of domestic workers are women and 61.8% of them are black, or    <i>pardas.</i> She also mentions that, in her researches on Afro-Brazilian religions,    she found that <i>Iemanjá</i> was the "legitimate mother" of the <i>orixás </i>–    the biological and juridical mother – and that <i>Oxum</i> was their "surrogate    mother". <i>Iemanjá</i> was the equivalent of the English mother, registered    in the literature already cited: the "cold mother, distant and indifferent".    The author did not develop the discussion on the attributes of <i>Oxum</i>,    but uses some iconographic material – as of the picture of D. Pedro II with    his black nanny, attributed to Debret – to show the importance of the "black    mother" in the national scene. She also uses another interesting analysis that    shows the transformation that the photographic images of children and their    nannies suffered from 1862 trough 1885. </font></p>     <blockquote>       <p><font face="verdana" size="2">"Until the 1880s, the photographs captured      children in compositions that were in vogue in the international scene at      the time; but, in Brazil, the typical European scene of a mother with child      near her face was substituted by the black nanny in place of the mother."      But, around the 1880s the compositions shows the progressive intention of      effacing the figure of the black nanny that, nevertheless, continues to sustain      the baby on her lap so that he could be photographed, and " the black nannies      became a trail in the pictures: a hand, a pulse, until they disappeared altogether      from the images"; "at first shown with pride, her full face present, than      held back from the images, not focused and not shown, till they are entirely      banned from the national scene." <a href="#_ftn39" name="_ftnref39" title=""><sup>38</sup></a> </font></p> </blockquote>     <p><font face="verdana" size="2">Disappointing her readers for not treating the    question posed in the title of her essay – <i>Brazilian Oedipus: the double    negation of gender and race</i> – the author did not deal explicitly with the    question posed by Jim Swan: how is it that a child denies its first experience    with the nanny and transfers it to the mother. But she gives some insights about    the answer. Maybe the child does not deny it, but is ambivalent about it, as    the notion proposed by Mary Douglas suggests –abjection also means ambivalence.</font></p>     <p><font face="verdana" size="2">Gilberto Freyre's proposal is well known; when    he analyzed relations between the masters and the slaves, he said, often enough,    that it was in the intimate society with the black mothers that the attraction    of white men to black women was developed:</font></p>     <blockquote>       <p><font face="verdana" size="2"> "From the slave or <i>ayah</i> who cradled      us. Who gave us milk. Who gave us food, using her hand to amalgamate the nourishment      she gave to us. From the old black woman who told us the first animals and      ghost stories. From the first <i>mulata</i> who freed us from a worm in the      foot. From that one that initiated us in physical love and gave us, in a creak      bed, the first sensation of being a complete man". (1984:283; my translation.)</font></p> </blockquote>     <p><font face="verdana" size="2"> Sociological romanticisms aside, Freyre, as    Graham, makes a convincing portrait of the 'intrusion' of the women 'of color'    in the intimate life of the white (or not so white) Brazilian family, one that    resulted, it seems, also in an intimate society between whites and black (females)    in our country – even if the vice-versa was almost never the case.</font></p>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="2">It seems that this attraction has been congealed    in the Brazilian myth of the <i>mulata,</i> but if this myth could only be created    by the negation of the black woman (Corrêa, 1996) and if the 'black mother'    gives place to the <i>mulata</i> in the Brazilian imaginary, does it suggests    an ambivalence between the white and the black mothers?</font></p>     <p><font face="verdana" size="2">What is denied and incorporated in this affective    conviviality in childhood is still to be analyzed. But, observing any Brazilian    middle-class neighborhood today it is possible to notice that the conviviality    of white children with black nannies is not only a historical relationship,    but it is firmly grounded to this day among us. Maybe we could advance in our    questioning about what is denied and what is incorporated in these childhood    experiences using McClintock's suggestion about the duplicity present in the    Victorian household – but, maybe, no longer thinking about the distinction between    the good-mother and the bad- mother (the saint and the whore), but in the ambiguity    that the figure of the wet nurse/nanny/maid incorporated in nineteenth centuryBrazilian    society and incorporates till this day.</font></p>     <p><font face="verdana" size="2">In an important research about the pictures of    Blacks in Brazil, Sandra Koutsoukos (2006) dedicates a whole chapter to the    wet-nurses, not only making a good analysis about a series of pictures of black    women with white children in their laps, but also describing the social perception    about these women, either by medical doctors or by literary fiction, or about    the relationships they maintained with the families they served. It is very    clear that the wet-nurse expressed, <i>in the same person</i>, the duplicity    which has been appointed in the literature between the mother and the nanny.    She is the explicit figure of dubiousness – she could take to the homes she    worked for all evils that maybe she carried, or all the goodness and care expected    from someone who gives her milk to a child not her own. Either attacked on the    medical literary works or lovely remembered by families, the wet-nurse embodied    an ambiguous figure that could be good and bad <i>at the same time</i>. <a href="#_ftn40" name="_ftnref40" title=""><sup>39</sup></a></font></p>     <p><font face="verdana" size="2">This ambiguity would only be solved by the firm    defense, on the part of medical doctors, of mothers breastfeeding their babies,    and the subsequent attack on "mercenary nurses" – black and white, that came    with the massive immigration - when this ambiguity would be resolved in the    duplicated figure good mother/bad nurse. But, with the persistency of the use    of poor and dark women as nannies, this ambiguity returns. <a href="#_ftn41" name="_ftnref41" title=""><sup>40</sup></a> And it will also be    relocated in other terms, exposing the anxieties of the families about this    figure – that, when seen in a benign light, 'is as if part of the family', but,    in a malignant light, it is someone who brings the evils of the world to inside    the home. </font></p>     <p><font face="verdana" size="2"> In a recent discussion, in a workshop on Human    Rights Committee in the Brazilian Senate, a Father Claudio Antonio Delfino,    expresses his anguish about lesbian nannies:</font></p>     <blockquote>       <p><font face="verdana" size="2">"For instance, I have a niece of one year and      two months. Imagine that we put someone as a nanny of this baby and discover      that she was a homosexual and ill-treated the child, which is defenseless.      The question is: after discovering this I would have, or have not, the right      to dispensing this person, because she was treating the child in a manner      the family considered improper?" <a href="#_ftn42" name="_ftnref42" title=""><sup>41</sup></a>      </font></p> </blockquote>     <p><font face="verdana" size="2">More than a century after have being supposedly    abandoned, the seduction theory continues to be evoked to name the dangers (or    phantoms) that haunts the families –forgetting, or negating, the inside dangers    that were put in scene by various analysts, for a long time. This is the scene    in question in this debate: the threats to children come from the inside or    from the outside of the family? <a href="#_ftn43" name="_ftnref43" title=""><sup>42</sup></a> In the debate on the    seduction of children, the first answer seems to point to an internal menace,    which is reinforced by the contemporary bibliography on sexual abuse and incest.    <a href="#_ftn44" name="_ftnref44" title=""><sup>43</sup></a> A second answer points    to outside dangers – signalized by aggressions on class, ethnic, race or religious    bases – which, entering by the back doors, as if it where, menace the supposed    peaceof families. Or, as Gallop asked, is the family open or closed to the world?</font></p>     <p><font face="verdana" size="2">Maybe to think about how nannies, from all parts    of the world, particularly those who come from poor countries to rich countries,    or from poorer parts to the richer parts of poor countries, have been important    as second mothers of children around the world, could help us to think about    how the intersection of the <i>socially</i> subordinated categories (of which    nannies always are a part, either as part of ethnic migrant groups, or of subaltern    groups, girls or women recruited to take care of children and who were recruited    because of their race, class or age position) and the <i>age</i> of the categories    subordinated to them -the children whom they take care of –maybe it could lead    us to reflect about the relevance of the infant life for our adult life.</font></p>     <p><font face="verdana" size="2"> </font></p>     ]]></body>
<body><![CDATA[<p><font face="verdana" size="3"><b>The pest</b></font></p>     <p><font face="verdana" size="2">I read somewhere that, when entering New York,    in his first trip to America, Freud commented to Jung: "They do not know that    we are bringing them the pest". The pest, as a metaphor of something brought    from the exterior to the interior, certainly continues to spray itself until    this day, in the realm of Freudian history: there is always a letter, an interview,    or a document never seen before that shows that things were not really as it    was thought they were, that what was shown was not <i>all</i> that was to be    shown, or that what was shown did not corresponded to the analysis made. That    is, the fantasies about this history are part of an interminable analysis or    an analysis without end. <a href="#_ftn45" name="_ftnref45" title=""><sup>44</sup></a></font></p>     <p><font face="verdana" size="2"> It seems that the same occurs with the nannies/    maids/nurses – all the discussion we have accompanied shows a certain unanimity    in the analysis: they are an external danger (from outside to inside, from the    street to the home, from the public to the private) that put at risk the existing    familial relationships. The nannies/maids, as keepers of an old history, acknowledged    by the few, bring to the interior of the household a pest that, finally, expresses    itself in some manner. The recent [2007] news of a spanking without reason of    a domestic servant – and other poor women – in Rio de Janeiro, in a bus stop,    by middle-class youngsters seems to point to a greater problem than the one    expressed in the newspapers <i>fait-divers, </i>or in the indignant letters    of readers or editorials of the newspapers: a structural intersection between    the classes in this country, historically present for many years, and which    refers, maybe, to the question of the young people trying to live out in the    streets the abjection they incorporated at home. <i>Abjection</i> being a notion    that expresses incorporation and expulsion- brings inside and puts out. Maybe    us, as feminists, should think more about it.</font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="verdana" size="3"><b>References</b><a href="#_ftn46" name="_ftnref46" title=""><sup><font size="2">45</font></sup></a></font></p>     <!-- ref --><p><font size="2" face="Verdana">AHBEL-RAPPE, Karin. “I no longer believe”: did    Freud abandon the seduction theory? <i>Journal of the American Psychoanalytic    Association</i>, 54/1, 2006.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">ANDREAS-SALOMÉ, Lou/FREUD, Anna. <i>À l'ombre    du pére</i>. <i>Correspondance , 1919-1937</i>. Paris, Hachette, 2006.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">ANZIEU, Didier. <i>A auto-análise de Freud e    a descoberta da psicanálise</i>. Porto Alegre, Artes Médicas, 1989.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">AZERÊDO, Sandra. Relações entre empregadas e    patroas: a interelação do racismo e sexismo. <i>Psicologia e Sociedade</i> 3(4),    1988.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">BERTHELSEN, Detlef. <i>Dia a dia com a família    Freud</i>. <i>Depoimentos da governanta Paula Fichtl</i>. Rio de Janeiro, Civilização    Brasileira, 1996.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">BORCH-JACOBSEN, Mikkel e SHAMDASANI, Sonu. <i>Le    dossier Freud</i>. <i>Enquête sur l’histoire de la psychanalyse</i>. Paris,    Les empêcheurs de penser rond, 2006.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">BRANDON, Ruth. <i>The new women and the old men</i>.    <i>Love, sex and the woman question</i>. N.Y./London, W.W. Norton &amp; Co.,    1990.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">CLÉMENT, Catherine e CIXOUS, Hélène.<i> La jeune    née</i>. Paris, Union Généraled’Éditions, 1975.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">CORRÊA, Mariza. III Relatório ao Projeto Temático    “Gênero, corporalidades”, Fapesp, 2007.      </font></p>     <!-- ref --><p><font size="2" face="Verdana">_________. O sexo da dominação. <i>Novos Estudos    Cebrap </i>(54), 1999.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">_________. Sobre a invenção da mulata. <i>cadernos    pagu </i>(6/7), Núcleo de Estudos de Gênero – Pagu/Unicamp, 1996.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">CREED, Bárbara. “Little Hans” reconsidered: or    “the tale of mother’s terrifying widdler”. In: <i>The monstrous-feminine</i>.    <i>Film, feminism, psychoanalysis</i>. Londres/N.Y., Routledge, 1993.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">DA MATTA, Roberto. <i>Carnavais, malandros e    heróis: para uma sociologia do dilema brasileiro</i>. Rio de Janeiro, Zahar,    1981.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">DE SALVO, Louise.<i> Virginia Woolf</i>. <i>The    impact of childhood sexual abuse on her life and work</i>. Boston, Beacon Press,    1989.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">EHRENREICH, Barbara e Arlie R.HOCHSCHILD. (eds.)    <i>Global woman</i>. <i>Nannies, maids, and sex workers in the new economy</i>.    N.Y., Henry Holt and Company, 2004.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">FREUD, Anna. <i>O ego e os mecanismos de defesa</i>.    Rio de Janeiro, Editora Civilização Brasileira, 1983.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">FREUD, S. Analysis of a phobia in a five-year-old    boy (1909), <i>SE</i> vol. X.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">________. Minhas teses sobre o papel da sexualidade    na etiologia das neuroses (1906), <i>SE</i> vol.VII.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">________. Fragment of an analysis of a case of    hysteria (1905).<i> The Standard Edition of the Complete Psychological Works    of Sigmund Freud.</i> London, The Hogarth Press, vol. VII.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">________. Três ensaios sobre a teoria da sexualidade(1905),    <i>SE</i> vol.VII.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">________. <i>Psychopathologia da vida cotidiana</i>.    Rio de Janeiro, Editora Guanabara, sdp.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">FREUD, S. e BREUER, J. <i>Studies on hysteria</i>.    London, Penguin Books, 1974.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">FREYRE, Gilberto. <i>Casa-grande &amp; senzala</i>.    <i>Formação da família brasileira sob o regime da economia patriarcal</i>. Rio    de Janeiro, José Olympio editora, 1984 &#91;1933&#93;    . </font></p>     <!-- ref --><p><font size="2" face="Verdana">GALLOP, Jane. Keys to Dora, em <i>The daughter’s    seduction</i>. <i>Feminism and Psychoanalysis</i>. Ithaca, N.Y., Cornell University    Press, 1992 &#91;1982&#93;    . </font></p>     <!-- ref --><p><font size="2" face="Verdana">GILMAN, Sander. <i>The case of Sigmund Freud</i>.    <i>Medicine and identity at the fin de siècle</i>. Baltimore, London, The Johns    Hopkins University Press, 1993.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">GINZBURG, Carlo. Freud, o homem dos lobos e os    lobisomens. In: <i>Mitos, emblemas, sinais</i>. <i>Morfologia e história</i>.    São Paulo, Companhia das Letras, 1989.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">GOODY, Jack. On nannas and nannies. In: <i>Comparative    studies in kinship</i>. London, Routledge, 1969.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">GRAHAM, Sandra. <i>Proteção e obediência</i>.    <i>Criadas e seus patrões no Rio de Janeiro – 1860-1910</i>. São Paulo, Companhia    das Letras, 1992.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">HACKING, Ian. Kind-making: the case of child    abuse. In: <i>The social construction of what?.</i> Cambridge, Massachusetts,    Harvard University Press, 1999.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">KOFES, Suely. <i>Mulher, mulheres</i>. <i>Identidade,    diferença e desigualdade nas relações entre patroas e empregadas domésticas</i>.    Campinas, Editora da Unicamp, 2001.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">KOUTSOUKOS, Sandra Sofia Machado. No estúdio    do fotógrafo. Representação e auto-representação de negros livres, forros e    escravos no Brasil da segunda metade do século XIX. Tese de Doutorado, Instituto    de Artes, Unicamp, 2006.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">LESSING, Doris. Afterword to <i>The history of    an African farm</i> by Olive Schreiner. In: <i>A small personal voice</i>. <i>Essays,    reviews, interviews</i>. N.Y., Alfred A. Knoft, 1973.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">MASSON, Jeffrey M. <i>Atentado à verdade</i>.    <i>A supressão da teoria da sedução por Freud</i>. Rio de Janeiro, Livraria    José Olympio Editora, 1984.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">________. (ed.) <i>A correspondência completa    de Sigmund Freud para Wilhelm Fliess, 1887-1904</i>. Rio de Janeiro, Imago,    1986.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">MCCLINTOCK, Anne. <i>Imperial leather: race,    gender and sexuality in the colonial contest</i>. N.Y./London, Routledge, 1995.        </font></p>     <!-- ref --><p><font size="2" face="Verdana">________. Couro imperial. Raça, travestismo e    o culto da domesticidade. <i>cadernos pagu</i> (20), Núcleo de Estudos de Gênero    – Pagu/Unicamp, 2003.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">MCLEER, Anne. Practical perfection? The nanny    negotiates gender, class, and family contradictions in 1960s popular culture.    <i>NWSA Journal</i>, 14 (2), 2002.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">MEYER, Catherine. (org.) <i>Le livre noir de    la psychanalyse</i>. Paris, les arènes, 2005.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">PORTER, Cathy. <i>Alexandra Kollontai</i>. <i>A    biography</i>. London, Virago, 1980.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">ROUDINESCO, Elisabeth. <i>História da Psicanálise    na França</i>. <i>A batalha dos cem anos</i>. Volume 1: 1885-1939. Rio de Janeiro,    Jorge Zahar, 1989.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">SCHREINER, Olive. <i>Letters</i>. Vol.1. Ed.    Richard River. Cambridge, Oxford University Press, 1988.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">SEARS, David O. <i>et alii.</i> (eds.) <i>Racialized    politics</i>. <i>The debate about racism in America</i>. Chicago/London, The    University of Chicago Press, 2000.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">SEGATO, Rita Laura. <i>O Édipo brasileiro: a    dupla negação de gênero e raça</i>. Série Antropologia (400), Departamento de    Antropologia, Universidade de Brasília, 2006.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">SIMÕES, Julio de Assis. III Relatório ao Projeto    Temático “Gênero, corporalidades”, Fapesp, 2007.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">SWAN, Jim. <i>Mater </i>and Nannie: Freud’s two    mothers and the discovery of the Oedipus Complex<i>. American Imago </i>31 (1),    Spring, 1974.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">TILLY, Louise e SCOTT, Joan. <i>Women, work &amp;    family</i>. N.Y., Holt, Rinehart and Winston, 1978.     </font></p>     <!-- ref --><p><font size="2" face="Verdana">VIEIRA, Yara Frateschi. <i>Sob o ramo da bétula</i>.    <i>Fernando Pessoa e o erotismo vitoriano</i>. Campinas, Editora da Unicamp,    1989.     </font></p>     ]]></body>
<body><![CDATA[<!-- ref --><p><font size="2" face="Verdana">YOUNG-BRUEHL, Elisabeth. <i>Anna Freud</i>. <i>Uma    biografia</i>. Rio de Janeiro, Imago, 1992.     </font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="verdana" size="2"><a href="#_ftnref1" name="_ftn1" title="">*</a> Published in <i>cadernos pagu</i>    n.29, Campinas, jul./dez. 2007. Translated by Mariza Corrêa.    <br>   Many thanks to Adriana Piscitelli, Claudia    Fonseca, Claudia Lemos, Heloisa Pontes, Henrique D.Dentzien, Iara Beleli, Julio    Assis Simões, Lilia Schwarcz, Sandra Koutsoukos and Camilo Braz, for reading    preliminary versions of this paper and for suggestions and commentaries. Thanks    also to my students of a 2007 course, with whom I could discuss these ideas.    <br>   <a href="#_ftnref2" name="_ftn2" title="">1</a> <i>Mary Poppins</i>, produced by    Disney and directed by Robert Stevenson, a picture of 1964, and <i>The sound of music</i>, directed by Robert Wise, launched in 1965. Both scripts originated    from texts written by women- <i>Mary Poppins</i> was a successful series published    in between 1934 e 1988, by the Australian author Pamela Lyndon Travers (or P.    L. Travers, like Harry Potter's J.K. Rowling), and <i>The sound of music</i>    from an autobiography of the nanny, Maria von Trapp. See Anne McLeer (2002)    for an analysis about this film as an expression of the apprehensions about    the feminist movement in the sixties in the United States. As I am writing,    there are also some TV series with nannies as central characters, besides an    " evil nanny" in the series for children <i>The Fairly OddParents</i>.    <br>   <a href="#_ftnref3" name="_ftn3" title="">2</a> On the chastisements imposed to some    English authors by their nannies, see Yara Frateschi Vieira (1989) and Anne    McClintock (1995). This late also refers important people, as Winston Churchill,    who had a profound affection for his nanny. One of Freud's first patients was    an English nanny and the analysis of another nanny was used by Anna Freud to    describe the 'altruistic surrender', a type of projection (1983, cap. X).    <br>   <a href="#_ftnref4" name="_ftn4" title="">3</a> Here, I am calling nannies the ones    that in the literature about the 19th century are called nannies or nurses.    Strictly, the <i>nanny </i>would be the person to take care of the child in    infancy, while the <i>nurse </i>would take care of the children when some of    them began learning something at home, especially girls (the boys went to school).    But in reality, and in fiction, both overlapped . For a good description of    their attributions, and their destiny when they got old, see Virginia Woolf,    <i>The Years</i>. Her sister, Vanessa Bell, captured scenes of nannies and children    in the nursery in her paintings. About the familiar context of Virginia Woolf    's childhood see the research of Louise De Salvo (1989) – in her case, the seducer    was her half-brother and not the nanny.    <br>   <a href="#_ftnref5" name="_ftn5" title="">4</a> Here I am not thinking about the    psychological introjection of the good object/ the bad object as proposed by    Melanie Klein, as one of my readers understood, but in the sociological relation    between nannies/maids and the ones that they took care of in infancy or in childhood    - as Freud himself used the family data of poet Heinrich Heine to understand    his situation in his essay on jokes.    ]]></body>
<body><![CDATA[<br>   <a href="#_ftnref6" name="_ftn6" title="">5</a> See Catherine Meyer, ed., 2005. The    less interesting in these wars is the intent to demoralize Freud – after all,    who is interested if he did or did not sleep with his sister in- law? The most    interesting things are the conflicts of interpretations of his era.    <br>   <a href="#_ftnref7" name="_ftn7" title="">6</a> Freud, <i>The Aetiology of Hysteria</i>    , SE, III, also reproduced as an appendix to Jeffrey M.Masson' book <i>The Assault    on Thruth</i> . Some of these cases must be the ones transcribed in the    <i>Studies on Hysteria</i>, by Freud and Breuer, originally published in 1895    - among them, the one about the English nurse, Miss Lucy R., and about Katharina    – whose seducer, presented in the original edition as her uncle, was, in fact,    her father, according to a note by Freud in 1924. Miss Lucy's analysis is also    an interesting portrait of the life of Viennese nannies.     <br>   <a href="#_ftnref8" name="_ftn8" title="">7</a> Letter to Fliess , September, 21,    1897. In December he was still doubtful when registering a fragment of a case    and added a new motto: " What has been done to you, poor child?", in a citation    of Goethe. See also the letters of 1898 and of 1899, in which this doubt is    equally shown.    <br>   <a href="#_ftnref9" name="_ftn9" title="">8</a> The change from the seduction trauma    to the seduction fantasy is a controversial one in the analytical literature,    but see Freud's essays from 1905 and 1906. And also the revision of Ahbel-Rappe    (2006).    <br>   <a href="#_ftnref10" name="_ftn10" title="">9</a> Didier Anzieu (1989) mentions the    name most frequently evoked in the Freudian literature, the one of Monika Zajic,    but also mentions the possibility of Resi Wittek or Magdalena Kabet as Freud's    nanny. Sander Gilman (1993) choose Teresa "Resi" Wittek . Jones (1974) mentions    the hostile relations between Czechs and Jews in that region, at the time, including    Czech mobilizations against Jews.     <br>   <a href="#_ftnref11" name="_ftn11" title="">10</a> Letter to Fliess, October, 4 ,    1897. This letter, which began in October, 3, seems to have signaled Freud's    abandon of the idea of a seduction made by someone of the family: he explicitly    excludes his father from any responsibility: "the old men plays no active part    in my case, but that no doubt I drew an inference from myself into him."     <br>   <a href="#_ftnref12" name="_ftn12" title="">11</a> For a detailed analysis of this    dream , and the mention of other analysts that pointed to the possibility of    a baptism of Freud by his nanny, and that the water Freud mentions could be    a baptismal water, see Didier Anzieu. Anzieu also asks if, maybe, the fact of    Freud having had two mothers could be the reason of his interest about some    historical figures that also had two mothers: Oedipus, Moses, Leonard. Anzieu:    143, 145. Sander Gilman (1993) talks about the fear, current among Viennese    Jews, and of fantasies associated to it, of baptism of Jew children by catholic    nannies.    <br>   <a href="#_ftnref13" name="_ftn13" title="">12</a> See, for instance, Freud-Fliess,    letters of December, 17, 1896; January, 3, 1897; January, 12, 1897 and May,    2,1897, for scenes of nannies seducers or seduced, In May, 2, 1897, Freud talked    about the "sublimation of these young girls in fantasies" and about "some <i>highly    improbable accusations against other persons</i> , contained in the fantasies",    concluding that "There is <i>a tragic justice</i> in the fact that the    abasement suffered by the chief of the family before a maid servant is expiated    through the degradation of his daughter." (Emphasis added.)    <br>   </font><font face="verdana" size="2"><a href="#_ftnref14" name="_ftn14" title="">13</a> "I can only indicate that [...],in    my case the 'prime originator' was an ugly, elderly, but very clever woman,    who told me a great deal about God Almighty and who instilled in me a high opinion    of my own capacities; that latter (between two and a half years) my libido toward    <i>matrem</i> was awakened, namely on the occasion of a journey with her from    Leipzig to Vienna, during which we must have spent the night together and there    must have been an opportunity of seeing her <i>nudam</i>. [...]." Didier Anzieu    says that this journey must have taken place when Freud was four years old.    (1989:432)    <br>   </font><font face="verdana" size="2"><a href="#_ftnref15" name="_ftn15" title="">14</a> Hans case is in the <i>Standard    Edition,</i> vol. X. For a feminist critique that attributes Hans phobias to    his fear of his mother – that spanked his small sister and menaced him with    castration - see Barbara Creed (1993); Doras's case is in the SE, vol.VII.The    accounting of the choice of Dora's name for this patient is in <i>Psychopathology    of Everiday Life</i>; the observation of Freud about the maids in the epigraph    of this text also comes from there – he used the name of the nanny of his sister,    a name attributed to her, since originally she had the same name as his sister,    her mistress. The Woolf-Man case (<i>SE</i>, XVII ) is also analyzed by Ginzburg    (1989), who observed that in this essay, published on 1918, the seduction theory,    supposedly laid aside in 1897, re-emerged in Freud's textual scene. The Woolf-man    also had a religious and amorous nanny, besides an intractable English nurse    – and, even if his seductress had been officially registered as his sister,    there is at least one mention of his seduction by the nanny (Ahbel-Rappe, 2006:182).    About Anna Freud, see Elisabeth Young-Bruehl's biography (1992). About Anna    it was also said that she had had two mothers: her mother, Martha, and Aunt    Minna, sister of Martha who lived with the Freud family. According to Young-Bruehl,    Freud talked with Lou Andréas-Salomé about the daughter they shared, since it    seems that she succeeded Freud in the analysis of Anna. Also in Lou Andreas-Salomé-    Anna Freud, 2006. This excess of mothers that Anna had should be analyzed more    carefully, since she became an expert in child analysis. See, in that context,    M. J. Burlingham, 2002. It is worth mentioning that Anna, beginning in the twenties,    and after the operations of Freud, became his <i>nurse</i> – occupying Marthas's    place – until his death, in 1939, becoming also the guardian angel of the psychoanalytical    heritage of the family. Anzieu remarks that nanny in Czeck is Nana (1989:143).    See also Lou Andréas-Salomé/Anna Freud, 2006 about the wet nurse of Mathilda    and her family.    ]]></body>
<body><![CDATA[<br>   </font><font face="verdana" size="2"><a href="#_ftnref16" name="_ftn16" title="">15</a> The formulation is D. Anzieu's:    " I am trying to dissociate myself from two very prolific tendencies in the    last years, one that accuses Freud for abandoning the seduction theory, the    other one of having abandoned himself to the seductions of theory" (1989:14)    [My translation.].    <br>   </font><font face="verdana" size="2"><a href="#_ftnref17" name="_ftn17" title="">16</a> Jim Swan, 1974. I owe thanks to    Swan for sending me a copy of his article, not available in the digitalized    version of the journal.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref18" name="_ftn18" title="">17</a> The names seem to be applied to    both – maids took care of the house <i>and </i>of children. For analysis of    the social relevance of domestic service in France and England – generally done    by single young girls coming from the countryside , see the classic from Louise    Tilly and Joan Scott (1978). Both show that the advance of industrialization    did not take women off domestic service: in England, at the end of XIX century,    40% of the feminine labor force was engaged in this type of service and two    thirds came from a rural origin. Also, two thirds of them were single. 'Maids'    and 'nannies' came from this population. I do not have data for Austria but    the history of the last maid of Freud's family, Paula Fichtl – and her tribulations,    that included an internation in a foreigners camp, in Britain, during Second    World War- as a catholic girl, from rural origin,     <br>   </font><font face="verdana" size="2">who got old in the domestic service, in    the space of 54 years, seems exemplar. See Detlef Berthelsen (1996). Paula ended    her life in an Austrian asylum but was very important in the organization of    the Freud Museum, when the Berggasse, 19 became one: she knew where everything    was years before and helped to put things back in place.    <br>   </font><font face="verdana" size="2">Her history seems very similar to that    of Hannah Cullwick, mentioned bellow: in 1972 a physician said that her health    problems - when she was 70 – were derived from " a neurotic obligation to work".    <br>   </font><font face="verdana" size="2"><a href="#_ftnref19" name="_ftn19" title="">18</a> The sociology of the nannies was    analyzed in a condensed mode by Jack Goody. Searching for the etymology of the    word, Goody remarks that, since the end of the 16 century, maids offered 'services'    in more than one sense, since 'nanny' was also, in the dictionaries of that    time, a synonymous of 'prostitute', so reinforcing the sense of the 'bad nanny'    (1969:242). Goody did not mention the psychoanalytical literature and seems    to have arrived at his conclusions in an independent way from it. He observed,    also, that some dictionaries made the word to derive from the names of Anne,    Anna or Hannah.     <br>   </font><font face="verdana" size="2"><a href="#_ftnref20" name="_ftn20" title="">19</a> Jane Gallop, 1992:144. As Ginzburg,    Gallop also remarks that many years after supposedly having abandonned the 'seduction    theory', Freud mentions it in 1931( <i>Female sexuality</i>, SE, vol.XXI): "    The part played in starting [phallic activity] by nursery hygiene is reflected    in the very common phantasy which makes the mother or nurse into a seducer…    <i>Actual seduction, too, is common enough;</i> it is initiated either by other    children or someone in charge of the child [nursemaid] who wants to soothe it,    or send it to sleep or make it dependent on them." Gallop. id.ibid., interpolations    hers; emphasis added.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref21" name="_ftn21" title="">20</a> In <i>his</i> analysis, Freud    said that Dora did not want to be treated like a nanny or nurse because her    seducer proposed to her using the same terms that he used to seduce the nanny    of his children. (<i>Fragment of a case of hysteria</i>, p.106). So it    is interesting that he choose the name of a nanny for her.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref22" name="_ftn22" title="">21</a> <i>Fragment</i>, p.34. Gallop    expresses it this way: " Dora <i>and </i>Freud have discovered a fragment of    the general structure which thirty years later Claude Lévi-Strauss will call    elementary kinship structures, that is, the exchange of women between men" (p.132,    emphasis added). She repeats the same observation at page 147. On Freud resistance    in identifying himself with feminine positions in his dreams, see also Anzieu    and Swan (<i>passim</i>).    <br>   </font><font face="verdana" size="2"><a href="#_ftnref23" name="_ftn23" title="">22</a> Page 164.    ]]></body>
<body><![CDATA[<br>   </font><font face="verdana" size="2"><a href="#_ftnref24" name="_ftn24" title="">23</a> It is not the case to repeat the    coincidences of the names that reappears in the Freudian family romance, or    in the universe of patients and analysts- that also appears here – but it is    worth mentioning that in one of his drawings Munby identifies himself with the    delicate female figure of Victorian women, in front of a gross, and darkened,    masculine figure of a woman worker, evoking Pierre Bourdieu's analysis about    the 'feminization' of men from the dominant classes, not analogous to a 'masculinization'    of women from the working classes. On Bourdieu and the ' masculine domination',    see M.Corrêa, 1999.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref25" name="_ftn25" title="">24</a> McClintock (1995), chap. 7.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref26" name="_ftn26" title="">25</a> Olive Schreiner (1855-1920), self-taught,    and who also had the experience of working as a governess, was the daughter    of a couple of missionaries – a German father and a British mother – who went    to South Africa to work and that had to endure a situation of extreme poverty    . Her mother spanked her cruelly and frequently – which is maybe the origin    of her fight, later, against the laws of spanking the Blacks of her country.    Since a small child, she used to escape to a world of fantasy, day-dreaming    like Anna O. and Anna Freud were said of doing. Her first novel, <i>The story    of an African farm</i>, published in 1883, first under a masculine alias, earned    her an instant celebrity in Victorian England, and many leading intellectuals,    among them Edward Carpenter, Havelock Ellis and Eleanor Marx, became her friends.    For sensible portraits of her, as a feminist and activist, and of her works,    see Doris Lessing (1973), Ruth Brandon (1990) and, specially, her own letters    (1988). McClintock misread many factual points of her biography and also when    she says that her attitudes towards prostitution were a projection of her own    vulnerable position and that she did not have a real acquaintance with the lives    of prostitutes - see Brandon, cit.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref27" name="_ftn27" title="">26</a> <i>Race politics</i>, instead    of <i>color</i>, could have helped to understand the complex articulation between    ethnicity , nationality, gender ( in the case of Schreiner, the complicated    relationship between a German weak father, an aggressive English mother, and    the nationality, not yet developed, of being a South-African), and religion    – in the case of the natives, as well as in the case of the colonial agents.    Not to speak of the mestizos of black and white.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref28" name="_ftn28" title="">27</a> Yet, she was very sensitive to    the political aspects of racism throughout her book – it is only when she turns    to the analysis of Olive Schreiner's fiction on the black <i>ayahs</i> that    she traces that sharp division line – blacks against whites – as an overall    and sovereign notion, forgetting all nuances, as age, for instance, which I    think are very important in the case of maids, both in South Africa and in Brazil.    <br>   </font><font face="verdana" size="2">The recent polemics on the race question    in Brazil, in the academic literature as well as in the media, has emphasized    <i>ad nausean</i> that <i>race</i> does not exist. See, for example, the issue    of <i>Veja </i>magazine of June 6, 2007. <i>Racism</i>, notwithstanding, persists.    See the important work by Sander Gilman(1993) about racism in Germany in Freud's    era and, about the debate in the United States today, also part of the debate    in Brazil, Sears and all (2000).    <br>   </font><font face="verdana" size="2"><a href="#_ftnref29" name="_ftn29" title="">28</a> For Freud and Breuer (1974:58),    <i>Hysterics suffer mainly from reminiscences</i>. (Original emphasis.) Even    if she uses Jim Swan analysis, McClintock did not improve the analogy between    Freud's and Olive's cases, in which both accepted a good mother (one Jew/ the    other British) and rejected a bad nanny ( a catholic, and Czech one/ and an    African one): the Victorian cesure, resulting from the structure of the domestic    household, does not extend itself to the colonies, and does not take in account    the ethnic debates.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref30" name="_ftn30" title="">29</a> As she calls attention to the    "resistance and resentment" of the nannies – and not to the dominance exerted    on the child – McClintock therefore seems to be oblivious that it was exactly    this dominance that, on a reverse mode, was insisted upon by black women on    the feminist scene, that made Schreiner discover early on the myth of a "universal    feminist solidarity" (p.267).    <br>   </font><font face="verdana" size="2"><a href="#_ftnref31" name="_ftn31" title="">30</a> It seems curious, as she was also    a champion against anti-semitism in her country, that Olive appeared to her    husband, after a long separation, in the year of her death, as a "small and    dark Jewess". Brandon (1990:91)    <br>   </font><font face="verdana" size="2"><a href="#_ftnref32" name="_ftn32" title="">31</a> See Doris Lessing's essay.    ]]></body>
<body><![CDATA[<br>   </font><font face="verdana" size="2"><a href="#_ftnref33" name="_ftn33" title="">32</a> [My translation.] In another essay    I developed a discussion on this theme (Corrêa, 2007). And, even if it seems    that Roudinesco is aghast against Jung, in order to contrast him with Freud,    she points to a politically relevant consequence of the idea of " different    people/ different cultural logics", for a long time present in Anthropological    debates - implicit here in the analysis of metropolis and colonies.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref34" name="_ftn34" title="">33</a> Ricordanza della mia gioventu,    in <i>Eu </i>(1912), cited by Koutsoukos (2006).[ My translation.] The photograph    of the poet, ten years old, complete with boots and a little leather whip in    his hands (maybe it was a photographic convention of the time?), evokes the    one of Munby used by McClintock in her book – but here, the signs are reversed:    the elite of property landed owners was in decline and the poetry of Augusto    dos Anjos was an expression, individual and familiar, of this decline, and not    of an 'imperial power'. It seems that the poet fell in love with a subaltern    young woman whom is said to have been killed by orders of his mother and that    she had left a permanent imprint in his poetry. See <a href="http://www.vidaslusofonas.pt/augusto_dos_anjos.htm" target="_blank">www.vidaslusofonas.pt/augusto_dos_anjos.htm    <br>   </a></font><font face="verdana" size="2"><a href="#_ftnref35" name="_ftn35" title="">34</a> Gilberto Freyre also remembered    some historical characters who mentioned their black nannies, as Silvio Romero    and Joaquim Nabuco. About Nabuco, he mentions a letter of a friend of his father    who had to accompany him to the Court: " The boy is happier now that I told    him that his nanny would be with him" . (1984:354). It would be worthwhile to    compare this remembrances to the ones registered by McClintock about English    literary and political characters, to think about the importance of nannies    in the life of so many public men in the nineteenth century.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref36" name="_ftn36" title="">35</a> Graham's work, published in 1988,    was originally called <i>House and Street </i>and was openly tributary of Roberto    Da Matta's analysis in <i>Carnavais, malandros e heróis [Carnivals, Rogues,    and Heroes].    <br>   </i></font><font face="verdana" size="2"><a href="#_ftnref37" name="_ftn37" title="">36</a> Rita Laura Segato, 2006:5;[my    translation]. The comeback of wet-nurses in the United States – and their introduction    in China- were noticed as a scandal in newspapers and magazines in 2007. See,    for instance, in the magazine <i>Isto é</i>, May, 2, 2007, the discussion about    this comeback in the international scene and the note saying that this practice    is banned in Brazil by The Health Services. About the growing presence of 'imported'    nannies and maids in the United States, coming from poor countries, see Barbara    Ehrenreich e Arlie R. Hochschild, eds., 2004.     <br>   </font><font face="verdana" size="2"><a href="#_ftnref38" name="_ftn38" title="">37</a> Ignoring the South and North American    systems of slavery, McClintock says, in a passage about nannies in Britain :    " <i>Surely no other culture</i> has divided female sexuality so distinctly    along class lines. Working-class women were figured as biologically driven to    lechery and excess; upper-class women were naturally indifferent to the deliriums    of the flesh."(1995:86, emphasis added) This ignorance links itself with an    analysis (like in the case of Olive Schreiner) that excludes slavery from the    debate on the colonial project. In America, women-workers were, before the constitution    of classes, the slaves. See Graham(1992). See also the reactions of the socialist    feminists to an analogous division in Russia, in the question of serfdom in    the biography of Alexandra Kollontai (C. Porter, 1980). Since her book is a    careful deconstruction of the Victorian image of the fragile woman, feminist    socialists, or socialist feminists, are strangely absent from McClintock's analyses    – and particularly in what refers to the links established by Olive Schreiner    with the London socialists.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref39" name="_ftn39" title="">38</a> Segato is here citing from the    important work of Rafaela de Andrade Deiab, A memória afetiva da escravidão;    [my translation]. <i>Revista de História da Biblioteca Nacional</i>,    1 (4), October, 2005.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref40" name="_ftn40" title="">39</a> See, for instance, a criminal    process, refered by Koutsoukos, about a slave wet-nurse that, on knowing that    her deal to care for a child included her liberation at the end of it, began    behaving herself in a different manner than what was expected. This led to a    controversial judicial battle between her lawyers and those of her masters:    a 'darling' at the beginning, she was next persecuted for her 'ingratitude'    (2006:204).    <br>   </font><font face="verdana" size="2"><a href="#_ftnref41" name="_ftn41" title="">40</a> This ambiguity goes well beyond    the color-line: in the case of wet-nurses, they were rejected not only because    they were Black – even if it was implicit in the medical discourses – but also,    maybe mainly, because they were poor, sick, and 'mercenaries'. See Ehrenreich    and Hochschild (2004) for some analyses of similar relationships between White    children in rich countries and their poor , and also darker, nannies. These    contemporary scenes evoke many cases referred by Koutsoukos for Brazil. As it    happened with the domestic labor of poor or slave women that made possible the    existence of an 'iddle' elite in the past, today this invisible work from 'Third    World' women make possible that their sisters from the 'First World' engage    themselves in professional work outside the home. About the relationships between    mistresses and maids in the Brazilian contemporary scene, see Azeredo (1988)    and Kofes (2001).    <br>   </font><font face="verdana" size="2"><a href="#_ftnref42" name="_ftn42" title="">41</a> [My translation.] The workshop    was convened to debate the Law Project 122/2006, that proposes to define "crimes    resulting from gender, sex, sexual orientation and gender identity discrimination    or prejudices" One of these crimes is the dispense of an employee by the employer.    Father Delfino is responsible for the Episcopal Comission for Life and the Family    for the National Council of Brazilian Bishops (CNBB). See Simões, 2007, who    referred this meeting to me, for the context of the debate as a whole.    ]]></body>
<body><![CDATA[<br>   </font><font face="verdana" size="2"><a href="#_ftnref43" name="_ftn43" title="">42</a> I am not sure if <i>O encontro    marcado </i>[<i>A Time to Meet</i>], a 1956 novel by Fernando Sabino, was one    of the first urban novels to put in scene the importance of the maid's room    for male adolescents' sexual initiation, but surely his observations made visible    certain familiar habits of middle-class youngsters. These familiar habits are    still being represented in the Brazilian soap-operas till now. An analysis of    Brazilian middle-class architecture, focusing on the maid's room would, certainly    be an useful tool for feminist discussions.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref44" name="_ftn44" title="">43</a> But see Ian Hacking (1999) thoughts    about the social construction of the idea of child abuse as an exacerbation    of contemporary sensibility that also imposes a restriction on adults to helping    children in public places.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref45" name="_ftn45" title="">44</a> See Mikkel Borch-Jacobsen and    Sonu Shamdasani, 2006.    <br>   </font><font face="verdana" size="2"><a href="#_ftnref46" name="_ftn46" title="">45</a> When published, I refer the titles    in English of books consulted in Portuguese; if not otherwise noted, though,    the citations are from the original in English. </font></p>      ]]></body><back>
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