<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0104-4478</journal-id>
<journal-title><![CDATA[Revista de Sociologia e Política]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Sociol. Polit.]]></abbrev-journal-title>
<issn>0104-4478</issn>
<publisher>
<publisher-name><![CDATA[Universidade Federal do Paraná]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0104-44782006000100003</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Media and democracy: false convergences]]></article-title>
<article-title xml:lang="pt"><![CDATA[Mídia e democracia: falsas confluências]]></article-title>
<article-title xml:lang="fr"><![CDATA[Medias et democracie: fausses confluences]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Fonseca]]></surname>
<given-names><![CDATA[Francisco C. P.]]></given-names>
</name>
<xref ref-type="aff" rid="A01"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Adelman]]></surname>
<given-names><![CDATA[Meryl]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,Fundação Getúlio Vargas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2006</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2006</year>
</pub-date>
<volume>1</volume>
<numero>se</numero>
<fpage>0</fpage>
<lpage>0</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_arttext&amp;pid=S0104-44782006000100003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_abstract&amp;pid=S0104-44782006000100003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_pdf&amp;pid=S0104-44782006000100003&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[This article discusses the false convergence between the role of the media in promoting democracy and political theories of democracy. With this purpose in mind, we propose critical reflections on arguments that: 1) naturalize the fact that "the news" is a commodity; b) focus on the (supposedly) public goals of the media, in spite of the reality that their agencies are largely private; c) link these agencies to liberal- democratic values. Thus, the text attempts to show both the absence of and need for shields - personified in the theories of weights and counterbalances - against the powers that be, particularly those of the media. We point to the paradox involved in the media's role as intermediary between public and private spheres and question the degree to which the media permit fulfillment of the idea that those have control should be controlled, particularly in a world in which communication has extended its action to the planetary level. We conclude that democracy can only be made effective if democratic controls over the media are exercised; this means the creation of national and international level public information media that would be neither privately nor state owned and managed.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Este trabalho pretende demonstrar as falsas confluências do papel da mídia em relação à democracia e às teorias políticas acerca da democracia. Para tanto, procura-se refletir criticamente sobre os argumentos: a) que naturalizam o fato de a notícia ser uma mercadoria, b) voltados aos (supostos) fins públicos da mídia, embora seus órgãos sejam em larga medida privados e c) que vinculam esses órgãos aos valores liberal-democráticos. Assim, o texto procura demonstrar ao mesmo tempo a ausência e a necessidade de anteparos - consubstanciados na teoria dos freios e contrapesos - aos poderes constituídos, sobretudo da mídia; apontar o paradoxo da intermediação entre as esferas pública e privada realizada pela mídia e questionar até que ponto a mídia realiza a idéia de que quem controla deve ser controlado, sobretudo em um mundo em que as comunicações ampliaram sua atuação para dimensões planetárias. Conclui-se que a democracia somente poderá efetivar-se caso haja controles democráticos sobretudo sobre a mídia, assim como urge criarem-se, em escalas nacional e internacional, meios públicos de informação: nem privados nem estatais.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Ce travail vise montrer les fausses confluences du rôle des médias par rapport à la démocracie et aux théories politiques concernant la démocracie. A cet effet, nous essayons de réfléchir de façon critique sur les arguments: a) rendant naturel le fait que les informations soient une marchandise, b) tournés vers les (soi-disant) buts publics des médias, bien que leurs organismes soient privés et c) reliant ces organismes aux valeurs libéro-démocratiques. Ainsi, le texte cherche à montrer à la fois l'absence et le besoin de supports - personnifiés dans la théorie des freins et des contrepoids - face aux pouvoirs constitués, surtout les médias& souligner le paradoxe de l'intermédiation entre les secteurs public et privé, effectuée par les médias et vérifier dans quelle mesure les médias contribuent à l'idée que celui qui contrôle doit être contrôlé, surtout dans un monde où les communications ont élargi leur rôle dans des dimensions planétaires. La conclusion est que non seulement la vraie démocracie ne s'établira que si des contrôles démocratiques surtout sur les médias soient mis place, mais encore que des moyens d'informations publics, ni privé ni appartenant à l'état, soient créés d'urgence sur le plan national.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[media]]></kwd>
<kwd lng="en"><![CDATA[democracy]]></kwd>
<kwd lng="en"><![CDATA[democratic theory]]></kwd>
<kwd lng="en"><![CDATA[democratic control]]></kwd>
<kwd lng="pt"><![CDATA[mídia]]></kwd>
<kwd lng="pt"><![CDATA[democracia]]></kwd>
<kwd lng="pt"><![CDATA[teoria da democracia]]></kwd>
<kwd lng="pt"><![CDATA[controles democráticos]]></kwd>
<kwd lng="fr"><![CDATA[médias]]></kwd>
<kwd lng="fr"><![CDATA[démocracie]]></kwd>
<kwd lng="fr"><![CDATA[théorie de la démocracie]]></kwd>
<kwd lng="fr"><![CDATA[contrôles démocratiques]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[ <p><font face="Verdana, Arial, Helvetica, sans-serif" size="4"><b><a name="volta1"></a>Media    and democracy: false convergences<a href="#nota1"><sup>1</sup></a></b></font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif"><b><font size="3">M&iacute;dia    e democracia: falsas conflu&ecirc;ncias</font></b></font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif"><b><font size="3">Medias    et democracie : fausses confluences</font> </b></font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Francisco C.    P. Fonseca</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Fundação Getúlio    Vargas</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Translated by Meryl    Adelman     ]]></body>
<body><![CDATA[<br>   Translation from <a href="http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-44782004000100003&lng=en&nrm=iso&tlng=pt" target="_blank"><b>Revista    de Sociologia e Política</b>, Curitiba, n.22, p.13-24, June 2004.</a></font></p>     <p>&nbsp;</p> <Hr size="1" noshade>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>ABSTRACT</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This article discusses    the false convergence between the role of the media in promoting democracy and    political theories of democracy. With this purpose in mind, we propose critical    reflections on arguments that: 1) naturalize the fact that "the news"    is a commodity; b) focus on the (supposedly) public goals of the media, in spite    of the reality that their agencies are largely private; c) link these agencies    to liberal- democratic values. Thus, the text attempts to show both the absence    of and need for shields – personified in the theories of weights and counterbalances    – against the powers that be, particularly those of the media. We point to the    paradox involved in the media's role as intermediary between public and private    spheres and question the degree to which the media permit fulfillment of the    idea that those have control should be controlled, particularly in a world in    which communication has extended its action to the planetary level. We conclude    that democracy can only be made effective if democratic controls over the media    are exercised; this means the creation of national and international level public    information media that would be neither privately nor state owned and managed.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Keywords:</b>    media; democracy; democratic theory; democratic control. </font></p> <hr size="1" noshade>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>RESUMO </b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Este trabalho pretende    demonstrar as falsas conflu&ecirc;ncias do papel da m&iacute;dia em rela&ccedil;&atilde;o    &agrave; democracia e &agrave;s teorias pol&iacute;ticas acerca da democracia.    Para tanto, procura-se refletir criticamente sobre os argumentos: a) que naturalizam    o fato de a not&iacute;cia ser uma mercadoria, b) voltados aos (supostos) fins    p&uacute;blicos da m&iacute;dia, embora seus &oacute;rg&atilde;os sejam em larga    medida privados e c) que vinculam esses &oacute;rg&atilde;os aos valores liberal-democr&aacute;ticos.    Assim, o texto procura demonstrar ao mesmo tempo a aus&ecirc;ncia e a necessidade    de anteparos – consubstanciados na teoria dos freios e contrapesos – aos poderes    constitu&iacute;dos, sobretudo da m&iacute;dia; apontar o paradoxo da intermedia&ccedil;&atilde;o    entre as esferas p&uacute;blica e privada realizada pela m&iacute;dia e questionar    at&eacute; que ponto a m&iacute;dia realiza a id&eacute;ia de que quem controla    deve ser controlado, sobretudo em um mundo em que as comunica&ccedil;&otilde;es    ampliaram sua atua&ccedil;&atilde;o para dimens&otilde;es planet&aacute;rias.    Conclui-se que a democracia somente poder&aacute; efetivar-se caso haja controles    democr&aacute;ticos sobretudo sobre a m&iacute;dia, assim como urge criarem-se,    em escalas nacional e internacional, meios p&uacute;blicos de informa&ccedil;&atilde;o:    nem privados nem estatais. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Palavras-chave:</b>    m&iacute;dia; democracia; teoria da democracia; controles democr&aacute;ticos.</font>  </p> <hr size="1" noshade>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>R&Eacute;SUM&Eacute;    </b> </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Ce travail vise    montrer les fausses confluences du r&ocirc;le des m&eacute;dias par rapport    &agrave; la d&eacute;mocracie et aux th&eacute;ories politiques concernant la    d&eacute;mocracie. A cet effet, nous essayons de r&eacute;fl&eacute;chir de    fa&ccedil;on critique sur les arguments: a) rendant naturel le fait que les    informations soient une marchandise, b) tourn&eacute;s vers les (soi-disant)    buts publics des m&eacute;dias, bien que leurs organismes soient priv&eacute;s    et c) reliant ces organismes aux valeurs lib&eacute;ro-d&eacute;mocratiques.    Ainsi, le texte cherche &agrave; montrer &agrave; la fois l'absence et le besoin    de supports – personnifi&eacute;s dans la th&eacute;orie des freins et des contrepoids    – face aux pouvoirs constitu&eacute;s, surtout les m&eacute;dias&amp; souligner    le paradoxe de l'interm&eacute;diation entre les secteurs public et priv&eacute;,    effectu&eacute;e par les m&eacute;dias et v&eacute;rifier dans quelle mesure    les m&eacute;dias contribuent &agrave; l'id&eacute;e que celui qui contr&ocirc;le    doit &ecirc;tre contr&ocirc;l&eacute;, surtout dans un monde o&ugrave; les communications    ont &eacute;largi leur r&ocirc;le dans des dimensions plan&eacute;taires. La    conclusion est que non seulement la vraie d&eacute;mocracie ne s'&eacute;tablira    que si des contr&ocirc;les d&eacute;mocratiques surtout sur les m&eacute;dias    soient mis place, mais encore que des moyens d'informations publics, ni priv&eacute;    ni appartenant &agrave; l'&eacute;tat, soient cr&eacute;&eacute;s d'urgence    sur le plan national. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Mots-cles:</b>    m&eacute;dias; d&eacute;mocracie; th&eacute;orie de la d&eacute;mocracie; contr&ocirc;les    d&eacute;mocratiques. </font></p>     <p></p> <hr size="1" noshade>     <p></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>I. INTRODUCTION</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Both the political    theory of democracy and the dynamics of democratic regimes take as a basic premise    that “freedom of expression” is a crucial element of the notion of democracy    –bringing with it both the plurality of opinions and the responsibility taken    for their emission. This paper proposes to reflect on the historical and theoretical    consequences of such an assumption. We have chosen to start from a methodologicalacceptance of the premises – which the media themselves have not hesitated    in asserting–that<i> news are acommodity</i><b>, </b>part and    parcel of the capitalist nature of the vast majority of contemporarysocieties,    and that<i> liberal democracy allows for freedom of expression</i>through    private property over the means of communication. Given the media’s self- definition    as the pillar of liberal democracy, we intend to question the validity of the    connection that is madebetween<i> democracy and media<b>, </b></i>through    the implementation of a theoretical perspective in which controls over all forms    of power must be maintained<i>.</i> </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In order to discuss    these elements, it is fundamental to emphasize that the media work to <i>mediate    between public and private spheres,</i>which implies reference to the    actions of private actors, whether mediating other private interests or (primarily)    public, collective interest. This represents serious ambiguity, since the media    belong to the sphere of private interests, as demonstrated by their entrepreneurial    nature. Furthermore, in light of the fact that, on the one hand, there is a    theoretical and historical consensus that the media are powerful – they form    opinions and images, influence constituted agendas and powers - and that, on    the other hand, all powers must be submitted to some forms of control, the    question must be raised as to what types of democratic controls over the power    of the media actually exist. It must be kept in mind that democratic political    theory was heavily constituted by a republican tradition that asserted the need    for<i>checks and balances,</i>which in turn had a decisive influence    on the constitution of the State of Law and the way in which we think about    modern politics. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">All of these factors    converge in the pressing need for the establishment of democratic controls over    a power that is increasingly uncontrolled – that of the media, which for some    time now has been considered a <i>fourth power</i><b> – </b>and has, furthermore,    become increasingly more complex as a result of the new information technologies    that widen the public sphere (“global society”) while simultaneously increasing    media power by making it transnational.</font></p>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>II. THE ENTREPRENEURIAL    ROLE OF THE MEDIA AND NEWS AS COMMODITY.</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Private media organs    are capitalist enterprises of communication<a name="volta2"></a><a href="#nota2"><sup>2</sup></a>,    which means that making profit is their objective. In the following passage,    Max Weber explains why the relationship between capital and ideological function    must be taken into account: </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It has    been said that the obvious change of opinion in particular French daily newspapers    &#91;...&#93; can be explained simply by the fact that the important fixed capital invested    by these modern capitalist entreprises justifies their increased anxiety, and    makes them dependent on their public, detecting any little worry that it has    that may turn into the cancelling of subscriptions and thus create a commercially    untolerable situation &#91;...&#93; </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&#91;...&#93; We should    ask: what does capitalist development <i>within the press </i>mean for the sociological    position of the press in general, for its role in the forming of public opinion?”    (WEBER, 1992, p. 255; emphasis in original).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Thus, the<i>mercantile</i>    character of the media has become different from that of other economic sectors:    as if its power to shape opinion were not enough, its particular commodity –    the news item – is subject to more complex and subtle variables than those that    can be found in ordinary commodities. The need for high investments of fixed    capital, particularly resulting from the nature of new information technologies,    makes the eventuality of a loss of readers and advertisers quite pernicious    in this “high risk” businessof the production of information. Media    power thus implies an unstable imbalance between: a) opinion-shaping, b) the    influence of consumers (readers, listeners, television viewers, internet users,    etc.) and above all, of the whole range of suppliers and advertisers, and even    the State (insofar as issues of taxation and regulation come to play), c) profit    provision and d) functions of a private apparatus of hegemony establishment.    <a name="volta3"></a><a href="#nota3"><sup>3</sup></a>.    The investment of fixed capital that Weber discusses becomes, in this light,    a key factor in establishing this balance</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Having observed    this central element, we can go on to discuss the power of the media, in light    of the stubborn insistence - particularly on the part of its owners - of the    legitimacy of the commodity nature of the news item, as well as communications    organizations’ adoption of republican ( liberal democratic ) theses. The news    item, therefore, taken <i>per se</i>and insofar as it can be seen as    a “productive process”, is considered to be practically the same as any other    commodity – as agricultural, industrial and service industry products – and    thus making its “immaterial” character irrelevant. As we stated above, we will    accept this premise for the time being, in order to proceed with the analysis    of its consequences. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The crucial factor    that must be observed here refers to the fact that the <i>news item ascommodity</i>has a specificity that cannot be found in other    types of commodities. After all, its utilization may cause damage to persons,    institutions, social groups and societies, to the extent that the news has the    ability to fabricate and distort images and stories dealing with events and    phenomenon, while at the same time exercising an information function. Certainly    this does not mean we are treating the process of “informing” as neutral, since    the process itself is subordinate to a series of variables (such as the points    of view of those who consume news, those who witness it and provide its sources,    as well as the very process of “producing the news item”, which is intrinsically    complex.) But between this intrinsic impossibility and the political, social    and economic interests of the private owners of the means of communication and    the groups that they represent (and here we emphasize: interests augmented by    the absence of social controls over the commodity news item) there lies a veritable    abyss. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this regard    there is a dual risk to be avoided, which is to consider as possible an absolute    neutrality that if carried to an extreme would be considered inhuman. It would    also neglect the existence of a excessive and largely out-of-control power over    opinion (in)formation, a power that is not subjected to (democratic) controls    and is, as should be emphasized, increasingly concentrated at an international    level. The question to be asked is thus, as follows: who has effective and    democratic control over the power of the media. What institutions are at work    in providing counterbalances<i>? </i></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Thus, if the news    item is, in fact, a commodity, it is one of a special sort and as such should    also be treated in a special way, taking the numerous consequences that this    can have – consequences that increasingly take on global proportions – into    account. As an illustration of the social repercussions that the news– in a    strict sense or as rumors, versions, insinuations and such – may have, it is    enough to mention here, as examples, the rise and fall of the stock market    and of currency values in response to speculations that have been initiated    or stimulated by the media. Furthermore, the public exposition of the private    life of public figures has, frequently and increasingly, caused moral damage    to their image, which has sometimes gone as far as the interruption of careers    and stigmatization.This is the reason why the figure of the <i>paparazzi</i>    has become emblematic both of the invasion of privacy and the advent of a society    – in this sense, global – that is hungry for spectacle, even within the political    realm. Although we do not adopt here post-modern assumptions that imagine contemporary    societies as “simulacrum”, the notion of a “spectacularization” of politics    and society – which is not the same as the concept of the simulacrum –occurring    via the media, is an element that is crucial to the power of the means of communication..    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Therein comes the    often intentional combination of “fact” and version, of “real” and imaginary,    of “event” and fiction, in detriment of something or someone (individual or    collective). Thus, this media “conflation” is, in all regards, pernicious to    democratic society. It should be noted here that we are not advocating the    idea of one sole “truth”, for which no observable evidence can be provided,    but of a press that expounds multiple “truths”, that is, multiple (and therefore    plural) interpretations of “the facts”. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Therefore, if these    consequences of media power are, among others, real; and, furthermore, if all    other types of commodities, their productive processes and their owners are,    in diverse ways, subject to governmental and societal mechanisms of control,    why should the <i>commodity news item</i>be any different<b>? </b>We    note that in Brazil, the production and trade of goods and services is controlled    by distinct organs, such as the Consumer Protection Agency (PROCON, Procuradoria    do Consumidor), the Secretariat of Economic Law (SDE, Secretaria de Direito    Econômico), organs for sectoral regulation (such as the National Agency of Telecommunications,    ANATEL, and the National Agency of Electrical Energy, ANEEL) among others, as    well as private non-profit organizations such as the Institute for Consumer    Defense (IDEC) to mention only a few<i>. </i></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It is undeniable    that, as far as information is concerned, the temptation to establish authoritarian    forms of control and censorship is great, and has been common throughout the    nation’s history. Therefore, concern for freedom of expression should guide    any control mechanisms that are generated, both at the national and international    levels, repelling any attempts at censorship (some alternatives for the implementation    of democratic forms of control over the media are discussed below). Yet we should    not be complicit with mass media permissiveness, if we do not want to legitimate    uncontrolled power and one-dimensional thought; this permissiveness, in the    name of freedom of expression, acts as a veritable <b>consensus-producing machine,    </b>which is at its worst capable of suppressing dissident voices. As an illustration,    we can see how neo-liberal propositions (which I prefer to call “ultraliberal”,    because of the radical nature of the proposals and of their forms of operation),    such as privatizations, the diminished role of the State, the flexibilization    of the labor market, and individualism, among other things, became as of the    1980s, the one sole and uncontested form of thought, translated into the program    implemented by numerous national states, functioning as the underlying premises    of multi-lateral organization and accepted by the vast majority of the mass    media at an international level <a name="volta4"></a><a href="#nota4"><sup>4</sup></a>. For those disagreeing with    the so-call “market-oriented reforms”, the label of “neolithic” was applied,    disqualifying them for standing up to the tide of neo-liberalism. <a name="volta5"></a><a href="#nota5"><sup>5</sup></a> Thus, the constitution of a hegemony which worked    to block all other forms of thought and therefore was highly anti-democratic    came into being. It is worth noting here that this uniformization of thought    runs contrary to what we have known as the liberal tradition, one which claims    to promote the pluralism which has historically been a key liberal political    concern. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">On the other hand,    we cannot forget that during the twentieth century, to own or hold a means of    communication, particularly one with reasonable outreach or scope, has required    enormous financial resources, a fact which has worked to effectively exclude    the vast majority of social groups and thus to stir the fears of democratic    liberals<i>. </i></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Therefore, it is    a paradox that it is precisely communications enterprises that are the least    subjected to controls (of the democratic sort, that is) in relation to other    types of capital. After all, obtaining hegemony was always the goal of power-holding    groups in the societies in which a “widened” State existed. <a name="volta6"></a><a href="#nota6"><sup>6</sup></a> Furthermore, one of the strongest    criticisms paid to socialist regimes had to do exactly with the impossibility    of dissent therein, which was linked to state control over means of communication.    Or, in other words, one sole form of thought prevailed, in the wake of a one-party    system and State monopoly over production, suppressing private initiative among    which the freedom of the press was included. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Now, we may want    to ask whether the situation in countries like Brazil does not bear some similarities    to the one described above . After all, these are societies in which veritable    monopolies and oligopolies, formal and informal, prevail in the communications    industry, and the State and society are lacking in efficient instruments – beyond    the inefficient play of the market and the judicial system - <a name="volta7"></a><a href="#nota7"><sup>7</sup></a>, to curtail them. In spite    of the existence of a multi-party system and of a certain range of media entrepreneurs,    and of the fact that the State is not omnipresent nor omniscient, it may be    possible to say –from a historical perspective – that a certain production of    consensus has been forged <a name="volta8"></a><a href="#nota8"><sup>8</sup></a> on the part of a society that    is not an effective “polyarchy”. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">“We can say that    the big media industries, which can be conceived of as a political and ideological    actor, should be seen &#91;...&#93; primarily as an instrument for the manipulation    of interests and intervention in social life.” (CAPELATO &amp; PRADO, 1980,    p. XIX). After all, the media, through their organizations, represent one of    the most efficient institutions that exist in terms of indoctrination that favors    groups that are strategically placed as opinion reproducers – the middle and    upper strata of the Brazilian social hierarchy . In this regard, media organizations    can be seen as poles of power. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Thus, once again    the question emerges as to what mechanisms exercise control over the “fourth    power”, especially in countries like Brazil, a question that becomes all the    more meaningful in a world in which the public sphere has been expanding on    a planetary scale, beyond the power of communication oligopolies. <a name="volta9"></a><a href="#nota9"><sup>9</sup></a>&nbsp;</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>III. THE PRIVATE    ROLE OF THE MEDIA VERSUS THEIR PUBLIC FORM OF ACTION. </b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In addition to    the commodity character of the news item, from a theoretical perspective, the    bourgeois revolutions were a real watershed for a distinction between public    and private spheres, controversial concepts <b>par excellence. </b>Particularly    significant in this regard was the French Revolution, which inaugurated a new    notion of freedom as identified with the private world – initially, through    the market – and in “politilogical” terms, defined as pertaining to the <b>negative    </b>character of the idea of freedom. This was emphatically asserted by the    classical liberalism of the 19<sup>th</sup> century, as exemplified by figures    such as BenjaminConstant, John Stuart Mill and Alexis de Tocqueville,    all of whom (notwithstanding the important distinctions that can be made between    them) are key figures in its development. These authors represent the tradition    that best expressed the dilemmas –from a liberal point of view – about what    could or should be contained in each of these spheres. <a name="volta10"></a><a href="#nota10"><sup>10</sup></a></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">After all, according    to this concept of freedom, the private sphere, which would be fundamentally    protected by a State of Law, enables individuals - who are all equal <b>before    thelaw - </b>to act as they so desire, or not to engage in actions against    their will, as long as in acting or not acting they do not infringe upon the    rights of others. Therefore, the condition for the fulfillment of either of    these possibilities is directly related to the line that separates the public    and the private. It refers to the existence of rights that have been defined    <b>a priori, </b>although not in a static manner (to the extent that they are    historically shifting) and thus define what is public and therefore belongs    to the domain of common (though not necessarily same) interests, as well as    that which concerns only individualities. <a name="volta11"></a><a href="#nota11"><sup>11</sup></a>    As Bobbio has observed, in search of an understanding of modern politics, in    the manner of Benjamin Constant: “The fundamental theme of modern Political    Philosophy is the theme of the limits of the modern State as organizer of the    public sphere, limits which are sometimes stricter and other times more flexible,    varying according to authors and schools, whether in relation to religious society    or in relation to civil society (understood as bourgeois society or that of    private individuals).</font></p>     <p><sup><font face="Verdana, Arial, Helvetica, sans-serif" size="2">th</font></sup><font face="Verdana, Arial, Helvetica, sans-serif" size="2">    century, this very Constant, in his famous work on <i>The Liberty of theAncients as Compared to the Modern</i><b>, </b>showed usthe    privatized meaning that freedom took on for the modern man after the bourgeois    revolutions – in fact, that very privatism which would lead to the exacerbated    degeneration of the public sphere. <a name="volta12"></a><a href="#nota12"><sup>12</sup></a>.    These reservations notwithstanding, Constant not only diagnosed the meaning    of modern liberty but he defended it; in his view, it was the citizen’s responsibility    to demand “&#91; ...&#93; that the authorities remain within their boundaries. That    they limit themselves to being just, and we ourselves worry about being happy.”    (CONSTANT, 1982, p. 24).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">If the separation    between public and private spheres, on the one hand, and privatism, on the other,    are features of the modern world that result in a separation of powers and thereby    prevent the tyranny of State power, authors such as Stuart Mill and Tocqueville    feared another sort of tyranny. This tyranny would not come from the State    but from society itself, to the extent that the power of the majority, above    all of majority opinion, could just as easily result in another sort of tyranny,    the <i>tyranny of the majority</i><b>, </b>with effects that are similar to    the historically -feared state tyranny, so central to republican and liberal    thought<a name="volta13"></a><a href="#nota13"><sup>13</sup></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In his classic    work <i>On Liberty</i>Stuart Mill, in relating the moralist rage with    which unusual behavior was persecuted (as was the case of Mormon polygamy in    19<sup>th</sup> century England), worried about the negative effects that majority    opinion could have. In his view, “&#91;...&#93; the opinion of such a majority,    imposed as law over the minority, where pertaining strictly to matters of individual    conduct, may either be right or wrong. In these cases, public opinion, at it’s    best, means the opinion that some people hold over what is good or evil for    others.” (MILL, 1991, p. 149) </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This assertion    certainly remains valid today, especially regarding the media which sometime    make a significant contribution to this persecutory nature of majority opinion<i>,    </i>although perhaps in a more sophisticated manner in the contemporary world  <a name="volta14"></a><a href="#nota14"><sup>14</sup></a>. It is something that acts to put pluralism in check.    Mill cited these attitudes in relation to the Mormons: “&#91;...&#93; a manifestly    persecutory language that is used by the press in this country when it is called    upon to cover the notable phenomenon of Mormonism’.” (idem, p. 161)<a name="volta15"></a><a href="#nota15"><sup>15</sup></a>.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Tocqueville, in    his classic <i>Democracy in America</i><a name="volta16"></a><a href="#nota16"><sup>16</sup></a>,    took note of the fear that societies, even those that were institutionally democratic,    could come to produce “tyrannies of the majority”. According to him, in the    USA, the “&#91;...&#93; majority &#91;...&#93; exercise a prodigious real authority and power    of opinion almost as great; there are no barriers that can stop, nor even slow    down their progress, in order to make them listen to the complaints of those    they crush on their course. This state of things is in itself pernicious and    dangerous for the future. (TOCQUEVILLE, 1969, p. 132-133)<a name="volta17"></a><a href="#nota17"><sup>17</sup></a>.    From a contemporary vantage point, these are prophetic words! </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The expression    “public opinion”, referred to directly in Mills and indirectly in Tocqueville,    continues to be widely used in current public debate, especially in the large    scale press which represents itself as its vehicle. This in fact is a false    concept, for as Mills points out: a)there is a broad range of conceptual interpretations.    This turns the concept into a veritable battle field, so wide are the divergences    regarding its premises and b) “public opinion”, for major Brazilian newspapers,    means the “opinion” of its readers, that is, approximately 15 million persons    (from an overestimated point of view) out of a universe of 170 million inhabitants.    In other words, it includes only the middle and upper classes, which thus means    it is of very limited social expressiveness <a name="volta18"></a><a href="#nota18"><sup>18</sup></a>    and c) most importantly, this expression is invoked by the newspapers, in diverse    situations, used simply to identify<i> theirown opinion</i>(just    as Mill pointed out in the 19<sup>th</sup> century), that, although private,    they try to pass off as “public. e c) Furthermore<i>, </i>as in Pierre Laborie’s    iluminating discussion, the indiscriminate (and popularized) use of this expression    should be rejected, since itrepresents a veritable snare.Thus,    for the latter, <i>"&#91;...&#93; élucider clairement et justifier l'usage retenu    de la notion d'opinion ou d'opinion dominante, préférable à opinion publique    car moins restrictive, moins contraignante et moins sujette à chicane. &#91;...&#93;    La pluralité d'expression de l'opinion n'est pas incompatible avec l'existence    d'un mouvement dominant, de durée et d'amplitude variables. &#91;...&#93; </i></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>L'opinion est    perpétuellement en état de changement</i>, <b><i>avec des rythmes saccadés,    des régressions, des balancements, sans la progression linéaire d'une direction    logique</i></b>. &#91;...&#93; </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&#91;...&#93; <b><i>Les    représentations mentales, articulation essentielle entre le fait, les réactions    provoquées et leurs conséquences, doivent donc devenir un objet d'histoire.    Elles s'avèrent d'une importance primoridale dans l'étude de l'opinion</i></b><i>"</i>   <a name="volta19"></a><a href="#nota19"><sup>19</sup></a>    (LABORIE, 1991, p. 161-164; <i>no emphasis in the original</i>). </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">As can be observed    in this passage, “public opinion” implies movement, dynamism, transformation,    and not the crystallization of a particular opinion. Given the influence of    the groups that make up “dominant” opinion, its “public” character truthfully    means the expression of such dominance and not the uncompromised discussion    of topics that aims at arriving at the “best position”. Thus, “public opinion”    functions as a strategic expression that is fundamentally geared much more    toward hiding - of private andparticular interests<i> – </i>than toward    “revealing”. This convinces us that it should be dispensed with as an analytic    concept, similarly to Habermasian arguments.</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Finally, it should    be said that the media represent an institution in which “ &#91;...&#93; public and    private are fused, the rights of citizens are confounded with those of the newspaper    owner &#91;in the case of the press&#93;. The limits between the one and the other    are extremely tenuous.” (CAPELATO, 1988, p. 18; 1989). In other words, the    media are moved and nourished by this undefined environment constituted by private    interest and opinions which are represented as public. To whatever extent that    they can <i>also </i>act in public perspective, they will always be imprisoned    by private means of communication and interests and private and mercantile commitments    . Furthermore, there is yet another essential problem to be dealt with in their    regard: the fact that civil society and the State lack effective controls over    them.&nbsp;</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b><font size="3">IV.    <i>THE MEDIA AND POLITICAL THEORIES OF DEMOCRACY.</i></font></b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Since we do not    intend to sketch the entire panorama of political theories of democracy here    but to raise an issue that is a common concern in all of them, it is enough    to emphasize that these theories, to a large extent, drink from the authors    and historical experiences summarized in <b>The Federalist, </b>as well as in    Stuart Mill and Tocqueville, whom we have already discussed. For this reason    we can understand Madison’s famous phrase on human nature, which certainly can,    and should, be extended to the media: “If men were angels, no government would    be necessary. If angels were to govern men, neither external nor internal    controls on government would be necessary. In framing a government &#91;...&#93; the    great difficulty lies in this: you must first enable the government to control    the governed; and in the next place oblige it to control itself. &#91;...&#93; This    policy of supplying, by opposite and rival interests &#91;...&#93; might be traced through    the whole system of human affairs, private as well as public.” (MADISON, 200,    p.163)</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This mistrust of    human nature, which Madison expresses so well, is not new to political theory    and philosophy. After all, since Machiavelli and especially since Hobbes, skepticism    regarding the possibilities of solidarity among men has become a trade mark    of a variety of currents of thought, culminating in that which Montesquieu’s    “the spirit of laws” and <b>The Federalist</b>’s “theory of checks and balances”    summarize as a form of control over those who are in power, whether through    the (more visible) power of the State, or the power of society, as groups that    become a majority and are able to impose their opinions to a considerable extent.    In other words, if on the one hand the common citizen must be controlled by    authorities, on the other hand, authorities should also be controlled, both    by other powers –thus the famous division between the three powers – as well    as by individuals themselves. This, as is well known, is what is meant in modern    terminology as the “democratic” and “republican” nature of institutions<a name="volta20"></a><a href="#nota20"><sup>20</sup></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Now, it is often    reiterated that the media, upon constituting a <b>“fourth” </b>and <b>extra-institutional    power</b> – albeit republican – were gradually recognized as a political institution    and particularly as a premise of democracy. That this is so is demonstrated    by the fact that the adjective “democratic” can only be used in reference to    societies in which there is free expression of opinion, particularly through    the media. With these presuppositions in mind, we should then ask again:    who controls this “fourth power”? We give salience to the fact that this query    is an heir of the republican tradition and, as we have seen, is concerned with    “control over those who control”. Thus, it can be seen as a two-way street.    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In turn, the constitution    of a polyarchic society fundamentally implies the democratization of political    institutions, among which the media necessarily figure. According to Robert    Dahl, in his <i>A Preface to Democratic Theory</i><b>, </b>one of the pre-conditions    of societies that want to be democratic –that is, those at the top of polyarchy    – is that “All individuals possess identical information about the alternatives”    (for example, in electoral periods, regarding those involved in electoral races)    (DAHL, 1956, p.70). In Brazil, this condition is certainly very tenuous. The    problem with the democratization of institutions, especially those of the media,    thus remains crucial to theories on democracy, although still insufficiently    developed<a name="volta21"></a><a href="#nota21"><sup>21</sup></a> by them <a name="volta22"></a><a href="#nota22"><sup>22</sup></a>. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Finally, a central    theme that mobilizes contemporary Political Science that is perfectly applicable    to the problem of the power of the media refers to the issue of accountability.    A term that is politically hard to translate, it implies on the one hand, both    the transparency and responsibility of those who are in power, and on the other,    the possibility of keeping watch over power and, above all, controlling it.    Now, if this is true in relation to the three constituted powers (Executive,    Legislative, and Judiciary), why should this not be the case regarding the power    of the media and even of other poles of power, such as the military, capital,    scientists, the Ministry of Public Affairs, etc.? </font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>V. ALTERNATIVES    FOR THE DEMOCRATIC CONTROL OF THE MEDIA. </b></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In light of the    uncontested power of the media, the consequences of which are felt directly    and indirectly by groups, social classes, individuals, organizations, firms    and countries, a discussion of measures that would permit democratic control    – in political, economic, and social terms – over communications organizations    at a national and international level becomes imperative. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the case of    Brazilian society, the now consolidated initiatives of the <i>Observatório daImprensa</i>and of the <i>Revista Imprensa</i>play an    important fiscalizing role which nonetheless represents a necessary but not    sufficient condition for effective media control. Furthermore, the scope of    these initiatives – for the exposure of oligopolies, in providing visibility    for alternatives to the viewpoints of the large mainstream press, and most importantly,    for the validation of dissent - remains quite limited. At a global level, attempts    to constitute independent centers of information, such as the Brazilian sites    <i>Carta Maior</i>and <i>Ciranda,</i>and the international <i>Media    Watch</i>and<i>Le Monde Diplomatique<a name="volta23"></a><a href="#nota23"><sup>23</sup></a></i>, among numerous    others, not only employ the Internet as a vehicle of global information but    mainly function for the evaluation of large newspapers, magazines, news agencies    and television stations. They seek to demonstrate other facets, other voices    and other interpretations of phenomena that tend to be portrayed in a homogeneous    way by large communication enterprises. These new organisms have stimulated    the emergence of newspapers and magazines not associated with big business –    this is the case for two Brazilian periodicals, <i>Carta Capital</i>and    <i>Caros Amigos</i><b>. </b>These developments are linked to the notion that    “another world is possible”, the motto of the World Social Forum, and its seminal    theme of plural sources and forms of information.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In relation to    the political and legal aspects of democratic control, some of the most relevant    examples are the initiatives that have been taken regarding the way in which    radio and television licensing is obtained, which has dealt with the need to    widen societal participation in decision-making processes. This has been carried    out through a number of measures, among which the following are noteworthy:    the strengthening of the recently created Council on Social Communication; licensing    and government incentive of credit that can be obtained by free (community-based)    radio and television broadcasting stations which in Brazil had been to a large    extent taken over by Evangelical groups that were basically not committed to    democratic values; the rigorous banning of stockholding concentration among    vehicles of mass communication and the prohibition of the concentration of ownership    of several different types of mass media enterprises, as had already been the    case in several European countries.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">With regard to    initiatives that are more emphatically political, we can cite as possible –    given the fact that they are initiatives open to inventiveness – the creation    of pluralist councils that emerge from society. Some of these have arisen through    the national Congress, and others in thematic forums that have had a consulting    character. Most important are those that have emerged within television and    radio broadcasting, which could potentially take the exclusive power of making    oneself “heard and felt” out of the hands of “social communications” (as they    are called) enterprise owners. Furthermore, the existence of print press and    all public modes of communication that are not state-run – such as educational    television stations and the BBC – often provide services that are relevant for    public debate, providing a space that private media agents often refuse to make    available. Lastly, the experience of the “<i>ombudsman”</i> that was created    for the news daily <i>Folha deSão Paulo</i>could certainly    contribute toward a more democratic media if this professional service were    transformed into a <i>public ombudsman,</i>that is, one that is tied    not to an organization but to society, from which this spokesperson would be    chosen; it would nonetheless be financed by the organizations themselves, which    is justifiable given the public impact of the presses’ private activities. After    all, just as is the case today in the major newspaper <i>Folha de São Paulo,</i>this journalist is only given a two year appointment, fact which has strong    implications regarding his/her autonomy after the term has finished. This means    that it is a high risk job, and thus, while constituting a step forward in the    democratization of the press, ends up structurally legitimating practices that    are in truth hardly democratic, which in fact occurs frequently in the above-mentioned    news daily<a name="volta24"></a><a href="#nota24"><sup>24</sup></a>.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Thus, the struggle    over the control and democratization of the media takes on the shape of a true    <i>war of positions –</i>as in Antonio Gramsci’s teachings. This means    that struggles must be carried out in all possible arenas of social life, without    exception. After all, the media’s self-congratulatory position in relation    to its own ability to investigate the State and social authorities is perfectly    expressed, for example, in the Ministry of Public Affairs’ own ability, as a    legal and technically capacitated entity, to promote investigations where suspicions    arise, or even as a preventive measure. In other words, the “watch dog” and    investigative powers that the media claim to have can and should be exercised    by public institutions ( in the case of the Ministry of Public Affairs, by    civil society non-profit organizations and by non-governmental organizations    (NGOs), among other social actors. We should not forget that the media are    private actors driven by the profit motive. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">These alternatives    are justified by the fact the media <i>are quite often not what they claim to    be (liberal and democratic) nor do they do what they claim to do (provide all    sidesof theissues).</i> This explains their common role,    in particularly important junctures, in which parallel to their structural role    of trying to influence what is referred to as “public opinion”, they famously    disseminate and even vulgarize ideas that are simplified, generalizing, and    unilateral. Such is the case of the introduction of the ultra-liberal agenda    in the country; we emphasize here how debate on the reversal of a model of    development was simply vetoed. This is a striking example since the overarching    goal of the media was, during the 1980s and 1990s, fundamentally that of gaining    ultraliberal hegemony. This example, however, is just one among many<a name="volta25"></a><a href="#nota25"><sup>25</sup></a>. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Finally, we should    keep in mind that those who receive media messages are not automatons, as the    wide range of theories of reception that have been elaborated show us. Although    this paper considers such work to be of fundamental importance, we have chosen    to concentrate here on a parallel theoretical concern, that of the theoretical    and historic complexity of those actors and institutions who are responsible    for message emission<a name="volta26"></a><a href="#nota26"><sup>26</sup></a>.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>VI. FINAL CONSIDERATIONS</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">A world that is    truly democratic must exercise control (democratically, we reiterate, even at    the risk of seeming overly repetitive) over the media at the national and global    levels. A fundamental objective would be to attenuate the paradoxical private-public    simultaneity that it contains and that has proliferated in a world that is rapidly    becoming more homogeneous in terms of values, notwithstanding the exponential    growth of social and political inequality. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">After all, classical    modern authors all shared a theoretical concern for the theme of “the human    passions” which, unfettered by checks and balances, would drive us to the brink    of tyranny. These passions can be translated into more modern terms as <i>interests</i>which in turn, are wholly present in the enormous power that the media has,    <i>de facto</i>and at world scale.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"> Therefore, many    would agree that the “fourth power” really represents a “first power”, given    its ability to influence the political agenda while acting simultaneously as    capitalist firms (conglomerates). The news item, as we have explained above,    has become a commodity, but one that is different from all others, given the    consequences that it holds for social groups – a theme that has paradoxically    been little developed by political theories of democracy for which the issue    of access to information is crucial.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In light of all    that we have argued above, with the media playing a public role within a private    and commodity-oriented world, in order for democracy to materialize, urgent    action must be taken in terms of effective control over its power as well as    with regard to attentive reflection on the part of political theories of democracy.    In this way, we may perhaps revitalize the dream of the modern classics, that    is, of mutual controls over all those who engage in the exercise of power. Thus,    we argue that democratic control over the media has a direct effect on the notion    of democracy itself, that is, over the checks and balances that are so necessary,    yet so scarcely implemented. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>&nbsp;</i></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>REFERENCES</b></font></p>     <!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>BOBBIO</b>,    N. 1982. Estado Moderno. <i>In</i>: BOBBIO, N., MATTEUCI, N. &amp; PASQUINO,    G. (orgs.). <i>Dicionário de política</i>. Brasília: UNB. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>BORIN</b>, J.    1993. <i>Imprensa</i>: empresas e negócios. Um perfil quantitativo-qualitativo    do mercado da notícia no Brasil. São Paulo. Tese (Livre-Docência). Universidade    de São Paulo. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>CAPELATO</b>,    M. H. 1988. <i>Imprensa e história do Brasil</i>. São Paulo: Contexto. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">_____. 1989. <i>Os    arautos do liberalismo</i>. Imprensa paulista : 1920-1945. São Paulo: Brasiliense.    </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>COCKETT</b>,    R. 1995. <i>Thinking the Unthinkable</i>. Think-Tanks and the Economic Counter-Revolution,    1931-1983. London : H. Collins. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>CONSTANT</b>,    B. 1982. <i>A liberdade dos antigos comparada à dos modernos</i>. Porto Alegre:    L&amp;PM. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>DAHL, </b>R.1956. <i>A preface to democratic theory. </i>Chicago: Chicago University    Press.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>DE CERTEAU</b>,    M. 1996. <i>A invenção do cotidiano</i>: artes do fazer. Petrópolis: Vozes.    </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>DESAI</b>, R.    1994. Second-Hand Dealers in Ideas: Think-Tanks and Thatcherite-Hegemony. <i>New    Left Review</i>, London, n. 203, p. 27-64, Jan.-Feb. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>DOWNS</b>, A.    1999. <i>Uma teoria econômica da democracia</i>. São Paulo: USP. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>EAGLETON</b>,    T. 1991. <i>Ideology</i> – An Introduction. Oxford: Oxford University. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>FONSECA</b>,    F. C. P. 2001. <i>Divulgadores e vulgarizadores</i>: a grande imprensa e a constituição    da hegemonia ultraliberal no Brasil. São Paulo. Tese (Doutorado em História).    Universidade de São Paulo.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>FONSECA, </b>F.C.P.    2005. <i>O consenso forjado – a grande imprensa e a formação da agenda neo-liberal    no Brasil. </i>São Paulo: Hucitec </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>GRAMSCI</b>,    A. 2001. <i>Cadernos do cárcere.</i> 5 v. Rio de Janeiro: Civilização Brasileira.    </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>HABERMAS</b>,    J. 1984. <i>Mudança estrutural na esfera pública</i>. Rio de Janeiro: Tempo    Brasileiro. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>HARVEY</b>,    D. 1989. <i>The Condition of Postmodernity</i>. An Enquiry into the Origins    of Cultural Change. Oxford: University of Oxford. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>HELLEINER</b>,    E. 1994. From Bretton Woods to Global Finance: A World turned Upside Down. <i>In</i>:    STUBBS, R. &amp; UNDERSHILL, R. (eds.). <i>Political Economy and the Changing    Global Order</i>. New York: St. Martins. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>HIRST</b>, P.    <b>&amp; THOMPSON</b>, G. 1996 <i>Globalization in Question</i>. Oxford: University    of Oxford. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>IANNI</b>, O.    (org.). 2000. <i>Desafios da comunicação</i>. Petrópolis: Vozes. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>KUCINSKI</b>,    B. 2001. <i>Jornalismo econômico</i>. 2ª ed. São Paulo: USP. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>LABORIE</b>,    P. 1991. Histoire politique et histoire des représentations mentales. <i>In</i>    : PESCHANSKI, D. (org.). <i>Histoire politique et Sciences sociales</i>. Paris:    Complexe. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>LIMA</b>, V.    2002. <i>Mídia</i> : teoria e política. São Paulo: Fundação Perseu Abramo. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>MADISON</b>,    J. 2003. <i>The Federalist. </i>Chicago: Encyclopaedia Britannica, n. 51.</font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>MANIN</b>, B.    1997. <i>The Principles of Representative Government</i>. Cambridge (Mass.):    Cambridge University. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>MARTIN-BARBERO</b>,    J. 1997. <i>Dos meios às mediações</i>. Comunicação, cultura e hegemonia. Rio    de Janeiro: UFRJ. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>MATTELART</b>,    A. 1999. <i>História das teorias da comunicação</i>. São Paulo: Loyola. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>MEDINA</b>,    C. A. 1978. <i>Notícia, um produto à venda</i>. São Paulo: Alfa-ômega. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>MILL</b>, J.    S. 1991. <i>Sobre a liberdade</i>. Petrópolis: Vozes. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>MIGUEL</b>,    L. F. 2000. Um ponto cego nas teorias da democracia: os meios de comunicação.    <i>BIB</i>, Rio de Janeiro, n. 49, 1º sem. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>TASCHNER</b>,    G. 1992. <i>Folhas ao vento</i>. Análise de um conglomerado jornalístico no    Brasil. São Paulo: Paz e Terra. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>TOCQUEVILLE</b>,    A. 1969. <i>Da democracia na América</i>. São Paulo: Nacional. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>PADIOLEAU</b>,    J.-G. 1985. <i>Le Monde et le Washington Post</i>. Précepteurs et Mousquetaires.    Paris: Presses Universitaires de France. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>PRZEWORSKI</b>,    A., <b>STOKES</b>, S. C. <b>&amp; MANIN</b>, B. 1999. <i>Democracy, Accountability,    and Representation</i>. Cambridge (Mass.): Cambridge University. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>WEBER</b>, M.    1992. Para una Sociología de la Prensa. <i>Revista Española de Investigaciones    Sociológicas</i>, Madrid, n. 57, ene.-mar.<b></b></font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>WEFFORT</b>,    F. (org.). 1990. <i>Os clássicos da política</i>. 2 v. São Paulo: Ática. </font><p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b><font size="3">OTHER    SOURCES</font></b></font></p>     <!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Médias et contrôle    des esprits. 1995. <i>Le Monde Diplomatique</i>, Paris. </font><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>FRIAS FILHO</b>,    O. 2001. <i>Entrevista concedida a Francisco C. P. Fonseca</i>. São Paulo, mar.    </font><p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Received on Nov    1, 2003    <br>   Approved for publication on May 8, 2004</font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Francisco C. P.    Fonseca (<a href="mailto:frankiko@uol.com.br">frankiko@uol.com.br</a>) received his Master’s    Degree in Political Science from the Universidade Estadual de Campinas (UNICAMP)    and his Doctorate in History from the Universidade de São Paulo (USP). He is    currently Professor of Political Science at the Fundação Getúlio Vargas, São    Paulo (FGV-SP).    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota1></a><a href="#volta1">1</a> This article is the result of the critical    revision of my own research project <i>"A agenda da transformação"</i>&nbsp;    (The Agenda of&nbsp; Change"), dealing with the construction of a neo-liberal    agenda in Brazil.&nbsp; It was financed by the <i>Núcleo de Pesquisas e Publicações    &nbsp;(</i>NPP) <i>Fundação&nbsp; Getúlio Vargas</i>.(FGV-SP)<i>,</i>(Center    for Research and Publications of the &nbsp;Getúlio Vargas Foundation)<i>&nbsp;</i>São    Paulo.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota2></a><a href="#volta2">2</a>In fact, especially as of the 1990s, communications    firms have widened their scope of action through mergers and acquisitions and    have become communication and entertainment businesses with a significant impact    on what has been referred to as the “spectacularization” of politics. Furthermore,    these firms have been increasingly diversifying their activities over a wide    range of markets, both at the local and international level. This implies that    there is an intricate web of related entrepreneurial interests (commercial and    financial) involved, leading the commodity character of the media to paroxysm.2    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name="nota3"></a><a href="#volta3">3</a> Above all, it is the large press (particularly the print    media) that acts as a private apparatus of hegemony. I applied this analytic    category (which is linked to the corporate nature of the media) in the study    of major Brazilian newspapers that was published in 2005 under the title, <i>O    consenso forjado – a grande imprensa e a formação da agenda neo-liberal no Brasil</i>    (Forged Consensus: Large Scale Press and the Formation of a Neo-liberal Agenda    in Brazil). (FONSECA, 2005).     <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota4></a><a href="#volta4">4</a> The paradigmatic critique of this position can be seen in    numerous issues of the French newspaper <i>Le Monde Diplomatique.    <br>   </i></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota5></a><a href="#volta5">5</a> As I have observed elsewhere(FONSECA, 2005), major Brazilian    newspapers have served as vehicles of an ultraliberal agenda, engaging in forceful    stigmatization of all those who oppose either the agenda itself or the ways    in which it is being implemented.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota6></a><a href="#volta6">6</a> In the meaning that Antonio Gramsci gives to the “State in    the broad sense ”, that is, “coercion + consensus".    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota7></a><a href="#volta7">7</a> In an economy that is as non-competitive as Brazil’s, especially    in the newspaper and television broadcasting sectors, the market is certainly    not the central <b>locus </b>from which the impulse toward greater democratization    of access to information can be expected to come. Furthermore, it would be hard    to maintain that this could be a market function <b>per se</b>. Regarding the    Judiciary, since there is no specific law for the press in the country, specific    crimes of the press are judged using general codes for crimes against honor.    This means, for example, that the right to rejoinder, so crucial to democracy    and to the honor of those who have been hurt, is extremely fragile. Although    there is a legal code for the press, dated February 9, 1969 (Law # 5520), the    latter was written under the juridical guidelines of the military dictatorship’s    Institutional Act #5 and is therefore not actually implemented. As a result,    “crimes of opinion” are submitted to civil and penal codes, which are recognized    as insufficient for the punishment of “abuses of opinion”, particularly on the    part of communications media owners. Furthermore, the law and the judicial apparatus    are necessary but never sufficient conditions for the democratization of communications    media, given the need for social controls over the latter.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota8></a><a href="#volta8">8</a>Notion that inspires the title <i>“Consenso forjado </i>”    given to my own book on the role of the large scale press in the formation of    an ultraliberal political agenda in Brazil(Fonseca, op.cit.)    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota9></a><a href="#volta9">9</a> For many authors, the world is currently undergoing a veritable    compression in time and space which thus becomes one of the defining features    of the contemporary world. In other words, information is increasingly transmitted    in real time – on line – and thus drastically shortening the time needed to    “generate” and then transmit it worldwide. Thus, in a world in which time has    been abridged by satellites, optic fiber, cable televisions, news agencies,    newspapers and magazines printed simultaneously in several countries (in English,    which is increasingly used as a <i>lingua franca,</i>and translated into local    languages), media influence grows rampantly, covering the entire planet. Of    course we are not speaking of all media, that is, not of those spawned in the    system’s periphery. The large scale media, which harbors considerable influences    over its national peers, is based in the home countries of international capitalism.    Thus, if the public sphere has become increasingly global – to the extent that    we can speak of a planetary agenda, that involves such themes as finance capital,    production chains, misery, migration, the environment, human rights, nuclear    weapons, drugs and numerous others – and if, in addition to this, the media,    through private interest, seeks to translate and intermediate social relations    in the public sphere, what kind of democratic control can ordinary citizens    expect to have over them, at the international level? If the issue is complex    at a national level, it becomes all the more so when we consider that today’s    “small world” in which certain borders have become more flexible. <i>Therefore,    time-space compression involves a widening of the public sphere, which loses    its exclusively national character in a scenario of growing “internationalization”.    ]]></body>
<body><![CDATA[<br>   </i></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i><a name=nota10></a></i><a href="#volta10">10</a> It is interesting to observe that, during the twentieth    century, ultraliberal authors such as Von Mises, Milton Friedman and especially    Friedrich Von Hayek, among others, went beyond this dilemma by associating freedom    to privatism. In other words, the private sphere and, within it, the market,    become synonymous with freedom. This explains the term “liberalism”that has    been used to denominate this current of thought<i>.    <br>   </i></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i><a name=nota11></a></i><a href="#volta11">11</a> The popular imaginary has incorporated this conceptual    distinction through the common expression “My rights end where yours begin.”    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota12></a><a href="#volta12">12</a>Privatism, particularly as of the second half of the twentieth    century, has turned humans into a species of “homo shopping” (pardon the neologism),    that is, a species that defines itself through everything that pertains to the    universe of <i>consumption</i><b>, </b>such as publicity and the culture of    the disposable. This culminates in what Rousseau foresaw in the 18<sup>th</sup>century:    the transformation of man into a being that “is what it owns.” Lastly, it is    worth remembering that, in the 19<sup>th</sup>century, liberalism asserted possessive    individualism as a way of expressing unlimited confidence in the idea of capitalist    appropriation and possession.     <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota13></a><a href="#volta13">13</a> It is interesting to note that contemporary literary production,    including versions that have been adapted for film, offers two paradigmatic    examples of totalitarian control. The first is the classic <b>1984</b>, typifying    the post World War II period in which the state “Big Brother” sees and controls    everything. The second is the contemporary <b>Truman Show </b>in which a child,    while still in its mother’s womb, is purchased by the owner of a television    broadcasting network and its life becomes a spectacle that is television audiences    can watch during the 24 hours of the day. The child’s life is contained within    a city-studio in which the only real person in Truman, and is observed through    18,000 hidden cameras: capitalistcontrol over our lives is caricaturized but    real.    <br>   <a name=nota14></a></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#volta14">14</a> One has only to look at the image that the Brazilian media    as a whole has constructed of the Landless Rural Workers Movement (<i>Movimento    dos Trabalhadores Rurais Sem-Terra</i>). Beyond the problems and mistakes of    the movement, it undoubtedly expresses a real problem and a legitimate demand.    At the international level, the same can be said in relation to countries such    as Cuba and Libya, and leaders such as Fidel Castro and Hugo Chaves, among others,    who are stigmatized far beyond the limits of their real virtues and flaws.    <br>   <a name=nota15></a></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#volta15">15</a> It should, on the other hand, be noted that the Marxist    tradition denies the existence of public sphere, given the class character of    capitalist societies. After all, each individual is seen as inescapably tied    to his/her class interests.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota16></a><a href="#volta16">16</a> Paradoxically, this is the work that North Americanpoliticians    cite most frequently.<i>     <br>   </i></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota17></a><a href="#volta17">17</a> Tocqueville also believed in the proliferation of organs    of communication that, in this way, would socially exercise mutual control.    Nonetheless, this idea does not seem to have prevailed in any part of the world.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota18></a><a href="#volta18">18</a> Data from the interview that Otavio Frias Filho (of the    Folha de S. Paulo) conceded to this researcher. In his view, the limited circulation    of newspapers in Brazil is not really a problem, insofar as newspapers do reach    the fundamental groups, since “&#91;...&#93; it is a quality audience, that    is, people who are opinion- shapers: the so-called liberal professions, technicians,    entrepreneurs, union leaders, university professors, people whose perspectives    are weighty in terms of opinion-shaping. But they are a <i>limited</i>audience.    The National Association of Newspapers (Associação Nacional dos Jornais – ANJ)    estimates that <i>daily newspaper circulation in Brazil amounts to something    like four or five million copies.</i> According to international standards,    there are an <i>estimated two to three readers per copy. Thus, from an optimistic    perspective, Brazil has 15 million people reading papers, something like 10%    of the population. I</i> would say that the universe that the newspapers usually    reach is not very far from this . &#91;..&#93; <i>Newpaper readership is a qualitatively    significant but quantitavely small group. </i>It is a basically middle class    audience.&#91;...&#93; We are not engaging in interlocution with all of society    but &#91; &#93; with a more or less well-definied segment in ideological terms:    <b><i>the urban middle class with a high educational level</i></b><i>. .<b>Newspaper    readers come from this group; the social base that newspapers have is with this    sort of person and that it with whom we engage in interlocution</b></i> (FRIAS    FILHO, 2001; my emphasis). This exemplifies what “public opinion” is for the    major press.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota19></a><a href="#volta19">19</a> "&#91;...&#93; Elucidate clearly and justify the consecrated    use of the notion of ‘opinion’ or of “dominant opinion” &#91;is&#93; preferible    to “public opinion”, since it is less restrictive, less coercive and less subject    to confusion &#91;...&#93; The plurality of expressions of opinion is not incompatible    with the existence of a dominant moviment, of variable duration and amplitude    &#91;...&#93;.Opinion is in a perpetual state of change, <i>including turbulent    rhythms and shaky moments, there being no linear progression in a logical direction</i>    ]]></body>
<body><![CDATA[<br>   &#91;...&#93; The mental representation, essential articulation of fact, reactions    generated and their consequences, should thus become an object of history. They    reveal themselves to be of prime importance in the study of opinion. (Our translation).    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota20></a><a href="#volta20">20</a> The current, albeit incipient, experiences with what has    been called “electronic government” is very interesting insofar as new possibilities    of democratic control – although also of the risks of information concentration    – in nationalstates.<i>     <br>   <a name=nota21> </a></i></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#volta21">21</a> <i>For a position that is different from our own, especially    with regard to the metamorphoses of democracy, in which nedia occupy a role    that is different from what we consider here, see, among the works of </i>Bernard    Manin, Manin (1997) and Przeworski, Stokes and Manin (1999).     <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota22></a><a href="#volta22">22</a> <i>This issue was discussed by </i>Luís Felipe Miguel,    for whom "&#91;...&#93; a theory of democracy should be an instrument for understanding    the political arena in <i>real</i>contemporary societies, that is, class societies,    divided by deep cleavages and inequalities, within a trans-nationalized environment.    On the other hand, according to this author <i>"&#91;...&#93; access tothemedia</i>is    imposed and becomes one of the main strangling points of contemporary democracies    – and, therefore, as one of the main challenges to those who are interested    not only in understanding the functioning of democratic societies but also in    perfecting them. (MIGUEL, 2000, p. 67; emphasis in original). On the other hand,    it is interesting to not that even conservative theories of democracy, such    as the so called “economic theory of democracy” place privilege on the theme    of access to information.(cf. DOWNS, 1999).    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota23></a><a href="#volta23">23</a> The respective internet sites of these organizations are,    as follows: <a href="http://www.cartamaior.uol.com.br/" target="_blank">http://www.cartamaior.uol.com.br/</a><a name="_Hlt140563235"></a>; <a href="http://carosamigos.terra.com.br/" target="_blank">http://carosamigos.terra.com.br/</a>; <a href="http://www.cirandabrasil.net/" target="_blank">http://www.cirandabrasil.net/</a>;    <a href="http://www.mediawatch.org/" target="_blank">http://www.mediawatch.org/</a>    e <a href="http://www.lemonde.fr/" target="_blank">http://www.lemonde.fr/</a><i>.    <br>   </i></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota24></a><a href="#volta24">24</a> These are only a few examples of numerous, although controversial,    possibilities for the democratic control of means of communication. Given spatial    limitations we can not go further into depth here and have considered it to    be enough to provide some illustrative examples.    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name=nota25></a><a href="#volta25">25</a> It is important to note that all attempts at minimal regulation    of television programming in Brazil in the 1990s were carried out via “gentlemen’s    agreements” between the Federal Government – the Ministry of Justice in particular    – and television broadcasters, since mechanisms for state and societal control    over the means of communication were non-existent. The concrete results of these    agreements were null, since they altered practically none of the near total    freedom of the broadcasters to decide what programs the Brazilian public would    see. On the other hand, initiatives that have emerged from society, such as    that of the NGO Tver, are hopeful as indications of the developing consciousness    of social groups regarding the need for societal mobilization around the democratization    of Brazilian television.     <br>   <a name=nota26></a></font><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#volta26">26</a> So called “theories of reception” have been developing    as a relatively autonomous field of research and reflection of their own. Some    notorious cases among others – stemming from the whole range of communications    fields – can be found in Jesus Barbero’s work. For Barbero, "&#91;...&#93; communication    has become more a question of <i>mediations</i>than of <i>means</i>,a matter    of <i>culture</i>and therefore, not only of knowledge but of recognition. Recognition    that was, initially, the operation of a methodological dislocation in order<i>    to </i>review the entire process of communication from its <i>other</i>side,    that of reception, of the resistences that occur there, of appropriation through    its uses. " (BARBERO, 1997, p. 16; emphasis in the original ). For this author,    who specifically interpellates Latin American culture, reception is mediated    by struggles and resistance, a fact which makes knowledge of domination all    the more complex. Michel De Certeau, in turn, engages in a critique of technical    reason which arrogantly imagines knowing the best ways to organize people and    their lives, while common people silently escape this conforming world by “inventing”    their daily lives. In doing so, they employ subtle strategies and thus alter    dominant codes and reappropriate space (in the broad and particularly symbolic    sense). Language itself, and all the different types of languages that exist,    expressing this particular astuteness, are thus able to bypass dominant culture.    As has been observed, both authors, their differences notwithstanding, place    value on the ability of receptors not only to interpret but to act, which means    that messages are transformed, mediated in numerous ways and forms. </font></p>      ]]></body><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BOBBIO]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<article-title xml:lang="pt"><![CDATA[Estado Moderno]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[BOBBIO]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
<name>
<surname><![CDATA[MATTEUCI]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
<name>
<surname><![CDATA[PASQUINO]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dicionário de política]]></source>
<year>1982</year>
<publisher-loc><![CDATA[Brasília ]]></publisher-loc>
<publisher-name><![CDATA[UNB]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BORIN]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Imprensa: empresas e negócios. Um perfil quantitativo-qualitativo do mercado da notícia no Brasil]]></source>
<year>1993</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CAPELATO]]></surname>
<given-names><![CDATA[M. H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Imprensa e história do Brasil]]></source>
<year>1988</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Contexto]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CAPELATO]]></surname>
<given-names><![CDATA[M. H.]]></given-names>
</name>
</person-group>
<person-group person-group-type="editor">
<name>
</name>
</person-group>
<source><![CDATA[Os arautos do liberalismo: Imprensa paulista : 1920-1945]]></source>
<year>1989</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Brasiliense]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[COCKETT]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Thinking the Unthinkable: Think-Tanks and the Economic Counter-Revolution, 1931-1983]]></source>
<year>1995</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[H. Collins]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CONSTANT]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[A liberdade dos antigos comparada à dos modernos]]></source>
<year>1982</year>
<publisher-loc><![CDATA[Porto Alegre ]]></publisher-loc>
<publisher-name><![CDATA[L&PM]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DAHL]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[A preface to democratic theory]]></source>
<year>1956</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[Chicago University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DE CERTEAU]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[A invenção do cotidiano: artes do fazer]]></source>
<year>1996</year>
<publisher-loc><![CDATA[Petrópolis ]]></publisher-loc>
<publisher-name><![CDATA[Vozes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DESAI]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang="en"><![CDATA[Second-Hand Dealers in Ideas: Think-Tanks and Thatcherite-Hegemony]]></article-title>
<source><![CDATA[New Left Review]]></source>
<year>1994</year>
<numero>203</numero>
<issue>203</issue>
<page-range>27-64</page-range><publisher-loc><![CDATA[London ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DOWNS]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Uma teoria econômica da democracia]]></source>
<year>1999</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[USP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[EAGLETON]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Ideology: An Introduction]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FONSECA]]></surname>
<given-names><![CDATA[F. C. P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Divulgadores e vulgarizadores: a grande imprensa e a constituição da hegemonia ultraliberal no Brasil]]></source>
<year>2001</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FONSECA]]></surname>
<given-names><![CDATA[F.C.P.]]></given-names>
</name>
</person-group>
<source><![CDATA[O consenso forjado: a grande imprensa e a formação da agenda neo-liberal no Brasil]]></source>
<year>2005</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Hucitec]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GRAMSCI]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cadernos do cárcere]]></source>
<year>2001</year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Civilização Brasileira]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[HABERMAS]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Mudança estrutural na esfera pública]]></source>
<year>1984</year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Tempo Brasileiro]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[HARVEY]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change]]></source>
<year>1989</year>
<publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[University of Oxford]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[HELLEINER]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<article-title xml:lang="en"><![CDATA[From Bretton Woods to Global Finance: A World turned Upside Down]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[STUBBS]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[UNDERSHILL]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Political Economy and the Changing Global Order]]></source>
<year>1994</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[St. Martins]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[HIRST]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[THOMPSON]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Globalization in Question]]></source>
<year>1996</year>
<publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[University of Oxford]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[IANNI]]></surname>
<given-names><![CDATA[O.]]></given-names>
</name>
</person-group>
<source><![CDATA[Desafios da comunicação]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Petrópolis ]]></publisher-loc>
<publisher-name><![CDATA[Vozes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KUCINSKI]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[Jornalismo econômico]]></source>
<year>2001</year>
<edition>2ª</edition>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[USP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LABORIE]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang="fr"><![CDATA[Histoire politique et histoire des représentations mentales]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[PESCHANSKI]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Histoire politique et Sciences sociales]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Complexe]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LIMA]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Mídia: teoria e política]]></source>
<year>2002</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Fundação Perseu Abramo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MADISON]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Federalist]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[Encyclopaedia Britannica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MANIN]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Principles of Representative Government]]></source>
<year>1997</year>
<publisher-loc><![CDATA[Cambridge^eMass. Mass.]]></publisher-loc>
<publisher-name><![CDATA[Cambridge University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MARTIN-BARBERO]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dos meios às mediações: Comunicação, cultura e hegemonia]]></source>
<year>1997</year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[UFRJ]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MATTELART]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[História das teorias da comunicação]]></source>
<year>1999</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Loyola]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MEDINA]]></surname>
<given-names><![CDATA[C. A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Notícia, um produto à venda]]></source>
<year>1978</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Alfa-ômega]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MILL]]></surname>
<given-names><![CDATA[J. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Sobre a liberdade]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Petrópolis ]]></publisher-loc>
<publisher-name><![CDATA[Vozes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MIGUEL]]></surname>
<given-names><![CDATA[L. F.]]></given-names>
</name>
</person-group>
<article-title xml:lang="pt"><![CDATA[Um ponto cego nas teorias da democracia: os meios de comunicação]]></article-title>
<source><![CDATA[BIB]]></source>
<year>2000</year>
<numero>49</numero>
<issue>49</issue>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[TASCHNER]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Folhas ao vento: Análise de um conglomerado jornalístico no Brasil]]></source>
<year>1992</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Paz e Terra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[TOCQUEVILLE]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Da democracia na América]]></source>
<year>1969</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Nacional]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PADIOLEAU]]></surname>
<given-names><![CDATA[J.-G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Le Monde et le Washington Post: Précepteurs et Mousquetaires]]></source>
<year>1985</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Presses Universitaires de France]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PRZEWORSKI]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[STOKES]]></surname>
<given-names><![CDATA[S. C.]]></given-names>
</name>
<name>
<surname><![CDATA[MANIN]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[Democracy, Accountability, and Representation]]></source>
<year>1999</year>
<publisher-loc><![CDATA[Cambridge^eMass. Mass.]]></publisher-loc>
<publisher-name><![CDATA[Cambridge University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[WEBER]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang="es"><![CDATA[Para una Sociología de la Prensa]]></article-title>
<source><![CDATA[Revista Española de Investigaciones Sociológicas]]></source>
<year>1992</year>
<numero>57</numero>
<issue>57</issue>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[WEFFORT]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Os clássicos da política]]></source>
<year>1990</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Ática]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="journal">
<article-title xml:lang="fr"><![CDATA[Médias et contrôle des esprits]]></article-title>
<source><![CDATA[Le Monde Diplomatique]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FRIAS FILHO]]></surname>
<given-names><![CDATA[O.]]></given-names>
</name>
</person-group>
<source><![CDATA[Entrevista concedida a Francisco C. P. Fonseca]]></source>
<year>2001</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
