<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
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<journal-meta>
<journal-id>0101-3300</journal-id>
<journal-title><![CDATA[Novos Estudos - CEBRAP]]></journal-title>
<abbrev-journal-title><![CDATA[Novos estud. - CEBRAP]]></abbrev-journal-title>
<issn>0101-3300</issn>
<publisher>
<publisher-name><![CDATA[Editora Brasileira de Ciências Ltda]]></publisher-name>
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<article-meta>
<article-id>S0101-33002006000200005</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Two thought games]]></article-title>
<article-title xml:lang="pt"><![CDATA[Dois jogos de pensar]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Giannotti]]></surname>
<given-names><![CDATA[José Arthur]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Doyle]]></surname>
<given-names><![CDATA[Anthony]]></given-names>
</name>
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<aff id="A">
<institution><![CDATA[,  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
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<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2006</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2006</year>
</pub-date>
<volume>2</volume>
<numero>se</numero>
<fpage>0</fpage>
<lpage>0</lpage>
<copyright-statement/>
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<self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_arttext&amp;pid=S0101-33002006000200005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_abstract&amp;pid=S0101-33002006000200005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://socialsciences.scielo.org/scielo.php?script=sci_pdf&amp;pid=S0101-33002006000200005&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[What is the relation between a "truth game" and a "language game"? The former is associated with Heidegger and Foucault, interested either in the essence of truth or its historicity. The latter, with Wittgenstein, who tries to unveil the conditions of the meaning of statements. This article discusses the implications of this opposition, emphasizing the role played by the question of being.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Qual a relação entre "jogo de verdade" e "jogo de linguagem"? Do primeiro, aproximam-se Heidegger e Foucault, interessados seja na essência da verdade, seja na sua historicidade. Do segundo, Wittgenstein, empenhado em desvendar as condições dos enunciados. Este artigo discorre sobre as implicações desses posicionamentos, procurando enfatizar o papel que neles desempenha a questão de ser.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[truth game]]></kwd>
<kwd lng="en"><![CDATA[language game]]></kwd>
<kwd lng="en"><![CDATA[Foucault]]></kwd>
<kwd lng="en"><![CDATA[Wittgenstein]]></kwd>
<kwd lng="pt"><![CDATA[jogo de verdade]]></kwd>
<kwd lng="pt"><![CDATA[jogo de linguagem]]></kwd>
<kwd lng="pt"><![CDATA[Foucault]]></kwd>
<kwd lng="pt"><![CDATA[Wittgenstein]]></kwd>
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</front><body><![CDATA[ <p><font face="Verdana, Arial, Helvetica, sans-serif" size="4"><b>Two thought    games</b></font></p>     <p>&nbsp;</p>     <p><b><font face="Verdana, Arial, Helvetica, sans-serif" size="3">Dois jogos de    pensar </font></b></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>José Arthur    Giannotti</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Translated by Anthony    Doyle<u>    <br>   </u>Translation from <a href="http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0101-33002006000200004&lng=en&nrm=iso" target="_blank"><b>Novos    Estudos - CEBRAP</b>, S&atilde;o Paulo, n.75, p.49-58, July 2006</a></font>.</p>     <p>&nbsp;</p>     <p>&nbsp;</p> <hr align=left size=1 noshade>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>SUMMARY</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">What is the relation    between a “truth game” and a “language game”? The former is associated with    Heidegger and Foucault, interested either in the essence of truth or its historicity.    The latter, with Wittgenstein, who tries to unveil the conditions of the meaning    of statements. This article discusses the implications of this opposition, emphasizing    the role played by the question of being. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Key words:</b>    <i>truth game; language game; Foucault; Wittgenstein</i>. </font></p> <hr align=left size=1 noshade>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>RESUMO</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Qual a relação    entre “jogo de verdade” e “jogo de linguagem”? Do primeiro, aproximam-se Heidegger    e Foucault, interessados seja na essência da verdade, seja na sua historicidade.    Do segundo, Wittgenstein, empenhado em desvendar as condições dos enunciados.    Este artigo discorre sobre as implicações desses posicionamentos, procurando    enfatizar o papel que neles desempenha a questão de ser.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Palavras-chave:</b>    <i>jogo de verdade; jogo de linguagem; Foucault; Wittgenstein.</i></font></p> <hr align=left size=1 noshade>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It is intriguing    that Michel Foucault and Ludwig Wittgenstein, in broaching the question of thought,    both find their inspiration in games. But why does the former emphasize the    side of truth and the latter the question of meaning? What distinguishes and    intertwines the “truth game” and the “language game”?</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">When given the    task of writing the entry for “Foucault” in Denis Huisman's <i>Dictionnaire    des Philosophes</i>, François Ewald did not hesitate in going straight to his    friend and master, who came to his aid with a handful of notes, later published    under the telling pseudonym of <b><i>M</i></b>aurice <b><i>F</i></b>lorance.    In the dictionary entry the philosopher describes himself as a critical historian    of thought, thus explicitly assuming a place in the honourable lineage of Kant.    Later, when he returned to the moral problem and brought the notion of the subject    to the foreground, he began to flirt with <i>The</i> <i>Phenomenology of Spirit</i>,    precisely the book that tends to be the French point of entry to Hegel. However,    despite his struggle against phenomenology, it is Heidegger, tempered with a    dose of Nietzschean pepper, who is the main source for his understanding of    thought. </font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">While studying    the formation of the speaking subject, particularly in <i>L'Archéologie du savoir</i>,    Foucault takes sequences like “QWE” – the first keys horizontally from left    to right on a keyboard – as an example of the enunciation; a meaningful formulation,    albeit void of semantic content. Quite different, therefore, from the propositions    with which we generally refer to states of affairs according to the measures    of truth and falsehood.  These, furthermore, articulate by pertinent differences    necessary to meeting their references, tending, according to Foucault and some    of his colleagues, to structure themselves into an axiomatic system. Statements,    on the other hand, interweave through repetition and differences without points    of articulation. Parisian philosophy tends to pit that logic which is entirely    subordinated to identity, and thus leaning towards automatism, against a different    thought in which the truth reveals itself prior to the opposition between the    truth values - truth and falsehood – characteristic of the proposition. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Heidegger's influence    in all this is obvious. Against the rationalism that approaches truth as the    adequation, the coincidence between the representation and the represented,    in short, the <i>intentionality</i> of the proposition and the state of things,    Heidegger centres his analysis of truth, shall we say, upon the discourse of    authenticity – “true gold”, for example, is that which presents that very concept.    In turn, so long as we accept predication, whose form is “S is p”, as the basis    of language, it seems evident that, one way or another, the nominal “S” is referring    to something present before the nominal itself was pronounced. This truth that    precedes the predication is thus the disclosure of something before an entity    that is open to that unveiling, an entity that is there, <i>Dasein</i>; the    world openness that is the mark of man's being. The unveiling of truth is therefore    understood as the foundation of the judicative synthesis and connects with “behaviours”;    with practices of worldly insertion.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">As Heidegger himself    says:</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>Without doubt,      as long as we represent thought according to the information that logic gives      us about it, as long as we refuse to take seriously the fact that all logic      is based in a particular mode of thought – we will never be able to properly      consider that – and to what extent – poetry </i>(das Dichten)<i> rests upon      remembrance </i>(Andenken)<a href="#_ftn1" name="_ftnref1" title=""><sup>1</sup></a>.</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Poetry is here    understood as any poetic activity, including philosophy. While this thought    is ruled by a logic that is based upon a very particular way of thinking about    identity, there is no way of understanding how the creative thought is connected    with a memory that is, in turn, presentative and which contains an internal    difference. Heidegger and many of his disciples fail to take into account the    possibility of constructing a non-predicate-based logic or of formalizing everyday    language in a variety of ways. They still work from the presupposition that    every proposition possesses a single logical form anchored in a synthesis, whether    of nominals or of nominals and concepts. From this perspective one has to assume    that the foundation of thought consists in a presentation of the named object,    that is, a presentation of something that can also make itself absent, a role    always attributed to imagination and memory. But throughout the unfolding of    this process, would the identity remain the same? It is worth remembering that    the <i>Tractatus</i>, in maintaining the unicity of logical form, also finds    itself obliged to radically separate <i>showing</i> from <i>saying</i>, the    beautiful, the good; the very sense of life lying beyond the grasp of those    who linger on the level of figurative language. Furthermore, with logic confined    within the space of an undifferentiated identity, there is no way to avoid the    crystal clear separation between a logic of the meanings, a grammar for what    one can meaningfully say, a logic of truth, that is, of those senses that can    be shown and incarnated. But what if showing and thinking while judging were    reciprocally determined?</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Michel Foucault    escapes this radical separation between the logic of meaning and the logic of    truth precisely because he sees the latter as a game. Put briefly: the game    of truth and falsehood ends up demarcating the very field in which it operates,    the range of its own truth, as exercised in the techniques of power.  Here we    can see the influence of Georges Canguilhem, who, interested in study, especially    in biology, has to confront how these concepts always refer to the game of norms    and facts, to the history of truth itself, the history of “veridical discourses”    that, by correcting and rectifying themselves, end up chalking out a field of    knowledge in which the opposition between the true and the false comes into    its own<a href="#_ftn2" name="_ftnref2" title=""><sup>2</sup></a>. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">However, if the    unveiling is connected with certain forms of behaviour, does it not irremediably    imbricate one behaviour over all others, interweaving knowledge and power? Obviously,    from here Foucault can lend more weight to the formative role of power and its    techniques, as one cannot function without the other – it was not for nothing    that Foucault was labelled a crypto-communist.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">This link between    knowledge and power goes on to configure types of subject and norms. In an often-neglected    passage, Foucault wrote:</font></p>     <blockquote>        ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">For Heidegger,      it is with western <i>tekhnê</i> that knowledge of the object banished Being      from memory.  We shall revisit the question and ask by which <i>tekhnê </i>was      the western subject formed and its characteristic games of truth and error,      freedom and restraint, opened<a href="#_ftn3" name="_ftnref3" title="">3</a>.</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The manifestation    of truth, now understood as the process of constituting an objectivity for a    subjectivity, depends on “tree fundamental elements of all experience: a truth    game, power relations and, finally, the forms of one's relations with oneself    and with others”<a href="#_ftn4" name="_ftnref4" title=""><sup>4</sup></a>.    As such, experience itself is shaped, in culture, by the correlation between    the fields of knowledge, types of normalization and forms of subjectivity.     The game of truth production configures the individual as the subject of this    production: as the speaking subject on the level of language; as the rational    subject and madman on the level of reason; and the moral subject on the level    of care for oneself and for others. Subjects with a history, in such a way that    – contrary to the view of the classical rationalists – the truth does not reveal    itself to man all of a sudden, but only through practices, including the practices    of the self. There can be no truth production without a form of asceticism,    the training of a subject who is preparing himself in order to receive it. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The practice of    self assumes responsibility as much for the formation of the subject as of the    object, or rather, of their mutual framing, which occurs, it must be stressed,    before any synthesis characteristic of predication. On this profound level,    thought resolves itself in this framework, as it posits subjects and objects,    in all their various possible relations, especially thanks to adjusting, self-verifying    discourses, as if each side makes the other its theme and reference, from which    it keeps its distance so as never to allow it to grow slack. </font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>If what is      meant by thought is the act that posits a subject and an object, along with      their possible relations, a critical history of thought would be an analysis      of the conditions under which certain relations of subject to object are formed      or modified, insofar as those relations constitute a possible knowledge. (…)      The problem is to determine what the subject must be, to what conditions he      is subject, what status he must have, what position he must occupy in reality      or in the imaginary in order to become a legitimate subject of this or that      type of knowledge.<a href="#_ftn5" name="_ftnref5" title=""><sup>5</sup></a></i></font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Who cannot hear    echoes of <i>The Phenomenology of Spirit</i> in this?    <br>   </font><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We shall    now leave this process of the formation of subjects, with its culmination in    the constitution of the moral subject, and return to the concept of the truth    game, which first appeared in Foucault's work in courses delivered in 1978 and    1979. The reciprocal determination of the subject and object occurs as the terrain    of truth is delineated, as a kind of background, where truth and falsehood can    stand in opposition and estrangement. However, given Foucault's radical nominalism,    which sets about substituting concepts such as madness or sexuality with practices    hastily drawn up to form enunciations that can be repeatedly judged true or    false, the whole critical history of thought ceases to be the history of acquisitions    and concealments of truth and becomes the history of the emergence of truth    games, of what the subject can say depending on the question of true and false.    What we have, then, is a critical history of thought that does not limit itself    to acquisitions or concealments of truth, but which is the history of the emergence    of truth games, the history of “veridictions” understood as the forms according    to which discourses capable of being declared true or false are articulated    concerning a domain of things. Note the anti-Heideggerian intention here: the    target of the critical history of thought is not to record the disclosures and    concealments of being, but to show a system of rules/techniques that forms precisely    where possible speech and possible reality draw up an a priori field of experience.    Also note that Foucault does not seek <i>the cause</i> responsible for constituting    an organ of verification<a href="#_ftn6" name="_ftnref6" title=""><sup>6</sup></a>,    but simply to indicate how, after a certain historical moment, practices, in    general dictated by a somewhat illusory universal, became the support framework    for all that can be said to be true or false.  An analysis, therefore, that    always departs from experiences and ends up showing how they weave the field    in which truth and falsehood can be spoken. The task is to study…</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>…the history      of truth, &#91;to&#93; analyse neither the behaviours nor the ideas, not the societies      nor their “ideologies”, but the </i>problematizations <i>through which being      presences itself as what can and must be thought, and the </i>practices<i>      by which they &#91;the abovementioned&#93; are formed.<a href="#_ftn7" name="_ftnref7" title=""><sup>7</sup></a></i></font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We shall quickly    examine what Foucault calls the “place of truth”: the market. The market, as    it functioned prior to the 18<sup>th</sup> Century, was, let us say, a place    of justice, where the central powers ensured that prices were fair and well    distributed among the population, albeit while obviously respecting class differences.    In short, the market was the place of jurisdiction. However, in the following    century it appears endowed with “natural” mechanisms whereby, let's put it this    way, “true prices” take hold and lose their character of fairness. By revealing    this “truth”, economic policy arms itself with a discourse whereby governmental    practices are obliged to take these prices as a standard against which they    can be said to be correct or not. Moreover: </font></p>     ]]></body>
<body><![CDATA[<blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>The market,      insofar as it enables – through exchange – the linking of production, necessity,      supply, demand, value, price, etc. thus constitutes a place of veridiction;      that is, a place of veridiction/falsification for governmental practices.<a href="#_ftn8" name="_ftnref8" title=""><sup>8</sup></a>      </i></font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Note that it is    the governmental practices that find their place of veridiction in the market.    But for these practices to become rational they must take into account how the    new subject, <i>homo oeconomicus</i>, considers himself a being entirely moved    by interests and therefore rejects the presence of the State as a regulator    of general interests. But there are certain phenomena this State cannot lose    sight of, such as the “population”, which gives rise to specific problems that    a strictly liberal economic theory can hardly account for. Hence the unfolding    of another point of view, that of the physiocrats, who, though likewise departing    from the basis of individual interests, manage to arrive at general problems    the more they come to view the production process as a whole. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Thus the political    policies move between these two regulatory poles, progressively verified by    the progress of the market itself. Taking other examples into account, one can    see that Foucault is trying to show how an intelligibility process of the real    is configured, how it comes to be possible.  As there are various veridictory    regimes, the task is to analyse the</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>constitution      of a certain Law of truth based upon a situation of Law, the Law/truth relation      finding its privileged manifestation in discourse, the discourse which formulates      the Law and all that can be true or false;  the veridiction regime is not      a letter of truth law, but the conjunct of rules that make it possible, by      way of a given discourse, to fix which enunciations are to be characterised      as true and which false.</i><a href="#_ftn9" name="_ftnref9" title=""><sup>9</sup></a>      </font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In summary, to    think is to problematize the forms by which being can be thought. Taking into    consideration certain practices, such as the problematization of madness or    illness through social and medical practices, will define a certain “normalization”    profile for human beings. The problematization of life, of language, of work    and so on so forth, results in discursive practices that obey specific “epistemic”    rules.<a href="#_ftn10" name="_ftnref10" title=""><sup>10</sup></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">While language    also becomes a problem, I see no way of denying that it is language that designs    the framework for all problematizations. After all, problems are spoken, even    if only tacitly. In the Heideggerian tradition, Foucault continues to take thought    to be something armed by practices that, though articulating the field of given    experience, end up presenting the base upon which the game of truth and falsehood    is played out. The explanation is circular, as the problem is formulated in    a language that will also find its foundations in its own game of truth and    falsehood in constituting an experience of language itself as a problem. In    the end, the rules of Law declared true or false by the movements of the market    already possess senses that go beyond commercial Law. Written in Latin or in    English, a text of Law has its own rules that go beyond the rules of the languages    in which it is written. Rules that form a system, a framework of senses defined    one in relation to another and which refer to a specific type of event. Now,    the events of the rules of Law do not mix with those of the rules of the market.    In short, Law and the market have their own separate grammars. From this point    of view, the exercise of problematizing implies dealing with different grammars.    So what is left of Foucault's radical nominalism, if in order to show how a    field of experience is generated you have to recur to other systems of rules    endowed with their own grammars? Though deeply entangled, the conditions of    sense do not blend with the conditions of truth and I do not see how an experience    of truth could structure the horizon of the experience of meanings. Would we    not have to return to the question of the bipolarity of the propositions? </font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>II</b></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">From the 1930s,    Wittgenstein abandoned his figurative theory of language; which is no longer    thought of in terms of elementary propositions constituted by figurations (Bilden)    that refer to states of affairs and comes to be seen as the integration of multiple    and varied language games. A language game is composed of signs connected to    the practices of their respective uses, to which they show how the signs themselves    serve as criteria in assessing whether or not the application of these symbolic    rules is adequate.  In a game, the same rule applies indefinitely, but with    unpredictable results, such that its adequate use requires the creation of a    halo of differences. These, in turn, are largely manifested in the slight changes    of aspect in the denoted “object”. In the game between the builder and his apprentice,    the words/propositions vary on the one hand, the moved objects on the other,    but equally so do the aspects of one or the other. To what point do the differences    in pronunciation and the materials interfere in the course of the game? It follows    that applying a rule always brings certain regularities to bear that show themselves    when the game itself is described. Must this not happen when they start to jam?    There are therefore two sides to every rule: the first, the intentional, the    empirical; the second, that which describes its grammar, in which its functioning    is presupposed. In relation to the first aspect, the rule functions in a bipolar    manner, as for the second, the descriptive enunciations are monopolar.  Put    briefly, that difference between predicative and antepredicative resides in    the statement as a game. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the game of    truth, as Foucault understands it, practices mould the space of “veridictions”,    but say nothing of the alterations made to this space through the repetition    of these practices, nor of the conditions necessary to its use. Indeed, nothing    beyond the conditions sufficient for its formation. A dialectical logic, Foucault    tells us, plays with contradictory terms within the homogeneous element, while    the logic of strategy, which he proposes, “has the function of establishing    what the possible connections are between nonsensical terms and those which    remain nonsensical”<a href="#_ftn11" name="_ftnref11" title=""><sup>11</sup></a>.    By showing that the “same” proposition is capable of being empirical when referring    to the world and logical when describing the language game into which it is    woven, is Wittgenstein not marrying the two logics?</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In a language game    there are no clear boundaries between the nominal, at whose root there will    always be some mode of showing by pointing, and the sentence and the proposition,    formed by signs to which adequate reactions either correspond or not. We must    remember that, if a language game is thought from the very start, this is so    because its relatively simple significant elements, verbal or otherwise, are    connected with identification practices. A rule that does not regulate an event    is not a rule. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We have arrived    at a point of summary importance. There are no rules without events, as the    relationship between them is internal. But of what does the difference between    the rule and the events and between the events themselves actually consist?    Since the time of the Greeks, the rule has been considered as the idea, the    visible <i>par excellence</i>, the form that leaves its seal-like mark upon    the wax of matter. It is not our task here to examine how form represents matter    and how matter presents form, but I believe that I can, on this level, touch    upon the neuralgic point of the concept of the truth game and of Foucault's    entire philosophy. As we continue to think of the event as the mark of form,    all difference can only appear as numeric difference between events or as the    scraps left over from the minting of matter.  Now, the discovery of an ante-propositional    and pre-representative knowledge allows us to consider difference and repetition    off the functional plane of the identity of the concept, the opposition in the    predicate, analogy in the judgement and similarity in perception, in short,    beyond the four dimensions that demark the classical world of representation    and which correspond to the four roots of the principle of sufficient reason.    But does thinking of propositions as configuring a language game not deny this    radical difference between prepositional knowledge and the knowledge of truth,    as the bipolarity or monopolarity of the propositions depends on their use?</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It would take far    too long to examine how these questions were dealt with by Michel Foucault and    Gilles Deleuze – in fact, in a rare moment of syntony, exceptional when one    considers the kind of dispute that normally prevails between philosophers, always    looking to accentuate originality above any agreements in reflection. I can,    however, identify one further point. While the rule is always thought of as    being connected with possible events, difference as difference only appears    when escaping this combination, as the event that escapes the rule,  that imposes    itself as absolute singularity, i.e. as the affirmation of the extraordinary.    As such, it can only present itself on the plane of truth, outside the limits    of the game of true and false. Nevertheless, could there not be other forms    of its presentation?</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We shall now return    to the concept of the language game. This too has a genealogy, as the problem    of meaning - to which it purports to respond - imposes itself when everyday    language begins to sputter. Only when faced with a mal-understood utterance    do we ask: “What does this mean?” No one pays any heed to the meaning when an    enunciation is made in a natural manner, unless the individual wishes to study    the grammar of the language in which it is spoken. In the scope of those much    reduced language games like that at play between the builder and his apprentice,    neither of the agents doubts that “sand” means sand, that an order must be carried    out, that the builder bids and the apprentice obeys, and so on.  The game plays    itself out on a plane in which countless certainties are never called into question,    they are neither <i>problematized</i>, nor evinced – they are just there, ready    to show what they are when questioned. But what if the builder, instead of receiving    sand, should be given sandy earth? Aren't these glitches in the exercise of    a proposition and in the boundless certainties that enable it to function valid    for any language game, including for language itself as a tangled complex of    games simpler than language? It is not possible for us to enter into a detailed    analysis of the book <i>On Certainty<a href="#_ftn12" name="_ftnref12" title=""><sup>12</sup></a></i>,    in which Wittgenstein thoroughly examines these questions, but we can highlight    some points related to our subject - and I do so in full knowledge that I will    thus be distancing myself from the dominant interpretation of his philosophy.    Firstly, conversation can only develop if the interlocutors have no major doubts    as to, for example, the language's phonetic structure. The determinant rules    of this structure, as meaningful enunciations, can only be examined when the    investigator turns his focus upon the meanings and sets aside, for example,    the state of affairs to which one of these refers. In order to know that in    French there is a distinctive difference between “u” and “ü” one does not have    to identify a certain example of its functioning, it is quite enough to know    if people are understanding each other or not. Now this understanding is never    complete and there is nothing to prevent us from abandoning the presupposition,    Platonic in origin, according to which understanding comes down to the precise    apprehension of its template. The first postulate to be dispensed with is, therefore,    the principle of complete determination as being responsible for determining    individualities, as an element remains relatively simple even without us being    able to affirm or deny all of its predicates. However, that does not mean to    say that difference presents itself as irreducible, always in opposition to    the presupposed identity. The 'different' forms a kind of halo around the events    of the rule, those that confirm it, without difference interfering with the    intentionality of the game. On the strength of this intentionality, the results    of each play need a certain precision determined within an acceptable margin    of error. But taking the different for the different, without a port of anchorage,    what emerges is the flipside of the Platonic presupposition: there is no game    with the different. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Abandoning these    two bedrock limits – the principle of complete precision and that of absolute    difference – in no way impedes communication, so long as one takes into consideration    the process whereby identity and difference are constituted at the level of    practice. Insofar as identity results from a <i>practical process of identification</i>    – and language does not escape from this conditioning – the various senses of    identity and the various senses of difference are engaged in a reciprocal determination,    with one only valid in the presence of the other on the practical plane where    both are constituted.  Yet we still need to put another presupposition in check:    when we say that, in French, “u” and “ü” are phonologically different, we affirm    a proposition whose truth, if refuted, would reveal an alteration in the language    game of French. The game changes and the players have to find some way to understand    each other if they are to distinguish “under” (au dessous) from “over” (au dessus).    A game of football in which the forward, on certain occasions, is allowed to    punch the ball toward goal with his hands would be similar to our football of    today, but also different. Thus is it possible to say that the enunciations    that <i>describe</i> the functioning of language games, that <i>describe</i>    their rules, are essential propositions obviously exempt from the game of bipolarity.     In short, everything that describes a language game as pertaining to logic does    so through propositions of its essence. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In order to be    described, the truth game needs to be seen from another perspective to that    in which it presents itself under normal functioning. <i>It changes in aspect    above all for whoever </i>says<i> the description</i>. This <i>change of aspect</i>    with each enunciation, such that it <i>shows</i> its essential laws, brackets    out its whole history and genealogy. There can be no doubt that the history    of the enunciation, for example, how it became a technical or moral rule, could    be what motivates the statement, but the motive does not become confused with    the criteria to which the rule is reduced when it refers to its events. And    even when the rule transforms depending on the result of its applications, this    temporality between the enunciation of the rule and the assessment of how well    events fit within it disappears when it shows itself once again as a rule. In    summary, between the presupposed rule and the rule repositioned so as to account    for the undesirable differences within events, that is, in the exercise of the    rule judgement, a time is opened that is nonetheless bracketed out as soon as    any rule is positioned as a rule in force. The change of aspect of the enunciated    rule when it is subjected to examination with a view to being described in terms    of its essential propositions annuls the temporality of its origin as a criterion    for saying whether or not the rule has been followed. </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We can therefore    establish three aspects of the functioning of a rule. First, how it serves as    criteria for distinguishing between adequate or inadequate states or behaviours.    Second, what it presupposes as indubitable to its potential description. Third,    its own history; how it was formed and generated a type of communication.  If    this third aspect certainly elucidates variations in its sense, that does not    mean to say that it brings an immediate historic dimension for its proper compliance.    And so, considering a truth game as a language game reveals aspects of it that    elude genealogical explanation.  In short, the entire history of truth is suspended    when you describe how a rule is applied, how the judgement proceeds. </font></p>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Received for publication    on June 26, 2006.</font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Jos&eacute; Arthur    Giannotti is a professor emeritus at the Faculty of Philosophy, Literature and    the Human Sciences of the University of São Paulo and coordinator of the Philosophy    and Politics Department of Cebrap.    <!-- ref --><br>   <a href="#_ftnref1" name="_ftn1" title="">1</a> Martin Heidegger. “Was heisst    Denken”, II, 11. In: <i>Vorträge und Aufsätze</i>, Pfullingen: Neske, 1967.    <!-- ref --><br>   <a href="#_ftnref2" name="_ftn2" title="">2</a> Michel Foucault. <i>Dits et    écrits</i>, vol II. Paris: Gallimard, 2001, p. 454.    <br>   <a href="#_ftnref3" name="_ftn3" title="">3</a> Ibidem, p. 505.    <br>   <a href="#_ftnref4" name="_ftn4" title="">4</a> Ibidem, p. 1415.    <br>   <a href="#_ftnref5" name="_ftn5" title="">5</a> Ibidim, p.1415    ]]></body>
<body><![CDATA[<!-- ref --><br>   <a href="#_ftnref6" name="_ftn6" title="">6</a> Michel Foucault. <i>Naissance    de la biopolitique</i>. Paris: Gallimard, 2004, p.35.    <!-- ref --><br>   <a href="#_ftnref7" name="_ftn7" title="">7</a> Idem. <i>Dits et écrits</i>,    vol II. Paris: Gallimard, 2001, p.1364.    <!-- ref --><br>   <a href="#_ftnref8" name="_ftn8" title="">8</a> Idem. <i>Naissance de la biopolitique</i>.    Paris: Gallimard, 2004, p.33-34.    <br>   <a href="#_ftnref9" name="_ftn9" title="">9</a> Ibidem, p.37    <!-- ref --><br>   <a href="#_ftnref10" name="_ftn10" title="">10</a> Michel Foucault. <i>Dits    et écrits</i>, vol II. Paris: Gallimard, 2001, pp. 1364-1365[    <!-- ref -->STANDARDIZEDENDPARAG]<br>   <a href="#_ftnref11" name="_ftn11" title="">11</a> Idem. <i>Naissance de la    biopolitique</i>. Paris: Gallimard, 2004, p.44.    <!-- ref --><br>   <a href="#_ftnref12" name="_ftn12" title=""><sup>12</sup></a> Ludwig Wittgenstein.    <i>Über Gewissheit – On Certainty</i>. New York: Harper, 1969. </font> ]]></body><back>
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